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Itallian art

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A. Darr; Italian Sculpture in the Detroit Institute of Arts, Turnhout, Brepols, 2003. Hardback, two-volume catalogue, 564 p., 390 b/w ill. 43 colour ill., 210 x 280 mm. ISBN: 9781872501383 This two-volume catalogue covers the entire collection of post-antique Italian sculpture in the Detroit Institute of Arts, ranging from early medieval to the early twentieth century. The collection of post-antique Italian sculpture in the Detroit Institute of Arts is considered among the three finest and most comprehensive outside Europe; however, this large and distinguished collection, whose formation began a century ago, has never been published in its entirety as a museum catalogue. Ranging from early medieval, pre-Romanesque stone carvings of the eighth and ninth centuries to works created more than a millennium later, the collection numbers over 350 pieces of Italian sculpture in wood, stone, terracotta, stucco, porcelain and bronze. More than half of the collection consists of sculpture from the fifteenth and sixteenth centuries (or the Early, High and Late Italian Renaissance), and approximately one-fifth dates from the thirteenth and fourteenth centuries (roughly, Italian Gothic sculpture). Although the remainder is more or less equally balanced in number between the eighth to the twelfth centuries, and those pieces from the seventeenth to the early twentieth centuries, the latter group of Italian baroque to nineteenth-century sculpture contains some of the most important and most recently acquired Italian works of art in the collection. New book. Référence: 32440 | Prix: EUR 128.00 Ajouter au panier

ALEXANDER, FRANCES. AMEDEO MODIGLIANI. New York, Parkstone Aurora, 2000. Relie, cartonnage d' editeur illustree en couleur, sous jacquette d' editeur illustre en couleur, 13x22cm, 117pp, illustre avec 58 planches hors-texte en couleur et n/b, bibliographie. ISBN: 1859957072 Référence: 11961 | Prix: EUR 10.00 Ajouter au panier

Alexander, J.J.G. Italiaanse miniaturen uit de renaissance. Het Spectrum 1978, 1978. Hardcover, 120 pagina's, Nederlands, 285 x 210 mm, omslag heeft een betere tijd gehad, boek zelf is in prima staat, met illustraties in kleur, . ISBN: 9789027473035 Référence: 57327 | Prix: EUR 10.00 Ajouter au panier

ALEXANDRE, Paul. MODIGLIANI testimontanze, documenti e disegni inediti provenienti dalla collezione del dottor Paul Alexandre. Riuniti presentati da Noel Alexandre. Umberto Allemandi & co / fonds mercator.1993. paperback, 464pp.24x32cm. illustrated. ISBN: 8842204633 book of drawings. Référence: 16503 | Prix: EUR 50.00 Ajouter au panier

Archives Secretes Vaticanes Les Les archives secretes du Vatican VdH Books, 2009. Hardback, dusjacket in fine condition 297x297mm, 240p, FRENCH (FR) edition . ISBN: 9789088810091 Les archives secretes du Vatican ont depuis toujours frappe l'imagination. Pour la premiere fois, un editeur a ete autorise a se promener librement parmi les tresors abrites et a prendre des photos de cet endroit charge de mysteres. Cette publication vous propose un survol inoubliable des endroits et documents les plus exceptionnels des archives secretes vaticanes. Référence: 22416 | Prix: EUR 28.00 Ajouter au panier

Arturo Galansino, Simone Facchinetti In the Age of Giorgione Royal Academy, 2016. Hardback with dust jacket, 270x240mm, 176p, 80 colour illustrations,
English edition . ISBN: 9781910350263
Venice at the start of the sixteenth century was Europe?s undisputed capital of culture: home to some of the finest artists of the Italian Renaissance, whose importance stretched far beyond the region. The first great painter to emerge was also the most mysterious: little is known about Giorgio Barbarelli da Castelfranco, known as Giorgione (1478?1510), and few works have been attributed to him with any certainty, yet he painted what is considered to be the first landscape in Western art history, and his influence was profoundly felt by contemporaries including Lorenzo Lotto and Titian. This sumptuous volume brings together many of the works attributed to Giorgione, along with other masterpieces of the Venetian School, demonstrating the extraordinary richness of colour and mood for which these artists were famed. This book brings to life an extraordinary moment in the history of European art. Expo : 12/3/2016 - 5/6/2016, Royal Academy of Art, London Référence: 48459 | Prix: EUR 43.95 Ajouter au panier

AURIGEMMA, Salvatore & GUYON, Oliver (trad.). Les Thermes de Diocletien et Le Musee National Romain. (Troisieme edition Italienne). Roma, Istituto Poligrafico Dello Stato, 1955. Broche, sous jaquette originale d'editeur, 18.5x12.5 cm., 188 pp. + 4, 148 illustrations/planches en n/b. Itineraires des Musees et Monuments d'Italie n?° 78. Référence: 41189 | Prix: EUR 5.00 Ajouter au panier

B. Dunbar, R. Munman, E. Olszewski; Sixteenth-Century Northern European Drawings, Turnhout, Brepols, 2012. Hardback, approx. 280 p., 150 b/w ill. + 16 colour ill., 220 x 280 mm. ISBN: 9781905375110 This volume catalogues 137 drawings by nearly one hundred artists active in the Netherlands, Germany, France, Switzerland, and Spain from the very end of the fifteenth century through 1600. Compiled by a team of twenty-two scholars, the book fully documents each of the drawings from twenty-four museums, outside of Chicago, with detailed scholarly entries and photographs of every work. Taken as a group, the drawings in this book present some of the most able draughtsmen of the period active north of the Alps. A sampling of the artists include Albrecht Durer and his contemporaries in Germany, Albrecht Altdorfer, Hans Beham, and Georg Pencz; in the Lowlands, Jan Wellens de Cock, Maerten van Heemskerck, Hendrick Goltzius, and Maerten de Vos; and from other countries, members of the Dumonstier family in France and the Swiss artists Tobias Stimmer and David Lindtmayer. The volume also presents over forty drawings which are published here for the first time with attributions to such artists as Christopher Amberger, Wouter Pietersz. Crabeth, Virgil Solis, and Otto van Veen, among others. In sum, the compilation of 73 Netherlandish drawings, 42 German works, and 22 sheets from other countries presents an important cross-section of the brilliant evolution of the drawing medium during the century. It is during this period that drawings become truly of age, for both artists who view their creations as works in themselves (as well as models for paintings and prints) and now their public, who become fascinated with the collecting of drawings as glimpses into the most personal and immediate artistic thoughts of the skillful artists who made them. Languages : English. Référence: 37223 | Prix: EUR 121.00 Ajouter au panier

BABELON, Jean; PISANELLO, Paris, Les Editions G. Cres, 1931. Broche, couverture carton illustree n/b, 140 x 195mm., 30pp., 64 planches n/b. Dos est abimee. Référence: 29005 | Prix: EUR 10.00 Ajouter au panier

Babette Bohn; Ludovico Carracci and the Art of Drawing, Turnhout, Brepols, 2005. Hardback, 642 p., 609 b/w ill. + + ills., 210 x 280 mm. ISBN: 9781872501185 The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology, style, and connoisseurship, this book utilizes up-to-date art historical methods, including considerations of the historical context of Bologna, its impact on Ludovico's art, and a new portrayal of the role of women and women artists in the city. "Bologna is perhaps the last great artistic capital in Europe that...still offers the specialist the possibility for ground breaking studies." This quotation from a recent exhibition at the Metropolitan Museum testifies to the rich possibilities for research in this field. In 1983, Sydney Freedberg wrote a book on the three pivotal innovators in Italian painting at the turn of the seventeenth century: Caravaggio, Annibale Carracci, and the latter's cousin Ludovico Carracci (1555-1619). The dramatic intensity of Ludovico's paintings exerted a seminal influence on the direction of Italian Baroque painting. His highly individual renditions of his subjects make him one of the great interpreters of Italian art. Working in Bologna, the second city of the papal states, during the period of the Counter Reformation, Ludovico was well positioned to reshape religious painting during a period that demanded change. Ludovico was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality, because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period, Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought, how his ideas changed, and which features of a composition were most important or challenging to his creative imagination. Such drawings as these have tremendous appeal to modern audiences, who are attracted by the excitement of watching the creative process in progress, rather than seeing only the painting that represents the end of that process. The Carracci have always been considered some of the most important draftsmen in Italian art, for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right, made for sale to a new audience of private collectors in Bologna. This book will be indispensable for university libraries, museum libraries, and the private libraries of all scholars, dealers, and collectors with a serious interest in Italian art. As a study of a major artist that breaks new methodological ground, the book will bring together fresh insights on the artist and his culture with a useful compendium of illustrations and will provide a model for future studies of draftsmen from the early modern period. Languages: English. Référence: 33808 | Prix: EUR 215.00 Ajouter au panier

BARTOLINI, ELIO. BALDAN. Galleria Falaschi Editrice, 1983. Broche, couverture d' editeur, 16,5x21,5cm, 63pp, illustre en couleur et n/b. Texte italienne. Référence: 9714 | Prix: EUR 10.00 Ajouter au panier

BELLONI, Emanuela (red.). INSIDE OUT. Milano/ Firenze, Charta, 1993. Illustrated cardboard cover, 200x 280mm., 128pp., profound colour illustration. ISBN: 888615822X Museo - Citta - Eventi. Italian edition. Una mosta senza centro - Oltre il confine - Il pronome in anticamera - Blu elettrico : da etno a World Music - Ragioni Passioni. In good condition. Référence: 24414 | Prix: EUR 20.00 Ajouter au panier

BENTINI, J. Een bijzondere Renaissance. Het hof van de Estes te Ferrara; Snoeck, 2003. Softcover met flappen, 360pp., 29x24.5cm., rijkelijk geillustr. in kleur en z/w., nieuwstaat. ISBN: 9789053494387 Brussel, Paleis voor Schone Kunsten 3 oktober 2003 - 11 januari 2004 Référence: 43520 | Prix: EUR 24.00 Ajouter au panier

Bo-ena Anna Kowalczyk Canaletto Rome, Londres, Venise Le catalogue accompagne l'exposition eponyme, Aix-en-Provence Mercatorfonds / Fonds Mercator, 2015. Couverture reliee sous jaquette, Pages: 224,Dimensions: 30 x 24,5 FR (ISBN 9789462300835) NEUF !!
. ISBN: 9789462300835
Pour son ouverture, le Fonds Mercator presente le premier catalogue monographique sur Canaletto en France, et la premiere au monde depuis celle du Metropolitan Museum of Art de New York en 1989. Des expositions recentes, consacrees a des aspects specifiques de son art ou simplement aux representations de Venise, montrent clairement l?interet du public, notamment francais, pour l?oeuvre de Canaletto. L?ouvrage presente la figure de Canaletto et un panorama de son uvre, en suivant les differentes phases de son parcours artistique. Les peintures et dessins presentes sont choisis parmi les plus remarquables de l?artiste, pour mettre en evidence de facon claire l?evolution de son gout, ses reactions face aux evolutions artistiques et culturelles de Venise et a l?atmosphere de l?Angleterre ou il travaille pendant neuf ans. En introduction est evoquee la premiere activite de Giovanni Antonio Canal, connu sous le nom de Canaletto, celle de peintre de decors de theatre realises en collaboration avec son pere Bernardo Canal et son frere Cristoforo. Cette premiere section prend un sens tout particulier a Aix-en-Provence, ville ou se tient chaque annee le Festival International d?Art Lyrique. Des livrets d?opera sur lesquels apparait le nom de Canaletto sont presentes aux cotes de ses premiers Caprices, influences par la musique, executes en 1720-1722, et des premieres Vues de Venise, composees selon les criteres de la mise en scene. Les grandes entreprises de jeunesse de Canaletto font l?objet de la partie suivante : les vues de Venise commandees par Joseph Smith (1722-1723), Joseph Wenzel de Liechtenstein (1723) et Stefano Conti (1725-1726), sont des toiles de grand format qui temoignent de l?adresse du jeune peintre. Le sejour de Canaletto en Angleterre, son contact avec de nouveaux paysages et avec la lumiere de la Tamise, le conduisent a modifier sa palette et sa touche. Une serie de tableaux et de dessins montre les nouvelles solutions adoptees pour capter l?atmosphere et l?esprit de l?Angleterre. Canaletto peint Londres et s?attarde sur le pont de Westminster, deuxieme pont sur la Tamise, alors en construction. Il peint aussi la campagne anglaise, allant peut-etre jusqu?aux lisieres de l?Ecosse pour representer Alnwick Castle, demeure du Duc de Northumberland. Une section particuliere est consacree aux experimentations techniques menees par l?artiste pendant toute sa carriere. Canaletto concoit une maniere systematique et scientifique pour retravailler les dessins realises en plein-air a l?aide de la camera oscura (chambre noire). L?exemplaire de camera oscura utilisee par le peintre est presente a proximite de son fac-simile qui permet au visiteur de se rendre compte par lui-meme de ce que pouvait voir Canaletto grace a ce dispositif. La reproduction des pages de son carnet de dessins, ainsi qu?un film, montrent le travail technique de l?artiste sur la representation des vues de Venise. Les oeuvres executees apres le retour de Canaletto a Venise a la fin de l?annee 1755 illustrent les nouveaux centres d?interet de Canaletto et sa reponse au nouveau climat artistique de Venise, ou Francesco Guardi (1712-1793) et Bernardo Bellotto (1722-1780) se font connaitre. Une attention toute particuliere est consacree a la passion inlassable de l?artiste pour l?etude de nouveaux effets lumineux et atmospheriques. Référence: 48335 | Prix: EUR 45.00 Ajouter au panier

BONSANTI, Giorgio. LE CARAVAGE. Firenze, Scala, 1984. Broche sous couverture carton illustree, 205 x 280mm., 80pp., belle illustration en couleurs. In good condition. Référence: 18009 | Prix: EUR 10.00 Ajouter au panier

BORSI, Franco und Stefano. PAOLO UCCELLO. FLORENC ZWISCHEN GOTIK UND RENAISSANCE. Stuttgart/ Zurich, Belser Verlag, 1993. Gebunden, Leinen mit Schutzumschlag, Frontispiz, 245 x 325mm., 375S., illustriert. ISBN: 9783763023004 Monographie zum Gesamtwerk. Mit einem Werkkatalog der gesicherten und der Paolo Uccello (1397 - 1475) zugeschriebenen Werke. Gutes Exemplar. Référence: 16900 | Prix: EUR 54.00 Ajouter au panier

Bruce Cole. Titian and Venetian painting 1450-1590. Boulder, Westview Press, 1999. Softcover, 264pp., 16.5x23.5cm., 119 b/w and 8 col. ills., good condition. ISBN: 9780813390437 Référence: 33853 | Prix: EUR 20.00 Ajouter au panier

CAMMERER - GEORGE, MONIKA. DIE RAHMUNG DER TOSKANISCHEN ALTARBILDER IM TRECENTO. Strasbourg, P.H. Heitz, 1966. Gebunden, Original - Leinen, Original - Schutzumschlag, 28,5x19,5cm, 288pp + 37pp tafeln z/w. Zur Kunstgeschichte des Auslands, n?° 139. Référence: 1784 | Prix: EUR 23.00 Ajouter au panier

CARAMEL, LUCIANO. LINO SALTINI. Milano, Edizioni P. Petrus, 1976. Broche, couverture d' editeur, 21,5x21,5cm, s.p., illustre en couleur et n/b. Collana d' oro maestri del mediterraneo. Référence: 7964 | Prix: EUR 20.00 Ajouter au panier

CATALOGO. QUOTAZIONI PITTORI E SCULTORI ITALIANI 1978. Milano, Editrice Selearte moderna, 1978. Broche, couverture originale en couleur, 17,5x24cm, 361pp, illustre en couleur et n/b. Catalogo Selearte moderna. Della quotazioni delle opere dei pittori e scultori italiani contemporanei. Iia appendice finanziaria del dizionario critico Monteverdi. Référence: 6442 | Prix: EUR 12.00 Ajouter au panier

catalogue expo gallery Caravaggios Friends & Foes. London, Whitfield Fine Art,, 2010. softcover, 160 pages, illustrated in color. Accompanied a 2010 gallery exhibition of works influenced by Caravaggio, including pieces by Simon Vouet, Louis Finson, Giovanni Baglione, Guido Reni, Pietro Paolini, Claude Vignon, Jean Ducamps, and others Référence: 53020 | Prix: EUR 35.00 Ajouter au panier

Catalogue. Modigliani. Liege, 1980. Broche, couverture d' editeur illustre en couleur, 24x21,5cm, 171pp, illustre en couleur et n/b. Exposition Liege, Musee Saint-Georges du 18/10-14/12/1980. Référence: 14110 | Prix: EUR 15.00 Ajouter au panier

CATALOGUS. FRESQUES DE FLORENCE. Bruxelles, Palais des Beaux-Arts, 1969. Broche, sous jacquette originale d'editeur en couleurs, 24x17 cm., edition francaise, 231 pp., illustrations en n/b et en couleurs. Catalogue exposition Palais des Beaux-Arts, Bruxelles septembre - octobre 1969. Cette publication constitue la preuve eclatante de l'intelligence avec laquelle les responsables du patrimoine artistique italien concoivent la politique de sauvegarde des oeuvres d'art. Référence: 19307 | Prix: EUR 12.00 Ajouter au panier

Christopher Newall , Alison Staley Pre-Raphaelite Vision : Truth to Nature Tate Publishing 2004, 2004. Paperback, 256 pages, English, 280 x 245 mm, fine order. ISBN: 9781854374998 This authoritative and lavishly illustrated book explores a key theme within Victorian art and highlights an aspect of Pre-Raphaelitism that is often overlooked. Published to accompany a major touring exhibition Pre-Raphaelitie Vision: Truth to Nature is the first new study of landscape in Pre-Raphaelite painting for many years. It is an essential addition to the library of all those interested in Pre-Raphaelitism and the English landscape tradition. Référence: 56727 | Prix: EUR 24.00 Ajouter au panier

Coekelberghs, Denis FRANCOIS-JOSEPH NAVEZ.:La nostalgie de l'Italie Snoeck-Ducaji & Zoon, 1999. Paperback, 173 pages, Francais, 290 x 240 mm, bon etat,. ISBN: 9789053493113 Ce portrait d'un artiste qui fut une des figures majeures de la peinture en Belgique au XIXe siecle eclaire aussi les conditions dans lesquelles oeuvrerent les peintres dans ce pays. En excellent etat. Référence: 54980 | Prix: EUR 39.00 Ajouter au panier

Commissaires Ana Debenedetti et Pierre Curie. Patrizia Zambrano, Matteo Gianeselli, Chris Daly, Guido Cornini, Jonathan Nelson, Alessandro Cecchi BOTTICELLI Artiste et Designer mercatorfonds - fondsmercator/ Musée Jacquemart-André. hardcover, 280 x 240 mm, 208 pages , 120 illustraties, Texte en Francais Exhibition catalogue. ISBN: 9789462302815 Botticelli (1445 - 1510) est sans doute l'un des peintres les plus connus de la Renaissance italienne malgré la part de mystère qui entoure sa vie et l'activité de son atelier. Élève prodige de Fra Filippo Lippi (1406-1469), le dernier grand représentant de la peinture du premier Quattrocento, Botticelli développe rapidement une manière qui lui est toute personnelle, une véritable « marque de fabrique » qui lui permet de dominer pour une grande partie de sa carrière le jeu des commandes et de devenir le peintre des madones que la critique a d'abord retenu avant de redécouvrir ses grandes scènes mythologiques et sa folle entreprise que représentent les 92 dessins illustrant la Divine Comédie de Dante. Peintre sophistiqué, écrit Giorgio Vasari, mais également entrepreneur averti, Botticelli passera donc sans relâche de la création géniale, unique, à la production en série où copies et répliques s'alternent et où sa main s'efface pour ne plus apparaître que dans l'idée originale, le design, laissant le soin d'achever l'ouvrage à ses nombreux assistants.Le catalogue d'exposition mettra à l'honneur cette pratique d'atelier, laboratoire foisonnant d'idées et de formation, typique de la Renaissance italienne. Il s'agira de redécouvrir Botticelli dans son rôle de créateur, mais également d'entrepreneur et de formateur. En suivant un ordre chronologique et thématique, ce livre illustrera le développement stylistique personnel de Botticelli, les liens entre son oeuvre et la culture de son temps, ainsi que l'influence qu'il a lui-même exercée sur ses contemporains. Chap. 1 : Les débuts : imitation et affranchissement Chap. 2 : Dipinti da camera : créations et collaborations Chap. 3 : L'atelier polyvalent Chap. 4 : Du portrait à l'allégorie Chap. 5 : Botticelli et la Divine Comédie de Dante Alighieri Chap. 6 : Du tondo au retable: peinture religieuse de dévotion privée à l'espace public Ana Debenedetti est historienne de l'art, spécialisée dans l'art fl orentin de la Renaissance. Elle est conservatrice au Victoria & Albert Museum, en charge des collections de peintures, dessins, aquarelles et miniatures. Elle a publié de nombreux articles et essais sur l'art, la philosophie et la poésie de la Renaissance et a soutenu une thèse de doctorat sur le rapport entre les premières théories artistiques et la pensée magique de Marsilio Ficino à Florence au XVe siècle. Elle a été co-commissaire des expositions Constable: The Making of a Master (V&A,2014-2015) et Botticelli Reimagined (V&A, 2016). Pierre Curie est conservateur en chef du patrimoine. Spécialiste de peinture italienne et espagnole du XVIIe siècle, il a également travaillé sur celle du XIXe siècle français au Musée du Petit Palais où il a commencé sa carrière de conservateur. Référence: 57245 | Prix: EUR 39.95 Ajouter au panier

D. Carl; Benedetto da Maiano. A Florentine Sculptor at the Threshold of the High Renaissance Set, 2 VOL Turnhout, Brepols, 2006. Hardback, 2 volumes, 847 p., 495 b/w ill. 33 colour ill., 220 x 290 mm. ISBN: 9782503524597 Distinguished by the aesthetic quality of his works and the significance of his patrons, Benedetto da Maiano (1442-1497) is one of the most important Italian sculptors in the fifteenth century. As the teacher of Michelangelo he paved the way for the High Renaissance Sculpture. However, his importance has not yet been realized at all. The special contribution of this monograph is that it covers the entire career of this neglected artists, as far as we know it, and includes not only a study of the style and the meaning of his works but also investigates their historical and political contexts. A number of works recently discovered by the author are presented for the first time; works which did not survive in their original form are reconstructed, and the hitherto unknown patrons of many of his works are identified. The publication, consisting of a text and an illustration volume, is based upon many new documents discovered by the author concerning the life of Benedetto, his estate, the workshop inventories, the commissions of his works and the way they were realized. These documents contribute to a new picture not only of the artistic development and the social context of the artist, but as well to Florentine art in the Quattrocento in general. New book. Référence: 32437 | Prix: EUR 165.00 Ajouter au panier

DANTRAIQUE, Pierre. LA PEINTURE VENITIENNE. Neuchatel, Ides et Calendes, 1989. relie en toile verte sous jacquette d'editeur illustree, 250 x 305mm., 339pp., copieusement illustre en couleur et b/n. ISBN: 2825800279 Cet ouvrage retrace l??™histoire picturale des echanges d??™influence qui ont uni Venise et l??™Orient. Venise, ville ouverte sur la mer et sur l??™Orient s??™est nourrie de l??™art Byzantin pour aboutir a une assimilation si parfaite qu??™elle s??™exprime en une creation personnelle : la peinture venitienne. Bon etat. Référence: 14751 | Prix: EUR 120.00 Ajouter au panier

DE CROZALS, M.J. ( trad. ); BEATO ANGELICO, Florence, Stab. Fotomeccanico - Fotochimico, 1908. Broche, couverture papier, 125x 150mm., 8pp. de texte, plusieures planches n/b ( 163 ) , 7pp. d'explications. Collection Alinari. Etat satisfaisant. Référence: 24356 | Prix: EUR 20.00 Ajouter au panier

DELL' ARCO, MAURIZIO FAGIOLO. GINO SEVERINI PRIMA E DOPO L' OPERA. Milano, Electa Firenze, 1983. Broche, couverture originale illustre en couleur, 22x23,5cm, 151pp, illustre n/b. Documenti, opere ed immagini. Tutta la vita di un pittore. Documenti di un' esposizione. Référence: 7397 | Prix: EUR 35.00 Ajouter au panier

div. WAINER VACCARI Kerber verlag 1995, 1995. Softcover, 88 pages, 260 x 225 mm, fine copy,. ISBN: 9783924639440 NL / ENG / FR / DANISH / DEUTSCH / ITA / Référence: 56182 | Prix: EUR 15.00 Ajouter au panier

E. J. Olszewski; Italian Drawings from the Sixteenth Century,2 VOL Turnhout, Brepols, 2008. Hardback, XXXIV 628 p., 572 b/w ill. 17 colour ill., 220 x 280 mm. 2 VOLUMES FINE COPY ISBN: 9781905375103 Paintings, sculpture, and classical antiquities are the most valuable resources of any museum, and are the first objects to be published in each museum''s own collection catalogue or online inventory. Collection catalogues, however, have customarily included only a small sample of the riches to be found in Midwestern collections of master drawings. This volume of sixteenth-century drawings has been largely the work of Burton L. Dunbar (University of Missouri-Kansas City), director of the project and a specialist in the arts of northern Europe, and Edward J. Olszewski (Case Western Reserve University), co-editor for the series, a well-known authority on drawings of the Italian Renaissance. This volume covers the sixteenth century, including artists born as a rule between 1480 and 1580, with the exception of Giovanni Baglione (ca. 1573-1644) and the Carracci. This study represents a gathering of drawings from forty institutions between Ohio and Oklahoma based on a census of seventy-five museums and art centers. Jacob Burckhardt?s contention that the Renaissance was, in many respects, an age of paganism is readily belied here by the 471 Italian drawings, the great majority of which are religious subjects. Antiquity provided a veneer beneath which sixteenth century artists could cloak their Christianity to make it seem fresh, reminding believers of the origins of their faith, and reviving the purity of Christian doctrine in its early years. It is no surprise, then, to find numerous drawings of antiquities, and mythologies among the many subjects. A corpus this large can be representative in many ways, offering a cross-section of media, subjects, drawing types, and collectors. Of the 471 Italian drawings scattered across Midwestern America, here we reassemble many that were at one time in one or more prominent collections. Every drawing was examined for the following information: Artist, place of birth and death with dates, biography, title of drawing, date of drawing, dimensions in mm (and in inches), media, institutional credit line, accession number, technical condition, inscriptions, collectors? marks, watermark, provenance, exhibitions, bibliography, comments. New book. Référence: 32439 | Prix: EUR 220.00 Ajouter au panier

edited by Anna Maria Maetzke; Piero della Francesca, IT, Silvana, 2012. Hardback, 230x280mm, 240p, 150 colour illustrations, English edition. ISBN: 9788836624638 This monograph is dedicated to one of the greatest Italian masters, Piero della Francesca (San Sepolcro 1416/1417 approx. - 1492), whose towering multifaceted genius dominates the entire artistic and cultural panorama of the early Italian Renaissance. Each work, from the Baptism of Christ to the Nativity at National Gallery in London, is presented with full-page images and is analysed in depth from the historical point of view, as well as for its style and considering its critical fortune during the centuries. A specific focus is on the magnificent cycle of frescoes of the Legend of the True Cross, in the Basilica of San Francesco in Arezzo, which is considered as Piero's masterpiece. The author of the book, in charge of a conservation and restoration project of the Chapel, presents in her study the results of the conservation work on half of the painting surface, completed with the images of the frescoes after their cleaning. This book is intended as a compact up-to-date guide for readers wishing to find out more about one of the greatest artistic geniuses of all times, who was numbered among the greatest artists of his time and highly praised by his contemporaries, beginning with Vasari in the Life that he dedicated to the artist of excellence from Sansepolcro. Référence: 38679 | Prix: EUR 29.00 Ajouter au panier

edited by Anna Maria Maetzke; Piero della Francesca, IT, Silvana, 2012. Hardback, 230x280mm, 240 pages , 150 colour illustrations, French edition. ISBN: 9788836624645 Cette monographie est dediee a un des plus grands artistes de la Renaissance italienne, Piero della Francesca (Borgo Sansepolcro, aux alentours 1416/1417-1492). Chaque oeuvre du maitre, du Bapteme du Christ a la Nativite conservees a la National Gallery, est presentee avec une image en pleine page et attentivement etudiee, tant du point de vue historique qu'esthetique, sans negliger les fortunes critiques au cours des siecles. Un interet particulier est reserve a la splendide serie de fresques, avec La legende de la Vraie Croix dans la basilique de San Francesco d'Arezzo, consideree comme son chef d'oeuvre. L'auteur, a qui nous devons les restaurations de la Chapelle, propose dans cette etude les resultats des interventions sur la moitie des surfaces peintes, accompagnes d'images des fresques apres restauration. Le volume represente un instrument complet et maniable pour tous ceux qui veulent se rapprocher de l'oeuvre de Piero della Francesca. Référence: 38680 | Prix: EUR 29.00 Ajouter au panier

Edward Muir Civic Ritual in Renaissance Venice Princeton University Press 1981, 1981. Hardcover, 256 pages, English, 225 x 150 mm, cover has traces of being used several times, tough the book is 40 years of age, it's still in good condition, . ISBN: 9780691053257 Venice's reputation for political stability and a strong, balanced republican government holds a prominent place in European political theory. Edward Muir traces the origins and development of this reputation, paying particular attention to the sixteenth century, when civic ritual in Venice reached its peak. He shows how the ritualization of society and politics was an important reason for Venice's stability. Influenced in part by cultural anthropology, he establishes and applies to Venice a new methodology for the historical study of civic ritual. Référence: 57367 | Prix: EUR 32.50 Ajouter au panier

EUROPALIA Anversa & Genova. Een hoogtepunt in de barokschilderkunst. Europalia 2003 Italia Antwerpen, Snoeck, 2003. Paperback, 297x245mm, 176p, Dutch (NL) edition ISBN: 9053494464 expo europalia koninklijk museum voor Schone Kunsten Antwerpen 4 oktober 2003 - 1 januari 2004. Référence: 23915 | Prix: EUR 29.00 Ajouter au panier

FAGE, Gille; LE SIECLE DE TITIEN. L'AGE D'OR DE LA PEINTURE A VENISE, Paris, Reunion des Musees Nationaux, 1993. Broche, couverture carton illustree, 225 x 305mm., 745pp., illustration profonde en couleurs et n/b. ISBN: 2711826104 Grand Palais 9 mars - 14 juin 1993. Bon etat. Référence: 28900 | Prix: EUR 45.00 Ajouter au panier

Fagiolo, Marcello ; Madonna, Maria Luisa ; Shugaar, Antony Roma delle delizie : i teatri dell'acqua : grotte, ninfei, fontane Rome, EMR Franco Maria Ricci 1990, 1990. 1. Hardcover, 227 paginas, Italio / English (partly), in prima condizione/ in new condition, in a protection box, beautiful sharp pictures/ photografia of Rome, collectors item., 320 X 320 mm Illustrateur De Luca, AraldoISBN: 9788821601309 Descrizione *Roma delle delizie : i teatri dell'acqua : grotte, ninfei, fontane / di Marcello Fagiolo ; con Maria Luisa Madonna ; fotografie di Araldo De Luca ; english translation by Antony Shugaar 5000 exemplari - Questo exemplari é il numero : 2161 Référence: 57392 | Prix: EUR 56.00 Ajouter au panier

fasone benedetta addamo rosaria raffaele La collezione di riso museo d'arte contemporanea della sicilia Editore: regione siciliana (2009), 2009. Softcover, 128 paginas, Italiano, 240 x 175 mm, bon exemplare, . ISBN: 9788861640962 Référence: 56251 | Prix: EUR 15.00 Ajouter au panier

FRIEDLAENDER, W. MANIERISME ET ANTIMANIERISME DANS LA PEINTURE ITALIENNE. Editions Gallimard, 1991. Broche, couverture d' editeur illustre en couleurs, 16x22,5cm., 166 pp., plein d' illustrations hors texto. ISBN: 207072476X Art et Artistes. Traduit par Jeanne Bouniort. Référence: 466 | Prix: EUR 20.00 Ajouter au panier


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