OK  
  OK        Cancel  

Bildhauerkunst

927 Bücher gefunden
Seite 1 nächste >  letzte >>

-- ARCHIPENKO, ALEXANDER. - Alexander Archipenko. Bruxelles, Palais des Beaux-Arts, 22/10- 16/11, 1969. Bruxelles, Palais des Beaux-Arts, 1969. Oorspronkelijk uitgevers omslag, Softcover. Orig. wrappers. Illustr. b/w. 48 pag. ,21 x 21 cm. Buchnummer: 62887 | Preis: EUR 10.00 In den Einkaufswagen

-- ARCHIPENKO, ALEXANDER. - Alexander Archipenko. Bruxelles, Palais des Beaux-Arts, 22/10- 16/11, 1969. Bruxelles, Palais des Beaux-Arts, 1969. Oorspronkelijk uitgevers omslag, Softcover. Orig. wrappers. Illustr. b/w. 48 pag. ,21 x 21 cm. Buchnummer: 62887 | Preis: EUR 10.00 In den Einkaufswagen

-- François Joré, Image xpair - François Joré, 2015. Gebonden, Hardcover met stofomslag compleet. 128 pagina's, met illustraties in kleur. /*** GESIGNEERD DOOR KUNSTENAAR. In dit boek Image toont François Joré zich als mens en kunstenaar via zijn beelden. Steen, marmer, brons: klanken van rust, onrust, blijheid verdriet en zoveel méér. Lezer en toeschouwer kunnen zich hieraan toetsen om zo tot verrassende ontdekkingen te komen. Wijd en zijd getuigt Joré's oeuvre van een monumentale, doorleefde en sensuele kracht, eigen aan de beeldhouwer. Buchnummer: 57885 | Preis: EUR 35.00 In den Einkaufswagen

-- François Joré, Image xpair - François Joré, 2015. Gebonden, Hardcover met stofomslag compleet. 128 pagina's, met illustraties in kleur. /*** GESIGNEERD DOOR KUNSTENAAR. In dit boek Image toont François Joré zich als mens en kunstenaar via zijn beelden. Steen, marmer, brons: klanken van rust, onrust, blijheid verdriet en zoveel méér. Lezer en toeschouwer kunnen zich hieraan toetsen om zo tot verrassende ontdekkingen te komen. Wijd en zijd getuigt Joré's oeuvre van een monumentale, doorleefde en sensuele kracht, eigen aan de beeldhouwer. Buchnummer: 57885 | Preis: EUR 35.00 In den Einkaufswagen

-- Henri LAURENS. 60 terres cuites. Paris -, Galerie Louise Leiris, 1998. softcover, 128 pages, Illustrated. Texte en Francais Exhibition catalogue , illustrations en noir et blanc et en couleurs. Buchnummer: 57989 | Preis: EUR 30.00 In den Einkaufswagen

-- Henri LAURENS. 60 terres cuites. Paris -, Galerie Louise Leiris, 1998. softcover, 128 pages, Illustrated. Texte en Francais Exhibition catalogue , illustrations en noir et blanc et en couleurs. Buchnummer: 57989 | Preis: EUR 30.00 In den Einkaufswagen

-- Le baroque devoile , Barok onthuld. racine, 2011. softcover, 191pp, 230 x 280, illustre . nieuwstaat ! neuf ! ISBN: 9782873867416 Het rijke barokke patrimonium van de beeldhouwkunst belicht door verschillende experts. Terwijl de barokke schilderkunst met schilders als Rubens en Van Dyck op ruime belangstelling kan rekenen is de beeldhouwkunst vaak stiefmoederlijk behandeld. Ons land kent nochtans grote kunstenaars tijdens de barok, iconen zoals Hieronymus Duquesnoy de Oude, Lucas Faydherbe, Jean Del Cour, Laurent Delvaux, Jacques Berge en Willem Kerricx de Oude. Buchnummer: 30134 | Preis: EUR 20.00 In den Einkaufswagen

-- Rodin et le bronze. Catalogue des oeuvres conservées au musée Rodin. Catalogue raisonné VOLUME 2 / G-Z. 2007. Volume 2 only, hardcover, Couverture reliee sous jaquette, pages 329 -823 G-Z. bon etat. Texte en Francais. ISBN: 9782711849314 Catalogue raisonné des sculptures en bronze conservées au musée Rodin.Classées par ordre alphabétique des titres des sculptures, avec numéro d'inventaire, les notices sont accompagnées d'un appareil technique : type de fonte, fondeur, historique, éditions successives et autres Buchnummer: 56019 | Preis: EUR 175.00 In den Einkaufswagen

-- Rodin et le bronze. Catalogue des oeuvres conservées au musée Rodin. Catalogue raisonné VOLUME 2 / G-Z. 2007. Volume 2 only, hardcover, Couverture reliee sous jaquette, pages 329 -823 G-Z. bon etat. Texte en Francais. ISBN: 9782711849314 Catalogue raisonné des sculptures en bronze conservées au musée Rodin.Classées par ordre alphabétique des titres des sculptures, avec numéro d'inventaire, les notices sont accompagnées d'un appareil technique : type de fonte, fondeur, historique, éditions successives et autres Buchnummer: 56019 | Preis: EUR 175.00 In den Einkaufswagen

-- Thomas Schütte Trois actes - Three Acts. Thomas Schutte Snoeck Publishers, 2019. Hardcover, Couverture reliee sous jaquette, HB, 270 x 205 mm, 192 p, 100 illustrations, E/ F edition. ISBN: 9789461615428 La Monnaie de Paris organise la première rétrospective parisienne de l'artiste allemand Thomas Schütte qui se déploiera dans les cours et dans les espaces intérieurs. Depuis les années 80, l'artiste apparait comme l'un des principaux réinven­teurs de la sculpture. Il est aujourd'hui un artiste majeur et inclassable. À la pluralité des mediums employés par Thomas Schütte (sculpture, installation, photographie, peinture, dessin) correspond un ensemble de genres, celui de du portrait, de la nature morte et du paysage. L'exposition en trois actes - femmes, hommes et architecture - témoigne de la troublante et grinçante analyse que fait Thomas Schütte de l'organisation de la société et de son impact sur les individus. "Mes oeuvres ont pour but d'introduire un point d'intérrogation tordu dans le monde". Après des études à l'Académie des Beaux-Arts de Dusseldorf où il fut élève de Gerhard Richter et Fritz Schwegler, Thomas Schütte émerge au début des années 1980 comme l'un des principaux initiateurs de la nouvelle sculpture allemande, à l'instar d'artistes comme Isa Genzken ou Hubert Kiecol. Plusieurs expositions marquantes ou retrospectives, ont permis à Thomas Schütte d'être révélé au grand public, comme en 1990, au Musée d'Art Moderne de la Ville de Paris, et en 1988 à la White Chapel Art Galery à Londres. Schütte trouve une traduction originale de sa réflexion sur la representation du pouvoir et la responsabilité sociale de l'art dans des maquettes d'architecture conçues comme des "modèles à penser". L'idée de monument est centrale à sa réflexion. L'oeuvre de Schütte s'exprime alors de manière plus apaisée dans les gravures, des aquarelles de fleurs et des portraits, certains intimes. Le questionnement sur l'échelle, issu du monument, demeure dans des representations de personnages, silhouttes plus grandes que nature, distantes et absorbées en ells-mêmes. Buchnummer: 52737 | Preis: EUR 39.99 In den Einkaufswagen

-- Thomas Schütte Trois actes - Three Acts. Thomas Schutte Snoeck Publishers, 2019. Hardcover, Couverture reliee sous jaquette, HB, 270 x 205 mm, 192 p, 100 illustrations, E/ F edition. ISBN: 9789461615428 La Monnaie de Paris organise la première rétrospective parisienne de l'artiste allemand Thomas Schütte qui se déploiera dans les cours et dans les espaces intérieurs. Depuis les années 80, l'artiste apparait comme l'un des principaux réinven­teurs de la sculpture. Il est aujourd'hui un artiste majeur et inclassable. À la pluralité des mediums employés par Thomas Schütte (sculpture, installation, photographie, peinture, dessin) correspond un ensemble de genres, celui de du portrait, de la nature morte et du paysage. L'exposition en trois actes - femmes, hommes et architecture - témoigne de la troublante et grinçante analyse que fait Thomas Schütte de l'organisation de la société et de son impact sur les individus. "Mes oeuvres ont pour but d'introduire un point d'intérrogation tordu dans le monde". Après des études à l'Académie des Beaux-Arts de Dusseldorf où il fut élève de Gerhard Richter et Fritz Schwegler, Thomas Schütte émerge au début des années 1980 comme l'un des principaux initiateurs de la nouvelle sculpture allemande, à l'instar d'artistes comme Isa Genzken ou Hubert Kiecol. Plusieurs expositions marquantes ou retrospectives, ont permis à Thomas Schütte d'être révélé au grand public, comme en 1990, au Musée d'Art Moderne de la Ville de Paris, et en 1988 à la White Chapel Art Galery à Londres. Schütte trouve une traduction originale de sa réflexion sur la representation du pouvoir et la responsabilité sociale de l'art dans des maquettes d'architecture conçues comme des "modèles à penser". L'idée de monument est centrale à sa réflexion. L'oeuvre de Schütte s'exprime alors de manière plus apaisée dans les gravures, des aquarelles de fleurs et des portraits, certains intimes. Le questionnement sur l'échelle, issu du monument, demeure dans des representations de personnages, silhouttes plus grandes que nature, distantes et absorbées en ells-mêmes. Buchnummer: 52737 | Preis: EUR 39.99 In den Einkaufswagen

A. F. Moskowitz The Façade Reliefs of Orvieto Cathedral Brepols - Harvey Miller, 2009. Hardcover with dusjacket, 245 pages., 199 b/w ill., 220 x 280 mm, Languages: English. ISBN: 9781905375271 This book presents in word and image the façade of Orvieto Cathedral, the reliefs of which are considered to be among the most beautiful and powerful of the Trecento. The town of Orvieto, located half-way between Rome and Florence, played an important and strategic role in the political struggles in Italy during the latter part of the thirteenth century. Frequently the place of residence for popes and their Angevins allies, it became the seat of the Curia under Pope Nicholas IV, which brought wealth and economic growth to the community. Moreover, it enabled earlier plans for a new cathedral, initiated around 1285, to be finally realised. It was Pope Nicholas himself who laid the foundation stone of the new Duomo in 1290, and although building activity continued until well into the seventeenth century, most of the main portion of the building was complete by 1308, creating a dazzling and unique Gothic structure. The façade of the Cathedral in particular, is a masterpiece of design and relief sculpture. Its rich decorative carving is of outstanding quality and the innovative, compelling iconographic programme spreads across all four piers of the lower façade. The corpus of photographs by David Finn, taken specially for this publication, shows the skill and narrative details of this vituoso display of relief carving, while the text by Anita Fiderer Moskowitz, Professor of Art History at the State University of New York, Stony Brook, explains the building in the context of related Italian Gothic architecture, and discusses the problems and controversies regarding the design and ornamentation of the façade as well as the puzzling question as to its artistic attribution. The author also interprets the basic iconography of the sculptures and provides full descriptions for the detail images. Buchnummer: 54600 | Preis: EUR 109.00 In den Einkaufswagen

A. F. Moskowitz The Façade Reliefs of Orvieto Cathedral Brepols - Harvey Miller, 2009. Hardcover with dusjacket, 245 pages., 199 b/w ill., 220 x 280 mm, Languages: English. ISBN: 9781905375271 This book presents in word and image the façade of Orvieto Cathedral, the reliefs of which are considered to be among the most beautiful and powerful of the Trecento. The town of Orvieto, located half-way between Rome and Florence, played an important and strategic role in the political struggles in Italy during the latter part of the thirteenth century. Frequently the place of residence for popes and their Angevins allies, it became the seat of the Curia under Pope Nicholas IV, which brought wealth and economic growth to the community. Moreover, it enabled earlier plans for a new cathedral, initiated around 1285, to be finally realised. It was Pope Nicholas himself who laid the foundation stone of the new Duomo in 1290, and although building activity continued until well into the seventeenth century, most of the main portion of the building was complete by 1308, creating a dazzling and unique Gothic structure. The façade of the Cathedral in particular, is a masterpiece of design and relief sculpture. Its rich decorative carving is of outstanding quality and the innovative, compelling iconographic programme spreads across all four piers of the lower façade. The corpus of photographs by David Finn, taken specially for this publication, shows the skill and narrative details of this vituoso display of relief carving, while the text by Anita Fiderer Moskowitz, Professor of Art History at the State University of New York, Stony Brook, explains the building in the context of related Italian Gothic architecture, and discusses the problems and controversies regarding the design and ornamentation of the façade as well as the puzzling question as to its artistic attribution. The author also interprets the basic iconography of the sculptures and provides full descriptions for the detail images. Buchnummer: 54600 | Preis: EUR 109.00 In den Einkaufswagen

A. Luchs The Mermaids of Venice. Fantastic Sea Creatures in Venetian Renaissance Art Brepols, 2010. Hardback, VIII 273 p., 234 b/w ill. 44 colour ill., 220 x 275 mm, Languages: English. ISBN: 9781905375455 The arts of Renaissance Venice teem with sea monsters. Chief among these are mermaids and mermen--graceful hybrid beings human from the waist up, but with the lower body and tail of a fish, dolphin or sea serpent. Other sea hybrids--horses, bulls, panthers, even an elephant--also swim through Venetian art in finned and fish-tailed forms. Such creatures emerge from stone in the shadowy churches and the sunlit courtyard of the Palazzo Ducale, crown the wooden frame of a Giovanni Bellini altarpiece, and encircle the bronze flagpole bases in Piazza San Marco. Their gilded sugar apparitions graced banquet tables for illustrious visitors, and their descendents still glide through the canals in the form of brass seahorses set above the sides of gondolas This book focuses on the conceptions of artists who made marine hybrids as some of the most engaging inventions of the Renaissance in Venice and its subject city Padua. The chapters deal with five functional contexts: book decoration of the 1470s and 80s; tomb monuments of the 1480s and 90s; church decoration of the same years, particularly at Santa Maria dei Miracoli; centers of political activity, including civic settings in Venice and the palaces of powerful mainland employers of Venetian artists; and finally, private homes, where owners could hold small bronze sea hybrids in their hands, often as objects for use. A prologue introduces the ?heritage of monsters? from the ancient and medieval worlds, the better to show how Venetian artists adapted these to new purposes. Exploring the ways in which artists could interpret and contemporary viewers might experience these wide-ranging sea-creatures, the book brings their best images together as a source of delight. Studies in Medieval and Early Renaissance Art History(HMSAH 58) Buchnummer: 32939 | Preis: EUR 145.00 In den Einkaufswagen

Agnes Husslein-Arco , Stephan Koja Rodin and Vienna HIRMER VERLAG, 2010. 1. Hardcover, 240 pages, ENG. edition, 285 x 235 x 20 mm, condition : New, illustrated in colour / b/w. ISBN: 9783777433110 A corresponding member of the Vienna Secession, French sculptor Auguste Rodin submitted works for its exhibitions beginning in 1898. The ninth Secession exhibition marked the high point of his involvement, with many of his major works prominently displayed, including Eve, The Age of Iron, The Burghers of Calais, and Rodin?s monument to the great French writer Honoré de Balzac?now considered among his greatest works though met at the time with considerable disapproval. Rodin and Vienna examines the sculptor?s influence on Austrian art and traces the history of the annual Secession shows and Rodin?s many contributions. Part of the Belvedere Gallery?s collection ever since, these masterpieces are here joined by later additions and selected works on loan in order to illustrate the way Rodin wrestled with form. Individual chapters by selected Rodin experts place works into their rightful contexts and demonstrate how the artist made use of his contacts in bourgeois society and intellectual circles to fulfill his ambitions and further his career. Buchnummer: 62831 | Preis: EUR 45.00 In den Einkaufswagen

Agnes Husslein-Arco , Stephan Koja Rodin and Vienna HIRMER VERLAG, 2010. 1. Hardcover, 240 pages, ENG. edition, 285 x 235 x 20 mm, condition : New, illustrated in colour / b/w. ISBN: 9783777433110 A corresponding member of the Vienna Secession, French sculptor Auguste Rodin submitted works for its exhibitions beginning in 1898. The ninth Secession exhibition marked the high point of his involvement, with many of his major works prominently displayed, including Eve, The Age of Iron, The Burghers of Calais, and Rodin?s monument to the great French writer Honoré de Balzac?now considered among his greatest works though met at the time with considerable disapproval. Rodin and Vienna examines the sculptor?s influence on Austrian art and traces the history of the annual Secession shows and Rodin?s many contributions. Part of the Belvedere Gallery?s collection ever since, these masterpieces are here joined by later additions and selected works on loan in order to illustrate the way Rodin wrestled with form. Individual chapters by selected Rodin experts place works into their rightful contexts and demonstrate how the artist made use of his contacts in bourgeois society and intellectual circles to fulfill his ambitions and further his career. Buchnummer: 62831 | Preis: EUR 45.00 In den Einkaufswagen

Alain Charre Patrick Raynaud Sculpture Paris, Jacques Damase, 1989. Cartonnage sous jaquette illustree en couleurs, 165 pp., bon etat, avec de nombreuses illustrations ISBN: 2904632204 Text en francais and in englisch. Signed by the artist. Buchnummer: 24296 | Preis: EUR 20.00 In den Einkaufswagen

Alain Delmotte ; Marie Verboven ; vertaling : Silvain Verboven Herman Van Nazareth : Inzichten Verbeke Foundation, 2021. 1. Hardcover, 128 pag. , NL / ENG, 250 x 180 x 15 mm, NIEUW / NEW, illustr. in kleur / z/w. ISBN: 9789464000085 'KUNST IS NIETS ANDERS DAN LEREN ZIEN' Herman Van Nazareth, pseudoniem voor Herman Van Aerde, (° Evergem 1936) vestigde zich begin jaren zestig in Kaapstad. Zijn werk kan beschouwd worden als een protest tegen ontmenselijking : het vaak ontbreken van een uitgewerkt gelaat in zijn schilderijen en zijn ruw gevormde sculpturen zijn daar een bewijs van. Van Nazareth reduceert zijn beelden tot essentiële vormen en lijnen. In Zuid-Afrika gold hij als vernieuwer en als een van de eerste protestkunstenaars. Zij specifieke figuratieve aanpak, die hij al vanaf de jaren zestig toepast, is mogelijk van invloed geweest op kunstenaars als Marlène Dumas. Van Nazareth groeide sinds al die jaren naar een voorname plaats bij de tonalisten en expressionisten op de Vlaamse en internationale kunstscène en blijft een vaste internationale waarde met werk in openbaar bezit en diverse private collecties. Buchnummer: 62017 | Preis: EUR 20.00 In den Einkaufswagen

Alain Delmotte ; Marie Verboven ; vertaling : Silvain Verboven Herman Van Nazareth : Inzichten Verbeke Foundation, 2021. 1. Hardcover, 128 pag. , NL / ENG, 250 x 180 x 15 mm, NIEUW / NEW, illustr. in kleur / z/w. ISBN: 9789464000085 'KUNST IS NIETS ANDERS DAN LEREN ZIEN' Herman Van Nazareth, pseudoniem voor Herman Van Aerde, (° Evergem 1936) vestigde zich begin jaren zestig in Kaapstad. Zijn werk kan beschouwd worden als een protest tegen ontmenselijking : het vaak ontbreken van een uitgewerkt gelaat in zijn schilderijen en zijn ruw gevormde sculpturen zijn daar een bewijs van. Van Nazareth reduceert zijn beelden tot essentiële vormen en lijnen. In Zuid-Afrika gold hij als vernieuwer en als een van de eerste protestkunstenaars. Zij specifieke figuratieve aanpak, die hij al vanaf de jaren zestig toepast, is mogelijk van invloed geweest op kunstenaars als Marlène Dumas. Van Nazareth groeide sinds al die jaren naar een voorname plaats bij de tonalisten en expressionisten op de Vlaamse en internationale kunstscène en blijft een vaste internationale waarde met werk in openbaar bezit en diverse private collecties. Buchnummer: 62017 | Preis: EUR 20.00 In den Einkaufswagen

Alain Monvoisin. Dictionnaire international de la sculpture moderne et contemporaine Paris, Regard, 2008. Hardcover, 560pp., 23.5x31cm., ills. in col., good copy. (frontcover slightly bumped) ISBN: 9782841052110 Buchnummer: 42178 | Preis: EUR 94.00 In den Einkaufswagen

Alain Monvoisin. Dictionnaire international de la sculpture moderne et contemporaine Paris, Regard, 2008. Hardcover, 560pp., 23.5x31cm., ills. in col., good copy. (frontcover slightly bumped) ISBN: 9782841052110 Buchnummer: 42178 | Preis: EUR 94.00 In den Einkaufswagen

Alan Bowness, Sophie Bowness, Catherine Chevillot Barbara Hepworth In Fine, 2019. 1. Hardcover, 258 pages, Texte en Francais ; 280 x 225 x 27 mm; NOUVEAU, illustrations en couleur / n/b. ISBN: 9782902302284 Barbara Hepworth (1903-1975) est l'une des plus grandes femmes sculpteurs du XXe siècle. Elle fait partie de ces artistes (Arp, Calder, Gabo, Mondrian...) qui, au lendemain de la Première Guerre mondiale, ont su réinventer l'art entre abstraction et figuration, dans une démarche humaniste et universelle de profond renouvellement des formes. En étroite collaboration avec la Tate, le musée Rodin invite à une (re)découverte inédite de la brillante carrière de cette artiste singulière qui a inventé une poétique des plus originales, proche de l'art abstrait mais fortement inspirée par la nature. Du marbre au bronze en passant par le plâtre ou le bois, Barbara Hepworth a toujours su varier matières et textures avec une inspiration fertile. Peintures, dessins et gravures, évocation de l'atelier, documents et photographies d'archives illustrent l'univers sensible et fascinant de l'artiste, véritable alchimie entre paysage, monde intérieur et matériau. Buchnummer: 63201 | Preis: EUR 24.95 In den Einkaufswagen

Alan Bowness, Sophie Bowness, Catherine Chevillot Barbara Hepworth In Fine, 2019. 1. Hardcover, 258 pages, Texte en Francais ; 280 x 225 x 27 mm; NOUVEAU, illustrations en couleur / n/b. ISBN: 9782902302284 Barbara Hepworth (1903-1975) est l'une des plus grandes femmes sculpteurs du XXe siècle. Elle fait partie de ces artistes (Arp, Calder, Gabo, Mondrian...) qui, au lendemain de la Première Guerre mondiale, ont su réinventer l'art entre abstraction et figuration, dans une démarche humaniste et universelle de profond renouvellement des formes. En étroite collaboration avec la Tate, le musée Rodin invite à une (re)découverte inédite de la brillante carrière de cette artiste singulière qui a inventé une poétique des plus originales, proche de l'art abstrait mais fortement inspirée par la nature. Du marbre au bronze en passant par le plâtre ou le bois, Barbara Hepworth a toujours su varier matières et textures avec une inspiration fertile. Peintures, dessins et gravures, évocation de l'atelier, documents et photographies d'archives illustrent l'univers sensible et fascinant de l'artiste, véritable alchimie entre paysage, monde intérieur et matériau. Buchnummer: 63201 | Preis: EUR 24.95 In den Einkaufswagen

Alastair Duncan ART DECO SCULPTURE Thames and Hudson 2016, 2016. 1. Hardcover, 408 pages, ENG, 315 x 250 mm, New, dustjacket, 800 illustrations in colour, . ISBN: 9780500239483 This book showcases and puts into historical context a host of sculpted works created in the 1920s and 1930s in the decorative vernacular defined loosely today as 'Art Deco'. Whether designed as free-standing statuary for the domestic market or commissioned for some form of architectural placement, as a frieze on a building's façade or as a public monument or pool fountain, the works shown demonstrate a sometimes bewilderingly broad range of styles and stylistic influences: from the chevrons, sunbursts, maidens, fountains, floral abstractions and ubiquitous biche (doe) of the Parisian geometric style to the crisp, angular patterns of the zig-zag, jazz-age, streamlined aesthetic of the 1930s. Alastair Duncan organizes his subject into three main categories: the first features work by avant-garde sculptors (Csaky, Janniot, Pompon, etc), often as pièces uniques or small editions; the second shows commercial sculpture, comprising mainly large-edition statuary, commissioned as decorative works for the burgeoning 1920s domestic market; while a final, third category covers architectural and monumental sculpture from West and Eastern Europe, Scandinavia, North America, Brazil and beyond. With artists' biographies and details of manufacturers, a full glossary and a thematic index, this volume is the essential and authoritative guide for all those interested in the Art Deco style, from the amateur collector of animalier sculpture to professional historians of the period. Buchnummer: 58615 | Preis: EUR 100.00 In den Einkaufswagen

Alastair Duncan ART DECO SCULPTURE Thames and Hudson 2016, 2016. 1. Hardcover, 408 pages, ENG, 315 x 250 mm, New, dustjacket, 800 illustrations in colour, . ISBN: 9780500239483 This book showcases and puts into historical context a host of sculpted works created in the 1920s and 1930s in the decorative vernacular defined loosely today as 'Art Deco'. Whether designed as free-standing statuary for the domestic market or commissioned for some form of architectural placement, as a frieze on a building's façade or as a public monument or pool fountain, the works shown demonstrate a sometimes bewilderingly broad range of styles and stylistic influences: from the chevrons, sunbursts, maidens, fountains, floral abstractions and ubiquitous biche (doe) of the Parisian geometric style to the crisp, angular patterns of the zig-zag, jazz-age, streamlined aesthetic of the 1930s. Alastair Duncan organizes his subject into three main categories: the first features work by avant-garde sculptors (Csaky, Janniot, Pompon, etc), often as pièces uniques or small editions; the second shows commercial sculpture, comprising mainly large-edition statuary, commissioned as decorative works for the burgeoning 1920s domestic market; while a final, third category covers architectural and monumental sculpture from West and Eastern Europe, Scandinavia, North America, Brazil and beyond. With artists' biographies and details of manufacturers, a full glossary and a thematic index, this volume is the essential and authoritative guide for all those interested in the Art Deco style, from the amateur collector of animalier sculpture to professional historians of the period. Buchnummer: 58615 | Preis: EUR 100.00 In den Einkaufswagen

ALBERIGS, L.M. WIM RIJVERS. BEELDHOUWER. (opdracht, gesigneerd). Venlo, Van Spijk, 1980.**. Gebonden, linnen, vergulde titel op de voorplat, rug versierd met vergulde titel, originele geillustreerde (foto) omslagwikkel in kleur, 25,5x26cm, 156pp, rijkelijk geillustreerd in kleur en z/w. Met opdracht en gesigneerd door de kunstenaar. Buchnummer: 11363 | Preis: EUR 25.00 In den Einkaufswagen

Alberto Shayo Roland Paris The Art Deco Jester King ACC Art Books, 2016. Hardcover with dusjacket, Pages: 256, Illustrations: 472 colour , 300 mm x 237 mm. ISBN: 9781851498239 Roland Paris is one of the most recognisable artists of the Art Deco world, yet his work remains something of an enigma. His art is caricature-like, bordering on grotesque, and he delivers critical perspectives on society's downtrodden via jesters and devils. His mediums range from sculpture and painting to porcelain and wood, including woodcuts and the written word. This never-before-seen study focuses on the artist's trials and tribulations while living in Nazi-ruled Germany, and the tragic end to his life, hours before the end of World War Two. Buchnummer: 48546 | Preis: EUR 74.00 In den Einkaufswagen

Alberto Shayo Roland Paris The Art Deco Jester King ACC Art Books, 2016. Hardcover with dusjacket, Pages: 256, Illustrations: 472 colour , 300 mm x 237 mm. ISBN: 9781851498239 Roland Paris is one of the most recognisable artists of the Art Deco world, yet his work remains something of an enigma. His art is caricature-like, bordering on grotesque, and he delivers critical perspectives on society's downtrodden via jesters and devils. His mediums range from sculpture and painting to porcelain and wood, including woodcuts and the written word. This never-before-seen study focuses on the artist's trials and tribulations while living in Nazi-ruled Germany, and the tragic end to his life, hours before the end of World War Two. Buchnummer: 48546 | Preis: EUR 74.00 In den Einkaufswagen

Aleksandra Lipiska, Moving Sculptures Southern Netherlandish alabasters from the 16th to 17th centuries in Central and Northern Europe Brill, 2016. Hardcover, xxii, 385 pp., 205 color & b/w illus. Illustrated. Fine. ISBN: 9789004270930 The Low Countries are generally considered to be the land of painting. Consequently, sculpture, especially that of the 16th century, has been insufficiently explored. In Moving Sculptures Aleksandra Lipi?ska presents a little-known chapter of the history of Netherlandish sculpture: the serial production of small-scale alabaster reliefs, altarpieces and statuettes in the workshops of Mechelen and Antwerp between c. 1525 and 1650. She gives the reader an insight into the rules of this craft, the specificity of the material, and the marketing methods employed. But the innovative element of this study lies in the fact that Lipi?ska analyses the phenomenon from the perspective of its distant recipients in Central and Northern Europe on the basis of works largely unknown to the broader public.At the Source: Production of the Alabaster Sculpture in the Southern Netherlands 1 Alabaster as a Sculpture Material 17 2 Alabaster in Netherlandish Sculpture from the Late Gothic to the Early Baroque 44 3 Serial Production of Alabaster Sculpture in Mechelen 96 4 The Spread of Alabaster Sculpture from the Low Countries 124 Part 2 At the Destination: Southern Netherlandish Alabaster Sculpture in Central and Northern Europe 5 Altarpieces 143 6 Tombs and Epitaphs 205 7 Exhibits of Real and ?Imagined? Collections 254 8 Alabaster Chambers 271 Buchnummer: 49487 | Preis: EUR 114.00 In den Einkaufswagen

Aleksandra Lipiska, Moving Sculptures Southern Netherlandish alabasters from the 16th to 17th centuries in Central and Northern Europe Brill, 2016. Hardcover, xxii, 385 pp., 205 color & b/w illus. Illustrated. Fine. ISBN: 9789004270930 The Low Countries are generally considered to be the land of painting. Consequently, sculpture, especially that of the 16th century, has been insufficiently explored. In Moving Sculptures Aleksandra Lipi?ska presents a little-known chapter of the history of Netherlandish sculpture: the serial production of small-scale alabaster reliefs, altarpieces and statuettes in the workshops of Mechelen and Antwerp between c. 1525 and 1650. She gives the reader an insight into the rules of this craft, the specificity of the material, and the marketing methods employed. But the innovative element of this study lies in the fact that Lipi?ska analyses the phenomenon from the perspective of its distant recipients in Central and Northern Europe on the basis of works largely unknown to the broader public.At the Source: Production of the Alabaster Sculpture in the Southern Netherlands 1 Alabaster as a Sculpture Material 17 2 Alabaster in Netherlandish Sculpture from the Late Gothic to the Early Baroque 44 3 Serial Production of Alabaster Sculpture in Mechelen 96 4 The Spread of Alabaster Sculpture from the Low Countries 124 Part 2 At the Destination: Southern Netherlandish Alabaster Sculpture in Central and Northern Europe 5 Altarpieces 143 6 Tombs and Epitaphs 205 7 Exhibits of Real and ?Imagined? Collections 254 8 Alabaster Chambers 271 Buchnummer: 49487 | Preis: EUR 114.00 In den Einkaufswagen

Alex de Vries Handreiking beelden buiten, beheer & behoud Stichting Cultuurfonds, 2003. Hardcover, 127 pag. NL, met ill. in kleur. ISBN: 9789032279554 Over beeldhouwkunst Buchnummer: 62742 | Preis: EUR 15.00 In den Einkaufswagen

Alex de Vries Handreiking beelden buiten, beheer & behoud Stichting Cultuurfonds, 2003. Hardcover, 127 pag. NL, met ill. in kleur. ISBN: 9789032279554 Over beeldhouwkunst Buchnummer: 62742 | Preis: EUR 15.00 In den Einkaufswagen

Alex Pinna. Alex Pinna. The way to get lost. Punto Sull'Arte, 2016. Softcover, 65pp. 22x22cm., ills., very good copy. Buchnummer: 49231 | Preis: EUR 10.00 In den Einkaufswagen

Alex Pinna. Alex Pinna. The way to get lost. Punto Sull'Arte, 2016. Softcover, 65pp. 22x22cm., ills., very good copy. Buchnummer: 49231 | Preis: EUR 10.00 In den Einkaufswagen

Alexander Bastek; Eva Mongi-Vollmer ; Birgit Sander Von Köpfen und Körpern : Frankfurter Bildhauerei aus dem Städel Frankfurt am Main, Städelsches Kunstinstitut, 2006. 1. Hardcover, 288 Seiten, Deutsch, 285 x 215 x 32 mm, mit abbild. in farbe v/ s/w, in Sehr gute kondition, nur ein kleiner Graben auf der Abdeckung unten, weiter wie Neu. ISBN: 9783935283113 Die Entwicklung der Tierplastik vom Abbild zum Formproblem. Aktdarstellunen im Städel. der Nachlaß Hans Mettel im Städel. Frankfurter Bildhauerarbeiten. Buchnummer: 25104 | Preis: EUR 30.00 In den Einkaufswagen

Alfredo López Austin, ING Cultuurcentrum Lichaam en kosmos : Precolumbiaanse sculptuur uit Mexico Snoeck, 2004. 1. Softcover, 229 pag. NL, 300 x 240 mm, in prima staat, paginagrote ill. in kleur. ISBN: 9789053495360 Lichaam en kosmos omvat een tweehonderdtal stukken, afkomstig uit meer dan veertig musea en archeologische sites verspreid over heel Mexico. Ze zijn ontstaan tussen 1200 v. C. en de komst van de Europeanen in 1521. Door deze kunstwerken te verenigen wordt de onmiskenbare eenheid van de meso-Amerikaanse cultuur benadrukt. Verschillende basiskarakteristieken van die cultuur bleven inderdaad nagenoeg ongewijzigd gedurende de hele precolumbiaanse periode, die niet minder dan 3000 jaar beslaat. De kenmerken kunnen worden aangetroffen bij alle volkeren - de Olmeken, de Maya's en de Mexicanen - hoe verschillend hun talen en artistieke expressies ook zijn. Deze catalogus neemt de kosmologische visie van de verschillende volkeren als uitgangspunt. De ge?xposeerde stukken reflecteren de symbolische betekenis van hun complexe visie op de wereld en het universum Buchnummer: 61306 | Preis: EUR 45.00 In den Einkaufswagen

Alfredo López Austin, ING Cultuurcentrum Lichaam en kosmos : Precolumbiaanse sculptuur uit Mexico Snoeck, 2004. 1. Softcover, 229 pag. NL, 300 x 240 mm, in prima staat, paginagrote ill. in kleur. ISBN: 9789053495360 Lichaam en kosmos omvat een tweehonderdtal stukken, afkomstig uit meer dan veertig musea en archeologische sites verspreid over heel Mexico. Ze zijn ontstaan tussen 1200 v. C. en de komst van de Europeanen in 1521. Door deze kunstwerken te verenigen wordt de onmiskenbare eenheid van de meso-Amerikaanse cultuur benadrukt. Verschillende basiskarakteristieken van die cultuur bleven inderdaad nagenoeg ongewijzigd gedurende de hele precolumbiaanse periode, die niet minder dan 3000 jaar beslaat. De kenmerken kunnen worden aangetroffen bij alle volkeren - de Olmeken, de Maya's en de Mexicanen - hoe verschillend hun talen en artistieke expressies ook zijn. Deze catalogus neemt de kosmologische visie van de verschillende volkeren als uitgangspunt. De ge?xposeerde stukken reflecteren de symbolische betekenis van hun complexe visie op de wereld en het universum Buchnummer: 61306 | Preis: EUR 45.00 In den Einkaufswagen

ALLARD, D./ BREUCK, DE, A. GOUD, BROKAAT EN GLACIS. S.O.S. POLYCHROMIEEN. Brussel, Koning Boudewijnstichting, 1996. Gebrocheerd, originele uitgeversomslag geillustreerd in kleur, omslag licht beduimeld, 23x30cm, 120pp, geillustreerd in kleur en z/w. Buchnummer: 41 | Preis: EUR 25.00 In den Einkaufswagen

Althöfer, Sina und Moritz Woelk: Bildwerke vom 9. bis zum 16. Jahrhundert aus Stein, Holz und Ton im Hessischen Landesmuseum Darmstadt Reimer verlag 1999, 1999. Hardcover, 559 seiten, Deutsche sprache, 285 x 235 mm, in sehr guten zustand,. ISBN: 9783496012047 Buchnummer: 55575 | Preis: EUR 32.00 In den Einkaufswagen

Althöfer, Sina und Moritz Woelk: Bildwerke vom 9. bis zum 16. Jahrhundert aus Stein, Holz und Ton im Hessischen Landesmuseum Darmstadt Reimer verlag 1999, 1999. Hardcover, 559 seiten, Deutsche sprache, 285 x 235 mm, in sehr guten zustand,. ISBN: 9783496012047 Buchnummer: 55575 | Preis: EUR 32.00 In den Einkaufswagen


  Seite 1 nächste >  letzte >>

Nach oben