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-- Verre d?usage et d'apparat, de la Renaissance au XIXe siècle. La collection du Mesnil au musée des Arts décoratifs, hôtel de Lalande, Bordeaux. / Domestic and Ceremonial Glassware from the Renaissance to the 19th Century: The du Mesnil Collection. Philippe du Mesnil [Bordeaux, º1949]. Exhibition catalogue chiefly on Venetian glass and European countries norma editeur., 2013. Softcover,149 pp., 95 ill. coul. & n/b., 25 x 20 x 1 cm. As new condition.In French and English. ISBN: 9782915542592 Musée des Arts décoratifs . . Publié à l?occasion de l?exposition au musée des Arts décoratifs de Bordeaux du 13 décembre au 30 mars 2014. - Boeknummer: 51474 | Prijs: EUR 35.00 In winkelwagen

?ELASKO, Stefania Europäisches Glas im Muzeum Karkonoskie in Jelenia Góra. Glaskatalog ausgewählter Objekte des Karkonoskie Museums in Hirschberg. Dazu ?Historischer Abriss der Glasindustrie im Hirschberger Tal?. Muzeum Karkonoskie (Riesengebirgemuseum), Jelenia Góra (Hirschberg im Riesengebirge), Schlesien, Poland. 2006. Softcover,103 S., 5 Abb. & 106 Exponate beschrieben und farbig abgebildet, 30 x 23 x 1 cm. As new condition. ISBN: 8389480123 Europäisches Glas im Muzeum Karkonoskie in Jelenia Góra. Glaskatalog ausgewählter Objekte des Karkonoskie Museums in Hirschberg. Dazu ?Historischer Abriss der Glasindustrie im Hirschberger Tal?. Muzeum Karkonoskie (Riesengebirgemuseum), Jelenia Góra (Hirschberg im Riesengebirge), Schlesien, Boeknummer: 51479 | Prijs: EUR 20.00 In winkelwagen

A cura di M. Beretta e Di Pasquale G. Vitrum. Il vetro fra arte e scienza nel mondo romano Giunti Editore Firenze, 2004;. Softcover, br.,360 pages; cm 25x28.Firenze, Palazzo Pitti, 27 marzo - 31 ottobre 2004. ISBN: 9788809036628 Il catalogo ufficiale della mostra organizzata al Palazzo Pitti di Firenze, presso il Museo degli Argenti, dal 27 marzo al 31 ottobre 2004. Frutto di una lunga e approfondita attività di ricerca, che ha coinvolto storici delle scienze e delle tecniche, archeologi e studiosi della cultura classica, la mostra "Vitrum" integra in una visione organica i reperti di quell'inesauribile giacimento di preziose testimonianze della civiltà classica che è l'area vesuviana. Un approccio organico e trasversale, che viene specularmente rappresentato in questo ricchissimo catalogo, al quale hanno contribuito specialisti di diverse aree di competenza. Boeknummer: 51470 | Prijs: EUR 25.00 In winkelwagen

AKIYO, Maeda & YOKO, Azuma & HAJIME, Inagaki & GOLDSTEIN, Sydney M. & Von SALDERN, Axel Ancient Glass / Koda garasu. In English and Japanese. Catalogue of an exhibition entitled Ancient Glass, from Egypt to China held at the Miho Museum, March 15th - August 19th Miho Museum, 2001. Softcover,.217 pp., b/w. ill., 200 beautiful full col. ill., 29,5 x 22 x 1,8 cm. V.G. condition. Works displayed range from the 16th century BC through the 10th century AD. Edited and published by the Miho Museum, Tashiro Shigaraki Koka (Near Kyoto), Shiga 529-1814, Japan. Boeknummer: 51473 | Prijs: EUR 50.00 In winkelwagen

Andrew Page / Klaus Weschenfelder / Steffen John LUCIO BUBACCO Erotics Arnoldsche, 2018. 160 pp., 24.5 x 30.7 cm, 150 colour ills. Hardcover. English. ISBN: 9783897905153 Most of the subjects of Lucio Bubacco?s (b. 1957) glass art are provocative and polarising; at the same time they are sensual and beguiling. In a kind of erotic ?trance dance? ? Mephistophelian and frequently riotous ? nightmarish fabulous creatures and mythological phantasms virtually undulate about each other. His technical virtuosity in creative execution is unparalleled, for the Murano-born glass artist has elevated the Venetian flame technique to a new level of skill and complexity. Bubacco has captured human feelings and emotions in the masterly play of gestures and muscles of the glass figures featured in his burlesque installations. Full of wit and irony he thus explores the limits of kitsch without overstepping them. Follow him into a world of carnevalesque orgies, crystalline incubi and erotic fantasies in glass! Lucio Bubacco is represented in numerous museums, including the Museum of Arts and Design, New York, The Corning Museum of Glass, Museum of American Glass, Millville, and Tampa Museum of Art (US); Nagoya Museum (JP); Glasmuseum Frauenau and European Museum of Modern Glass / The Veste Coburg Art Collections (DE); MusVerre, Sars-Poteries (FR); Museo del Vetro, Murano, Venice (IT); Museum Boijmans Van Beuningen, Rotterdam (NL); J&L Lobmeyr Museum and The Margot and Roman Fuchs Collection, both in Vienna (AT). Boeknummer: 51668 | Prijs: EUR 44.00 In winkelwagen

Andy Mcconnell The Decanter Ancient to Modern. ACC Art Books, 2017. Hardcover with dusjacket, 544 pages, 30 x 23,7 x 4,2 cm. fine condition !. This encyclopaedic new edition of The Decanter bolsters the book's reputation as the definitive work on the subject. Researched and written by Andy McConnell, journalist and long-serving glass specialist on BBC TV's Antiques Roadshow, The Decanter is born of twenty years' extensive research. This edition is enlivened by several new chapters and the inclusion of two thousand new photographs and illustrations, most previously unpublished. In presenting the subject across a broad timescale - ranging from ancient Mesopotamia to the modern day - The Decanter presents the history of glassmaking from a decanter perspective. The engaging, accessible text explores the stylistic and technical evolution of fine glassmaking alongside its influences and social uses. Drawing from thousands of documentary sources and benefiting from the knowledge and experience of scores of experts in Britain, Europe and the United States, The Decanter is the most comprehensive history of fine glassmaking ever published. Boeknummer: 52300 | Prijs: EUR 175.00 In winkelwagen

ANONMOUS & VERHULST, Ferdinand (Directeur des ventes Souvenir Du Cabinet de Feu M. Joan D'Huyvetter?.: Le 20 Octobre 1851. Catalogue de vente, collection Joan d'Huyvetter. Vendue à Gand le 20 Octobre 1851 à la Salle Saint-Georges. Imprimerie de D. Verhulst, Rue Charles Quint, 53 à Gand. 1851 ? Chapitre «Verrerie» (Lots 275-584, pp. 32-53) & «Vitraux peints» (Lots 585-640, pp. 54-62). USA, CPSIA, 2012. REPRINT 2012, Softcover, 107 pp., sans ill. . ISBN: 9781276898188 Catalogue de vente, collection Joan d'Huyvetter. Vendue à Gand le 20 Octobre 1851 à la Salle Saint-Georges. Imprimerie de D. Verhulst, Rue Charles Quint, 53 à Gand. 1851 ? Chapitre Glasses / «Verrerie» (Lots 275-584, pp. 32-53) & «Vitraux peints» (Lots 585-640, pp. 54-62). Boeknummer: 51490 | Prijs: EUR 75.00 In winkelwagen

BANGERT, Albrecht. GLASWERK. Bussum/Antwerpen, Moussault/Standaard, 1981. Gebrocheerd, originele uitgeversomslag in kleur, 28.9x23 cm., 96 pp., geïllustreerd in kleur en in z/w. ISBN: 9022611736 Met de toenemende belangstelling voor kunstobjecten heeft in het bijzonder de glaskunst een nieuwe plaats ingenomen. De artistieke kwaliteit van oude glaskunst wordt daarom tegenwoordig zowel letterlijk als figuurlijk hoog gewaardeerd. In deze editie worden door middel van vele afbeeldingen, grotendeels in kleur, de mooiste creaties uit glas tussen het tijdperk van de Renaissance en de Jugendstil getoond : allereerst het elegante glaswerk "à la façon de Venise", dan het pompeuze, meestal gegraveerde Duitse barokglas, het grove, maar bekoorlijke Waldglas, Engels bleikristal, kleurrijk biedermeierglas uit Bohemen, de symbolistische glaskunst van de Jugendstil en "Pâte de Verre" -werken uit de jaren twintig. Boeknummer: 33358 | Prijs: EUR 9.00 In winkelwagen

Barovier Venetian Art Glass: American Collection 1840-1970 Arnoldsche, 2004. Hardcover with orig. dustjacket, 352pp., 31x24cm., lavishly illustr. in col., as new. ISBN: 9783897902053 Rare glass objects from the latter half of the nineteenth century illustrate the beginning of the effort to revive art glass production in Murano. Magnificent examples of murrine, a type of glassware, represent the early twentieth century, some of them with designs by Hans Stoltenberg-Lerche. The lively 1930s and 1940s are notable for the glass produced by the Barovier factory, followed by the colourful and glowing 1950s and 1960s objects of Dino Martens, Ansolo Fuga, Fulvio Bianconi et al. Very rare glass objects from the collaboration between Fucina degli Angeli and artists of international standing, including Cocteau, Picasso and Kokoschka, round off this documentary encompassing more than a century of Murano art glass. Included here is an historical survey of Murano glass, thanks to one of the largest and most important American private collections, providing fresh insights into the field of Italian glass. Superlative photographs, contemporary documents and archive material, fresh information Boeknummer: 47100 | Prijs: EUR 45.00 In winkelwagen

BAROVIER, MARINA. Art of the Barovier. Glassmakers in Murano 1866-1972 Venice, Arsenale. 1993. Bound, cloth with orig. dustjacket, 215pp., 28.5x22.5cm., ills. in col., fine copy. ISBN: 887743127x Boeknummer: 48356 | Prijs: EUR 49.00 In winkelwagen

BAROVIER, Marino; VENETIAN ART GLASS. AN AMERICAN COLLECTION 1840 - 1970, Stuttgart, Arnoldsche, 2004. Bound, cardboard wrappers under illustrated dustjacket, frontispice, 235 x 310mm., 352pp., very profound color illustration. ISBN: 3897902052 Magnificent, really choice examples of murrine represent the 19th and early 20th century, some of them with designs by Hans Stoltenberg-Lerche. The lively 1930s and 1940s are notable for the glass produced by Barovier, followed by the colourful and glowing 1950s and 1960s objects of Dino Martens, Ansolo Fuga, Fulvio Bianconi et al. Very rare glass objects from the collaboration between Fucina degli Angeli and artists of international standing, including Cocteau, Picasso and Kokoschka, round off this documentary encompassing more than a century of Murano art glass. A historical survey of Murano glass, thanks to one of the largest and most important American private collections. Superlative object photographs, contemporary documents, fresh information on glass artists and producers, a marks table and a glossary provide invaluable information. A sumptuously illustrated and meticulously researched standard work for connoisseurs and collectors of Venetian art glass. Firms, artists and designers. New book. Boeknummer: 16473 | Prijs: EUR 57.00 In winkelwagen

Bernd Hakenjos. Emile Gallé. Keramik, Glas und Möbel des Art Nouveau. Munchen, Hirmer, 2012. 2 Bände: BAND 1 ? TEXTBAND. BAND 2 ? KATALOGBAND. Insges. 486 Seiten, 646 Abbildungen in Farbe und 39 in Schwarz-Weiß. 24,5 × 33 cm, gebunden. Neu. ISBN: 9783777456119 Vier Jahrzehnte nach Bernd Hakenjos? grundlegender und bislang unübertroffener Untersuchung über Emile Gallé erscheint nun diese reich illustrierte Ausgabe. In geistreich formulierten Betrachtungen beleuchtet der Autor Einflüsse, Hintergründe und historische Zusammenhänge. Der Band brilliert zudem durch zum Teil völlig neues Bildmaterial. Emile Gallé (1846?1904) war eine der führenden Persönlichkeiten der Kunst des französischen Jugendstils und übertrug als wahrer Poet seine intensiven Beobachtungen der blühenden Pflanzenwelt mit ihren dazugehörenden Insekten auf seine aussagekräftigen Werke. Unermüdlich mit neuen Techniken experimentierend erlangte er den größten Ruhm mit seinen mehrfarbigen, stimmungsvollen Glasgefäßen. In seiner 1973 entstandenen Dissertation an der Universität Köln untersuchte Bernd Hakenjos (1945?2006), u. a. durch die Fernsehsendung »Kunst und Krempel« bekannt, Leben und Werk von Emile Gallé und destillierte aus einer reichen Materialfülle eine als exemplarisch geltende Auswahl. Die Herausgeberin Sigrid Barten, eine ehemalige Kommilitonin des Autors, hat das veraltete Bildmaterial der Objekte durch neues ersetzt und durch Vergleichsbeispiele ergänzt. Außerdem werden Inspirationsquellen aus der Natur den Werken aus Keramik, Glas und Holz gegenübergestellt. Boeknummer: 40591 | Prijs: EUR 99.00 In winkelwagen

BLAKE, Joyce E. & MURSCHELL, Dale L. Glasshouse Whimsies: An Enhanced Reference. Keller Bros. and Miller, Buffalo,, 1989. Softcover,159 pp., col. ill., 28 x 21,5 x 1 cm. V.G. condition. Boeknummer: 51472 | Prijs: EUR 12.00 In winkelwagen

BLOCH - DERMANT, Janine; LE VERRE EN FRANCE. LES ANNEES 80, Paris, Les Editions de l'Amateur, 1988. Relie, toile bleue sous jaquette illustrée, 230 x 285mm., 158pp., illustration profonde en couleurs. ISBN: 2859170707 Près de 80 maîtres verriers contemporains sont étudiés. Livre est en bon état. Boeknummer: 20543 | Prijs: EUR 65.00 In winkelwagen

BURSCHEL, Carlo und SCHEIFFELE, Heinz; WMF IKORA WMF IKORA & MYRA GLÄSER Unika und serielles Kunstglas der 1920er bis 1950er Jahre Arnoldsche, 2008. Gebunden, 200 Seiten, 24 x 30 cm., 150 Abbildungen und 163 Reprints der originalen Firmenkataloge. . ISBN: 9783897901896 Erstmals wird in dieser Publikation das vollständige Sortiment von Ikora- und Myra-Gläsern der Württembergischen Metallwarenfabrik AG (WMF), Geislingen/Steige der 1920er bis 1950er Jahre anhand zeitgenössischer Werbeschriften und Verkaufskataloge veröffentlicht. Seit Mitte der 1920er Jahre hat die WMF auf Initiative ihres damaligen Generaldirektors Hugo Debach in ihrer eigenen Glashütte hochwertige Kunstgläser (sog. ?Unika-Gläser?) und serielle Kunstgläser (Ikora und Myra) hergestellt. Zuerst im Württembergischen Landesmuseum in Stuttgart von dessen Direktor G. E. Pazaurek der Öffentlichkeit vorgestellt und von dieser begeistert aufgenommen, sind diese Gläser heute gesuchte und hochwertige Sammlerobjekte. Mit der Publikation wird nicht nur die Entstehungsgeschichte dieser Gläser rekonstruiert, sondern dem Liebhaber und Sammler von Ikora- und Myragläsern erstmals ein vollständiger Katalog der WMF-Produktion an die Hand gegeben. So wird es möglich, spätere, nachahmende Gläser diverser Konkurrenzunternehmen der WMF von den Originalen zu unterscheiden und eine präzise Bestimmung des jeweiligen Ikora- oder Myra-Glases vorzunehmen. Hunderte Abbildungen von Ikora- und Myra-Gläsern sowie erläuternde Texte ausgewiesener Spezialisten auf diesem bislang unerforschten Gebiet machen das Buch zu einem unverzichtbaren Nachschlagewerk für jeden Sammler und Glasliebhaber. Text in Deutsch und Englisch. Neue. Boeknummer: 21218 | Prijs: EUR 38.00 In winkelwagen

BURSCHEL, Carlo und SCHEIFFELE, Heinz; WMF IKORA, MYRA GLASER - GLASS, Arnoldsche, 2003. Bound, frontispice, 230 x 305mm., 200pp., beautifully illustrated. ISBN: 9783897901896 With contemporary advertising and sales catalogues as its sources, the present publication represents the first exhaustive survey of the Ikora and Myra lines in glass produced between the 1920s and 1950s by the Württembergische Metallwarenfabrik AG (WMF) at Geislingen/Steige. At the instigation of the then WMF director general, Hugo Debach, WMF had been making high-quality art glass (called ‘Unika pieces’, indicating that they were one-of-a-kind) as well as lines in mass-produced art glass (Ikora and Myra). First presented to the public to great acclaim at the Württembergisches Landesmuseum in Stuttgart by museum director G. E. Pazaurek, these pieces are now much sought after as valuable collector’s items. The present publication not only deals exhaustively with the history of this glass but also provides aficionados and collectors of Ikora and Myra glass for the first time with a complete catalogue of WMF products. The availability of this information makes it possible, first, to distinguish from the original later glass made in imitation of WMF glass by rival competitors and, second, to identify accurately each piece of Ikora or Myra glass. Hundreds of illustrations showing Ikora and Myra glass as well as explanatory texts written by distinguished specialists in this hitherto insufficiently published field make the present book a standard work that will be indispensable to collectors and lovers of glass alike. New book. Text in English and German. Boeknummer: 18412 | Prijs: EUR 39.00 In winkelwagen

C. Fontaine-Hodiamont (ed.) D'Ennion au Val Saint-Lambert. Le verre soufflé-moulé, brepols, 2011. Hardback, 480 p., 230 x 290 mm, Languages: French, English, German. Actes des 23e Rencontres de l'Association Française pour l'Archéologie du Verre ISBN: 9782930054100 D'Ennion, verrier syro-palestinien du ier siècle de notre ère, au Val Saint-Lambert, grand atelier verrier de l'Europe moderne, la technique du verre soufflé-moulé traverse quelque vingt siècles de création. Premier colloque international sur ce thème, les 23e Rencontres de l?Association française pour l?Archéologie du Verre (AFAV) se prolongent dans ce volume d?Actes richement illustré, accueilli dans la série Scientia Artis de l?IRPA. Suivant un canevas chronologique, une quarantaine de contributions originales y rendent compte de l?actualité de la recherche sur l?histoire du soufflage du verre dans un moule. Résolument pluridisciplinaire, l?ouvrage associe les regards de spécialistes de différents domaines et périodes ? archéologie, histoire, chimie et technique, conservation-restauration. Une large place est réservée à des découvertes inédites ou méconnues. Avec son abondante illustration, l?ensemble propose un véritable florilège des productions en verre soufflé-moulé de l?Antiquité à nos jours, et établit de précieux jalons scientifiques pour les recherches futures. Boeknummer: 32030 | Prijs: EUR 66.00 In winkelwagen

CAPPA, Giuseppe; LE GENIE VERRIER DE L'EUROPE. TEMOIGNAGES DE L'HISTORICISME A LA MODERNITE, Sprimont, Pierre Mardaga, 1998. softcover, couverture carton illustrée, 205 x 250mm., 575pp., illustration abondante en couleurs. ISBN: 9782870096802 La découverte faite à Venise dans la deuxième moitié du XIVe siècle d'un type de verre incolore et transparent comme de l'eau de source - dit "cristallin" - allait donner l'élan décisif au développement d'un art spécifique à l'Europe, et depuis lié aux pratiques de sa civilisation et de son histoire. L'éventail déployé de près de mille verres ici réunis offre une étonnante diversité répondant au caractère foncier de l'Europe, péniblement forgé au cours d'une histoire mouvementée. Livre est en bon état. Boeknummer: 21008 | Prijs: EUR 35.00 In winkelwagen

CAPPA, GUISSEPPE. 100 ANS D' ART VERRIER EN EUROPE. Bruxelles, Société Generale de Banque, 1983. Broché, couverture d' éditeur illustré en couleurs, formate oblong, 24x21cm, 407pp, illustré en couleurs et n/b. De l' art nouveau a l' art actuel. Exposition Bruxelles, Société Generale de Banque, 24/03-20/05/1983 et Luxembourg, Banque Generale du Luxembourg, 2/06-8/07/1983.tres bon catalogue, Boeknummer: 12723 | Prijs: EUR 50.00 In winkelwagen

Carolus Hartmann GLASMARKEN, GLASMARKEN-LEXIKON , 1600-1945 germany, Arnoldsche, 2005. 1 008 Seiten, 21 x 28,5 cm. Über 11 000 Signaturen und Markenabbildungen. Leineneinband mit Schutzumschlag, im Schuber. Benutzerhinweise in Deutsch, Englisch, Französisch und Japanisch. ISBN: 9783925369377 Nach über zehnjähriger intensiver Forschung kann nun das erste Lexikon zu GLASMARKEN vom 16. bis 20. Jahrhundert vorgelegt werden; es gibt bisher keine vergleichbare Publikation! Der Ausgangspunkt ist die gesuchte Marke. Das Nachschlagewerk ist übersichtlich aufgebaut und einfach in der Handhabung. Direkt bei der gefundenen Marken-Abbildung sind alle gewünschten Informationen. Das »Geheimnis« der Marke ist enträtselt, fundierte Angaben informieren über Künstler/ Manufaktur/oder ausführende Glas-Fabrik und in welchem Zeitraum die Arbeit entstanden ist. Sie finden darüber hinaus viele tausend Künstler- und irmenbiografien zum Glasschaffen in Europa und Nordamerika. Es gibt kein vergleichbares Buch auf dem Markt! Durch seine hohe Qualität hat es sich bereits in kürzester Zeit zu einem Standardwerk entwickelt Boeknummer: 22403 | Prijs: EUR 199.00 In winkelwagen

CAVINESS, Madeline H. a.o.; STAINED GLASS BEFORE 1700 IN AMERICAN COLLECTIONS: NEW ENGLAND AND NEW YORK ( CORPUS VITREARUM CHECKLIST I ), Washington, National Gallery of Art, 1985. Illustrated cardboard cover in colour, 225 x 280mm., 219pp., profoundly illustrated in colour and b/w. Studies in the History of Art Volume 15. In good condition. Boeknummer: 26014 | Prijs: EUR 20.00 In winkelwagen

CHEVALIER, Anne. LE VERRE AU QUOTIDIEN. GLASS IN DAILY LIFE. GLAS VOOR ALLEDAG. Liège, Mardaga, 1990. Relié, tissu blanc, sous jaquette originale d'éditeur, 27x24.5 cm., 192 pp., illustrations en couleurs. . ISBN: 2870094388 Edition Française/Anglaise/Néerlandaise. Boeknummer: 26606 | Prijs: EUR 20.00 In winkelwagen

Christophe Bardin, Isabelle Lecocq, Pierre Loze LE VERRE ART DECO L'Atelier de Charles Catteau et le Modernisme en Belgique Belgique, Musée Royal de Mariemont, 2011. softcover, 275x220mm, 250p, 200 colour illustrations, French-English and Dutch edition . ISBN: 9782930469362 Charles Catteau a été l'un des plus grands créateurs de l'Art Déco en Belgique. Sa réputation dans le domaine de la céramique l'a amené à créer des décors pour l'industrie verrière. Quelques-uns de ses élèves comptèrent ainsi parmi les meilleurs créateurs de gobeleteries implantées à Manage (Scailmont), Familleureux (Gobeleterie nationale) et Houdeng-Goegnies (Verreries du Centre). Durant les années 1920, ces entreprises ont introduit des ouvres luxueuses dans leurs catalogues. Les travaux exceptionnels de ces entreprises sont comparés à d'autres du Val Saint Lambert et des verreries de Boom (entre Malines et Anvers). Outre le catalogue de plus de 150 ouvres remarquables produites entre 1925 et 1937, l'ouvrage compte des essais de spécialistes sur l'histoire des verreries, l'histoire du vitrail, l'enseignement du verre et de la céramique, les techniques verrières et de la place de l'art verrier belge au sein de l'Europe. Charles Catteau, één van de grootste keramiek en glasontwerpers van de Art Deco in België, beïnvloedde met zijn geometrische motieven in sterke mate de esthetiek van de glasindustrie in België. Niet alleen als ontwerper, maar ook als docent. Zijn leerlingen onder wie Paul Bernard, Henri Heemskerk, Paul Heller, Robert Hofman en Léon Mairesse waren actief in de lokale glasindustrie. De producten van de verschilldende glasfabrieken zijn stilistisch verwant en verbazend modern. Deze fraaie catalogus toont een selectie van 150 producten van de fabrieken Scailmont, Gobeleterie nationale en Verreries du centre, geproduceerd tussen 1925 en 1937. text in English , French and Dutch !!! Boeknummer: 28126 | Prijs: EUR 40.00 In winkelwagen

Clémence + Didier Krzentowski (Editor),Alex Coles, Pierre Doze, The Complete Designers Lights volume II. JRP|Ringier, 2015. Hardcover, bound, Pages: 400, illustration in color. fine condition ! ISBN: 9783037643563 Clémence and Didier Krzentowski--the founders and directors of the leading contemporary design gallery Kreo, whose program includes designers such as the Bouroullec brothers, Martin Szekely and Konstantin Grcic--have been collecting lights for 30 years. Focusing particularly on Italian and French design, their collection is the most important of its kind today, spanning creations from the 1950s to the 1990s with special attention to the 1950s, 1960s and 1970s. It includes large groups of works by Pierre Paulin, Pierre Guariche, Achille Castiglioni and the biggest collection of works by Gino Sarfatti, who, according to the Krzentowskis, is "the best of his category, because he was a long-lasting researcher of forms and techniques. As soon as a new bulb was created, he was doing a new lamp that was completely minimal." This new expanded paperback edition of The Complete Designers' Lights (1950-1990) provides priceless documentation and a visual guide for those interested in light design and furniture history. Conceived as a catalogue raisonné of nearly 500 lights, this book also includes a discussion between Didier Krzentowski, the design historian and curator of the Paris Musée des Arts Décoratifs, Constance Rubini, and the journalist and design critic Pierre Doze, as well as an essay by the design and art critic Alex Coles focusing on the relationship between light design and light art, mainly through a parallel study of Gino Sarfatti's and Dan Flavin's works. Boeknummer: 46347 | Prijs: EUR 69.99 In winkelwagen

D'HULST, Henri. KUNSTGLASRAMEN IN DE COLLEGIALE KERK VAN SINT-GUMMARUS TE LIER. Antwerpen, De Vlijt, 1956. Gebonden, half-linnen, vergulde titel op de voorplaat en de rug, 23x16 cm., 119 pp., geïllustreerd z/w., bibliografie, register. N° 709 van de 1000 genummerde exemplaren. Boeknummer: 13061 | Prijs: EUR 15.00 In winkelwagen

David Burton Antique Sealed Bottles 1640 -1900 and the Families that Owned Them. 3 volumes. ACC, 2014. 1800 pages . 5,000 col - 3 volumes in hardback collection in a slipcase - 300 mm x 237 mm. unopened ! ISBN: 9781851497553 A must-have guide examining value, rarity and collectability. Using specific examples of known British-manufactured seals that have identified the original owner, this gives not only historical identity but a clearer perspective and understanding of society at the time the bottles were sealedAntique Sealed Bottles is a collection that explores the unlocking of history through the identification of its unique seals, using crests and coats-of-arms as the 'keys' towards identifying the original owner. This three-volume collection examines the evolution of the sealed bottle from the 1640s to the late 1800s and provides a detailed description to accompany each entry, supported by numerous photographs, including the number of examples known, their condition, and the collections where the bottles and detached seals are held. Boeknummer: 46251 | Prijs: EUR 345.00 In winkelwagen

David Landau and Deyan Sudjic Elisabeth Scherffig: Vitrea BE, mercaterfonds - fondsmercator, 2012. Couverture reliée ,Pages: 100, Format: 17 x 24.5 cm only in English (ISBN 978 90 6153 7120). ISBN: 9789061537120 The 35 works exhibited represent a selection from a long series focused exclusively on the subject of glass: since 2009 Scherffig has completed more than fifty drawings of found industrial glass fragments, capturing an astonishing depth and variety of abstract aesthetic properties hidden in the fabric of this overlooked detritus. She shows glass as both defined by the light that passes through it, refracting and reflecting in myriad complexities, and yet distinguished by the individual imperfections and strata unique to each fragment. The microscopic intensity of her analysis results in images that evoke the play of light on water, fur, skin and cosmic vortices, but which evade any straightforward reading - the eye follows the light, but the subject is elusive and mysterious. Even the prosaic rhythms of wire mesh in reinforced glass become ethereal and profound in the sepia depths. Avec un hyperréalisme dune qualité presque hallucinante, elle trace ce quelle voit à la surface des choses, révélant ainsi une dimension plus profonde et troublante de leurs qualités essentielles. Dans cette série de dessins, elle étudie lépaisseur du verre, la manipulation de la lumière, les modifications et les distorsions que les choses aperçues à travers le verre peuvent subir du fait de la substance elle-même. Et aussi limpact de la lumière sur la surface du verre, où se révèlent les ambiguïtés propres à la perception. - Deyan Sudjic Scherffig, qui expose à Londres pour la quatrième fois, est célèbre par sa capacité à se concentrer sur la matière et la forme de son sujet et à faire ressortir  par le procédé élémentaire du marquage  ses qualités les plus fondamentales et intrinsèques. Par la répétition de petites marques monochromes au blanc de plomb sur du papier Arches légèrement grainé, Scherffig décrit patiemment son sujet centimètre par centimètre. La transformation du matériau dur  débris industriels, acier rouillé, verre cassé  par le blanc de plomb tendre et friable produit une image voilée, irréelle. Les 35 uvres exposées ont été sélectionnées dans une longue série exclusivement consacrée au thème du verre : depuis 2009, Scherffig a réalisé plus de cinquante dessins de fragments de verre industriel, saisissant dans toute leur profondeur et leur variété les propriétés esthétiques abstraites dissimulées dans la structure de ces déchets négligés. Chez elle, le verre se définit par la lumière qui le traverse, réfractée et réfléchie en dinnombrables complexités, mais se distingue néanmoins par les imperfections individuelles et les strates propres à chaque fragment. Les images qui résultent de lintensité microscopique de son analyse évoquent les jeux de la lumière sur leau, le pelage, la peau et les vortex cosmiques, mais échappent à toute lecture directe  lil suit la lumière, mais le sujet est insaisissable et mystérieux. Dans les profondeurs sépias, même les rythmes prosaïques des mailles métalliques du verre armé prennent une intensité éthérée. Boeknummer: 33826 | Prijs: EUR 28.95 In winkelwagen

De BRITO ARANHA, Pedro Wenceslau A Marinha Grande em 1870: Memórias Histórico-Estatísticas de Algumas Villas e Povoações de Portugal. In Portuguese. Edição Santos Baroso-Vidros para o Museu Santos Barosa da Fabricação do Vidro, Marinha Grande, Portugal reprint 1996. softcover Reprint 1996 - 64 pp., 21 x 15 cm. V.G. A Marinha Grande em 1870: Memórias Histórico-Estatísticas de Algumas Villas e Povoações de Portugal. In Portuguese. Edição Santos Baroso-Vidros para o Museu Santos Barosa da Fabricação do Vidro, Marinha Grande, Portugal. ©1871(First Edition) Boeknummer: 51504 | Prijs: EUR 25.00 In winkelwagen

Dirk Blübaum, Antje Marthe Fischer. Gläserne Pracht. Die Glassammlung des Staatlichen Museums Schwerin. glaserne pracht DE, Imhof verlag, 2011. Hardcover,21,5 x 28,5 cm, 360 Seiten, 708 Farbabbildungen, ISBN: 9783865686800 Bestandskatalog, Das Schweriner Museum besitzt eine umfangreiche Glassammlung, die nahezu eintausend Hohlgläser und Objekte von der Antike bis zum Ende des 20. Jahrhunderts umfasst. Die kostbarsten Pokale, Humpen, Zier- und Gebrauchsgefäße aus vorwiegend europäischen Herstellungsgebieten werden in der Ausstellung gezeigt. Boeknummer: 28285 | Prijs: EUR 36.50 In winkelwagen

Diverse Auteurs. Catalogus van Noord- en Zuidnederlands Glas. Bestandscatalogus Gemeentemuseum Den Haag,, Gemeentemuseum Den Haag, 1962. Oorspronkelijk uitgevers omslag, 130 pp., ill., 23 cm. V.G. Condition. Catalogus van Noord- en Zuidnederlands Glas. Bestandscatalogus Gemeentemuseum Boeknummer: 51456 | Prijs: EUR 10.00 In winkelwagen

Dos Winkel - Van Rossum. Ancient Glass and some Egyptian Antiquities, Dos and Berthie Winkel collection. BE -, Private edition -, 2014. Bound, hardcover in fullcolor, 31x 31cm. 384pp. very fine photographs by Dos Winkel. an collection of 106 pieces ancient glasses, + 44 pieces 16th -18th century bottles found in the Netherlands and 12 pieces Egyptian antiquities. An private edition only on request. special photography of the particular items or glass. Each rare glass from This collection has a photo and a detailed description. This book is an must for any collector or old glass. With contributions by Hans Cuyckx and Karl Stimm. Boeknummer: 46283 | Prijs: EUR 249.00 In winkelwagen

DUMBRELL, Roger Understanding Antique Wine Bottles. With an Appendix (pp. 208-322) with drawings from Sealed Bottles (Chapter Seven: Crests and Coat-of-Arms) by Sheelah Ruggles-Brise, Antique Collectors? Club, 1992. Hardcover with dusjacket, 338 pp., 122 pl., 22 x 14 x 3 cm. As new condition.
. ISBN: 9780907462149
With an Appendix (pp. 208-322) with drawings from Sealed Bottles (Chapter Seven: Crests and Coat-of-Arms) by Sheelah Ruggles-Brise and supplementary items from the author incorporated. (Reprint 1983) - Boeknummer: 51508 | Prijs: EUR 125.00 In winkelwagen

edited by Johan Veeckman ; with Sarah Jennings ... [et al.] = / onder redactie van Johan Veeckman ; met Sarah Jennings ... [et al.] = / edité par Johan Veeckman ; avec Sarah Jennings ... [et al.]. Majolica and glass from Italy to Antwerp and beyond the transfer of technology in the 16th and early 17th century /// Majolica en glas van Italië naar Antwerpen en verder : de overdracht van technologie in de 16de-begin 17de eeuw /- Majolique et verre de l'Italie à Anvers et au-delà : la diffusion de la technologie au XVIe et au début du XVIIe siècle. Antwerp, Stad, 2002. Hardbound, 494 pp. illustrated, new condition TEXT IN ENGLISH AND FRENCH. ISBN: 9080291560 Includes bibliographical references. Dutch , Essays in English and French. Dumortier, Claire: La majolique anversoise. p. 39-49 Oost, Tony; Veeckman, Johan: Majolica in Antwerp. p. 51-68 Veeckman, Johan; Dumortier, Claire: La production de verres à Anvers. p. 69-78 Veeckman, Johan: Production and consumption of glass in 16th and early 17th century Antwerp. ? p. 79-93 De Raedt, Ine; Janssens, Koen; Veeckman, Johan: On the distinction between 16th and 17th century Venetian and 'façon de Venise' glass. p. 95-121 Pleguezuelo Hernández, Alfonso: Jan Floris (c. 1520 - 1567), a Flemish tile maker in Spain / Alfonso Pleguezuelo. ? p. 123-144 - Baart, Jan M.: Sixteenth century majolica from the North Netherlands. ? p. 145-154 Henkes, Harold E.: The influence of Antwerp on the development of glass production in the 16th and 17th centuries in the Northern Netherlands. ? p. 155-159 -Baart, Jan M.: The "façon de venise" glass of Amsterdam. p. 161-171 -Edwards, Julie; Stephenson, Roy: Production and use of tin-glazed wares in late 16th and early 17th century London. p. 173-185 Willmott, Hugh: Glass in London and England. p. 187-200 Velde, Bruce: Sixteenth and 17th century drinking glasses in France. p. 201-214 Hughes, Michael J.; Gaimster, David R. M.: Neutron activation analyses of majolica by the British Museum. p. 215-241 Page, Jutta-Annette: The 'Catalogue Colinet'. p. 243-262 Mendera, Marja: Glass production in Tuscany 13th to 16th century. p. 263-294 Blondé, Bruno: Tableware and changing consumer patterns. p. 295-311 Hurst, John Gilbert: Distribution and consumption of majolica in Britain. p. 313-331 Rosen, Jean: Diffusion de la technique et production de majolique en France aux XVIe et XVIIe siècles. p. 333-344 Ravoire, Fabienne: Distribution et consommation de la majolique d'origine française, italienne et des Pays-Bas en France à la Renaissance (du début du XVIe siècle au début du XVIIe siècle). ? p. 347-370 Falk, Alfred; Gaimster, David R. M.: Majolica in the Baltic c. 1350 - 1650. ? p. 371-390 In de 16de eeuw speelde Antwerpen een cruciale rol bij de verspreiding van nieuwe technologieën in de Nederlanden en daarbuiten, bijvoorbeeld wat betreft luxueus tafelgoed in majolica of glas. Dit onderwerp was het thema van een internationaal colloquium georganiseerd door de Afdeling Archeologie van de stad Antwerpen. De akten van dit colloquium bevatten alle lezingen, evenals posters die tijdens het colloquium gepresenteerd werden en kunnen beschouwd worden als een status quaestionis van dit onderwerp. Alle artikels zijn in het Engels of het Frans geschreven. Boeknummer: 24461 | Prijs: EUR 125.00 In winkelwagen

EIDELBERG, Martin and MCCLELLAND, Nancy. BEHIND THE SCENES OF TIFFANY GLASSMAKING. THE NASH NOTEBOOKS. New York, Estate of Leslie H. Nash, 2001. Bound, hardcover with gold print, original editor's jacket in colour, 23.8x28.3 cm., 236 pp., illustrated in b/w and colour. ISBN: 0312282656 Including Tiffany Favrile Glass by Leslie Hayden Nash. In association with Christie's Fine Arts Auctioneers. Boeknummer: 24006 | Prijs: EUR 20.00 In winkelwagen

Elizabeth Morris. De schoonheid van glas in lood. Alphen aan den Rijn, ICOB, 1988. Gebonden met stofomslag, 128pp., 22.5x29cm., ills. in kleur, goede staat. ISBN: 9061133173 Boeknummer: 37315 | Prijs: EUR 18.00 In winkelwagen

ELLIOTT, Kelley Jo & EVERTON, Elizabeth & OLDKNOW, Tina René Lalique: Enchanted by Glass. London, Yale University Press, 2014. Hardcover with dusjacket, 383 pp., 463 col. ill., 26 x 26 x 4 cm. As new condition. ISBN: 9780300205114 This publication accompanies the exhibition ?René Lalique: Enchanted by Glass?, held at The Corning Museum of Glass from May 17th, 2014 ? January 4th, 2015. Publ. by The Corning Museum of Glass Boeknummer: 51462 | Prijs: EUR 50.00 In winkelwagen

ENGEN, LUC HET GLAS IN BELGIE van de oorsprong tot heden. Antwerpen, Mercatorfonds,1989,. Gebonden in linnen met geïllustreerde omslagwikkel, folio,440pp. 420 illustratie's waarvan de meeste in uitzonderlijk kleuren Het boek over de geschiedenis van het glas in belgië, van oorsprong tot heden, in goede conditie, Boeknummer: 8442 | Prijs: EUR 75.00 In winkelwagen

ENGEN, Luc. HET GLAS IN BELGIE. VAN DE OORSPRONG TOT HEDEN. Antwerpen, Mercatorfonds, 1989. Gebonden, linnen hardcover met goudopdruk, originele uitgeversomslag met flappen in kleur, 33.3x25.5cm., 440 pp., 420 illustraties waarvan de meeste in uitzonderlijke kleuren. Het boek over de geschiedenis van het glas in België, van oorsprong tot heden. Boeknummer: 18011 | Prijs: EUR 85.00 In winkelwagen

ENKE, Dieter. ANDRIES DIRK COPIER. IDEAS IN GLASS. UNICA AND MORE. Stuttgart/Berlin, Arnoldsche Art Publishers/Dieter Enke, 2009. Bound, hard cover, original editor's jacket illustrated in colour, 24.3x24.3 cm., 200 pp., English text, German translation on Cd, illustrated in colour. ISBN: 9783897902992 Andries Dirk Copier (1901-1991) is the best known 20th-century Dutch glass artist and a precursor of the international studio glass movement. At the age of twenty-seven, he was already managing the Leerdam Glass Factory, the largest of its kind in the Netherlands. There he was able to freely develop aesthetically alongside extensive work in designing utilitarian glass, to experiment with forms and colours and try out recently discovered techniques. The works that grew out of that artistic experimentation are called Unica. Today they are viewed as autonomous works of art in their own right. Even after he retired, Copier continued to work until he was ninety years old at the worldís leading glass centres in Murano, the US, Sweden, France and the Czech Republic. Copier called the Unica objects he produced during that period ?autonomous glass". The present book focuses on the artistic development of Unica glass. Some 60 Unica pieces as well as ?autonomous glass" pieces are shown and analysed, covering a period of approx. 70 years. Nor is the work Copier produced as an industrial designer neglected. Particularly important or rare examples of designs for utilitarian objects - notably Leerdam glass - are also shown. Boeknummer: 24093 | Prijs: EUR 30.00 In winkelwagen

ESVELD, Tiny; Charles Schneider French art deco glass Tiny Esveld, 2015. Hardcover, 23 cm x 29 cm, 288 pages, with 500 photographs in color. fine copy !. ISBN: 9789081577663 reference book !! In 1913 the two brothers had saved enough to buy their own glassfactory, together with a friend, Henri Wolf. This factory was located in Epinay-sur-Seine near Paris. 1913 was not a good year to start a business. In 1914 the first world war broke out and till 1918, the brothers did not really start to make art glass. In 1918 they needed money to relight their furnaces and they accepted the help from an English investor. At that moment they were no longer in control of their glassworks. The investor wanted profit and in 1923 it led to a rupture. The Schneider brothers scraped every bit of money that they could find to buy their factory back. Luckily they succeeded. From then on the success came. In 1924 the Schneider glassworks build the biggest concrete hall ever with the most modern furnaces. In 1926 they are the biggest glassfactory in France with almost 500 employees. In 1925 Charles was asked to be a member of the jury at the Exposition des Art Decoratifs in Paris. This meant that his work could not enter the exposition and would not compete with the work of the other artists. It was an honour to be a member of the jury, so he accepted, but maybe it had been better if he had declined for the honour and participated as an artist. He would have swept the competition away. His coupe bijoux and the big black footed bowls in contrasting colours were an enormous success all over the world. Most of their production went to North and South America. The glass of Charles Schneider has such joyfull colours, bright and happy colours like orange and yellow. It looks like the sun shines every day. The little bijoux vases are jewels of technique and shape and colour. The ?Le verre Francais? line had a great success with the stylized flowers in stunning colours. As the majority of the le verre francais glass , was only etched one time, the producing costs were low. The general public loved these bright vases. The success of the Schneider factory continued until 1929. In 1929 the banks on Wall street crashed and rich people lost a lot or all of their money. The market for luxury goods collapsed. Schneider tried to survive by cutting down costs, but this does not help when there are no buyers left. After a struggle of a three years the furnace extinguised in 1932. The factory filed for bankruptcy in 1938. Charles Schneider died in 1953 before the revival of his glass. In the eighties his glass was rediscovered. It has its place now among Galle and Daum glass as their equivalent. Boeknummer: 47807 | Prijs: EUR 24.00 In winkelwagen

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