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-- Verre d?usage et d'apparat, de la Renaissance au XIXe siecle. La collection du Mesnil au musee des Arts decoratifs, hotel de Lalande, Bordeaux. / Domestic and Ceremonial Glassware from the Renaissance to the 19th Century: The du Mesnil Collection. Philippe du Mesnil [Bordeaux, ?1949]. Exhibition catalogue chiefly on Venetian glass and European countries norma editeur., 2013. Softcover,149 pp., 95 ill. coul. & n/b., 25 x 20 x 1 cm. As new condition.In French and English. ISBN: 9782915542592 Musee des Arts decoratifs . . Publie a l?occasion de l?exposition au musee des Arts decoratifs de Bordeaux du 13 decembre au 30 mars 2014. - Boeknummer: 51474 | Prijs: EUR 35.00 In winkelwagen

?ELASKO, Stefania Europaisches Glas im Muzeum Karkonoskie in Jelenia Gora. Glaskatalog ausgewahlter Objekte des Karkonoskie Museums in Hirschberg. Dazu ?Historischer Abriss der Glasindustrie im Hirschberger Tal?. Muzeum Karkonoskie (Riesengebirgemuseum), Jelenia Gora (Hirschberg im Riesengebirge), Schlesien, Poland. 2006. Softcover,103 S., 5 Abb. & 106 Exponate beschrieben und farbig abgebildet, 30 x 23 x 1 cm. As new condition. ISBN: 8389480123 Europaisches Glas im Muzeum Karkonoskie in Jelenia Gora. Glaskatalog ausgewahlter Objekte des Karkonoskie Museums in Hirschberg. Dazu ?Historischer Abriss der Glasindustrie im Hirschberger Tal?. Muzeum Karkonoskie (Riesengebirgemuseum), Jelenia Gora (Hirschberg im Riesengebirge), Schlesien, Boeknummer: 51479 | Prijs: EUR 20.00 In winkelwagen

A cura di M. Beretta e Di Pasquale G. Vitrum. Il vetro fra arte e scienza nel mondo romano Giunti Editore Firenze, 2004;. Softcover, br.,360 pages; cm 25x28.Firenze, Palazzo Pitti, 27 marzo - 31 ottobre 2004. ISBN: 9788809036628 Il catalogo ufficiale della mostra organizzata al Palazzo Pitti di Firenze, presso il Museo degli Argenti, dal 27 marzo al 31 ottobre 2004. Frutto di una lunga e approfondita attivita di ricerca, che ha coinvolto storici delle scienze e delle tecniche, archeologi e studiosi della cultura classica, la mostra "Vitrum" integra in una visione organica i reperti di quell'inesauribile giacimento di preziose testimonianze della civilta classica che e l'area vesuviana. Un approccio organico e trasversale, che viene specularmente rappresentato in questo ricchissimo catalogo, al quale hanno contribuito specialisti di diverse aree di competenza. Boeknummer: 51470 | Prijs: EUR 25.00 In winkelwagen

AKIYO, Maeda & YOKO, Azuma & HAJIME, Inagaki & GOLDSTEIN, Sydney M. & Von SALDERN, Axel Ancient Glass / Koda garasu. In English and Japanese. Catalogue of an exhibition entitled Ancient Glass, from Egypt to China held at the Miho Museum, March 15th - August 19th Miho Museum, 2001. Softcover,.217 pp., b/w. ill., 200 beautiful full col. ill., 29,5 x 22 x 1,8 cm. V.G. condition. Works displayed range from the 16th century BC through the 10th century AD. Edited and published by the Miho Museum, Tashiro Shigaraki Koka (Near Kyoto), Shiga 529-1814, Japan. Boeknummer: 51473 | Prijs: EUR 50.00 In winkelwagen

Andrew Page / Klaus Weschenfelder / Steffen John LUCIO BUBACCO Erotics Arnoldsche, 2018. 160 pp., 24.5 x 30.7 cm, 150 colour ills. Hardcover. English. ISBN: 9783897905153 Most of the subjects of Lucio Bubacco?s (b. 1957) glass art are provocative and polarising; at the same time they are sensual and beguiling. In a kind of erotic ?trance dance? ? Mephistophelian and frequently riotous ? nightmarish fabulous creatures and mythological phantasms virtually undulate about each other. His technical virtuosity in creative execution is unparalleled, for the Murano-born glass artist has elevated the Venetian flame technique to a new level of skill and complexity. Bubacco has captured human feelings and emotions in the masterly play of gestures and muscles of the glass figures featured in his burlesque installations. Full of wit and irony he thus explores the limits of kitsch without overstepping them. Follow him into a world of carnevalesque orgies, crystalline incubi and erotic fantasies in glass! Lucio Bubacco is represented in numerous museums, including the Museum of Arts and Design, New York, The Corning Museum of Glass, Museum of American Glass, Millville, and Tampa Museum of Art (US); Nagoya Museum (JP); Glasmuseum Frauenau and European Museum of Modern Glass / The Veste Coburg Art Collections (DE); MusVerre, Sars-Poteries (FR); Museo del Vetro, Murano, Venice (IT); Museum Boijmans Van Beuningen, Rotterdam (NL); J&L Lobmeyr Museum and The Margot and Roman Fuchs Collection, both in Vienna (AT). Boeknummer: 51668 | Prijs: EUR 44.00 In winkelwagen

Andy Mcconnell The Decanter Ancient to Modern. ACC Art Books, 2017. Hardcover with dusjacket, 544 pages, 30 x 23,7 x 4,2 cm. fine condition !. This encyclopaedic new edition of The Decanter bolsters the book's reputation as the definitive work on the subject. Researched and written by Andy McConnell, journalist and long-serving glass specialist on BBC TV's Antiques Roadshow, The Decanter is born of twenty years' extensive research. This edition is enlivened by several new chapters and the inclusion of two thousand new photographs and illustrations, most previously unpublished. In presenting the subject across a broad timescale - ranging from ancient Mesopotamia to the modern day - The Decanter presents the history of glassmaking from a decanter perspective. The engaging, accessible text explores the stylistic and technical evolution of fine glassmaking alongside its influences and social uses. Drawing from thousands of documentary sources and benefiting from the knowledge and experience of scores of experts in Britain, Europe and the United States, The Decanter is the most comprehensive history of fine glassmaking ever published. Boeknummer: 52300 | Prijs: EUR 175.00 In winkelwagen

ANONMOUS & VERHULST, Ferdinand (Directeur des ventes Souvenir Du Cabinet de Feu M. Joan D'Huyvetter?.: Le 20 Octobre 1851. Catalogue de vente, collection Joan d'Huyvetter. Vendue a Gand le 20 Octobre 1851 a la Salle Saint-Georges. Imprimerie de D. Verhulst, Rue Charles Quint, 53 a Gand. 1851 ? Chapitre ?«Verrerie?» (Lots 275-584, pp. 32-53) & ?«Vitraux peints?» (Lots 585-640, pp. 54-62). USA, CPSIA, 2012. REPRINT 2012, Softcover, 107 pp., sans ill. . ISBN: 9781276898188 Catalogue de vente, collection Joan d'Huyvetter. Vendue a Gand le 20 Octobre 1851 a la Salle Saint-Georges. Imprimerie de D. Verhulst, Rue Charles Quint, 53 a Gand. 1851 ? Chapitre Glasses / ?«Verrerie?» (Lots 275-584, pp. 32-53) & ?«Vitraux peints?» (Lots 585-640, pp. 54-62). Boeknummer: 51490 | Prijs: EUR 75.00 In winkelwagen

BANGERT, Albrecht. GLASWERK. Bussum/Antwerpen, Moussault/Standaard, 1981. Gebrocheerd, originele uitgeversomslag in kleur, 28.9x23 cm., 96 pp., geillustreerd in kleur en in z/w. ISBN: 9022611736 Met de toenemende belangstelling voor kunstobjecten heeft in het bijzonder de glaskunst een nieuwe plaats ingenomen. De artistieke kwaliteit van oude glaskunst wordt daarom tegenwoordig zowel letterlijk als figuurlijk hoog gewaardeerd. In deze editie worden door middel van vele afbeeldingen, grotendeels in kleur, de mooiste creaties uit glas tussen het tijdperk van de Renaissance en de Jugendstil getoond : allereerst het elegante glaswerk "a la facon de Venise", dan het pompeuze, meestal gegraveerde Duitse barokglas, het grove, maar bekoorlijke Waldglas, Engels bleikristal, kleurrijk biedermeierglas uit Bohemen, de symbolistische glaskunst van de Jugendstil en "Pate de Verre" -werken uit de jaren twintig. Boeknummer: 33358 | Prijs: EUR 9.00 In winkelwagen

Bernd Hakenjos. Emile Galle. Keramik, Glas und Mobel des Art Nouveau. Munchen, Hirmer, 2012. 2 Bande: BAND 1 ? TEXTBAND. BAND 2 ? KATALOGBAND. Insges. 486 Seiten, 646 Abbildungen in Farbe und 39 in Schwarz-Weiss. 24,5 x 33 cm, gebunden. Neu. ISBN: 9783777456119 Vier Jahrzehnte nach Bernd Hakenjos? grundlegender und bislang unubertroffener Untersuchung uber Emile Galle erscheint nun diese reich illustrierte Ausgabe. In geistreich formulierten Betrachtungen beleuchtet der Autor Einflusse, Hintergrunde und historische Zusammenhange. Der Band brilliert zudem durch zum Teil vollig neues Bildmaterial. Emile Galle (1846?1904) war eine der fuhrenden Personlichkeiten der Kunst des franzosischen Jugendstils und ubertrug als wahrer Poet seine intensiven Beobachtungen der bluhenden Pflanzenwelt mit ihren dazugehorenden Insekten auf seine aussagekraftigen Werke. Unermudlich mit neuen Techniken experimentierend erlangte er den grossten Ruhm mit seinen mehrfarbigen, stimmungsvollen Glasgefassen. In seiner 1973 entstandenen Dissertation an der Universitat Koln untersuchte Bernd Hakenjos (1945?2006), u. a. durch die Fernsehsendung ?»Kunst und Krempel?« bekannt, Leben und Werk von Emile Galle und destillierte aus einer reichen Materialfulle eine als exemplarisch geltende Auswahl. Die Herausgeberin Sigrid Barten, eine ehemalige Kommilitonin des Autors, hat das veraltete Bildmaterial der Objekte durch neues ersetzt und durch Vergleichsbeispiele erganzt. Ausserdem werden Inspirationsquellen aus der Natur den Werken aus Keramik, Glas und Holz gegenubergestellt. Boeknummer: 40591 | Prijs: EUR 99.00 In winkelwagen

BLAKE, Joyce E. & MURSCHELL, Dale L. Glasshouse Whimsies: An Enhanced Reference. Keller Bros. and Miller, Buffalo,, 1989. Softcover,159 pp., col. ill., 28 x 21,5 x 1 cm. V.G. condition. Boeknummer: 51472 | Prijs: EUR 12.00 In winkelwagen

BLOCH - DERMANT, Janine; LE VERRE EN FRANCE. LES ANNEES 80, Paris, Les Editions de l'Amateur, 1988. Relie, toile bleue sous jaquette illustree, 230 x 285mm., 158pp., illustration profonde en couleurs. ISBN: 2859170707 Pres de 80 maitres verriers contemporains sont etudies. Livre est en bon etat. Boeknummer: 20543 | Prijs: EUR 65.00 In winkelwagen

BURSCHEL, Carlo und SCHEIFFELE, Heinz; WMF IKORA WMF IKORA & MYRA GLASER Unika und serielles Kunstglas der 1920er bis 1950er Jahre Arnoldsche, 2008. Gebunden, 200 Seiten, 24 x 30 cm., 150 Abbildungen und 163 Reprints der originalen Firmenkataloge. . ISBN: 9783897901896 Erstmals wird in dieser Publikation das vollstandige Sortiment von Ikora- und Myra-Glasern der Wurttembergischen Metallwarenfabrik AG (WMF), Geislingen/Steige der 1920er bis 1950er Jahre anhand zeitgenossischer Werbeschriften und Verkaufskataloge veroffentlicht. Seit Mitte der 1920er Jahre hat die WMF auf Initiative ihres damaligen Generaldirektors Hugo Debach in ihrer eigenen Glashutte hochwertige Kunstglaser (sog. ?Unika-Glaser?) und serielle Kunstglaser (Ikora und Myra) hergestellt. Zuerst im Wurttembergischen Landesmuseum in Stuttgart von dessen Direktor G. E. Pazaurek der Offentlichkeit vorgestellt und von dieser begeistert aufgenommen, sind diese Glaser heute gesuchte und hochwertige Sammlerobjekte. Mit der Publikation wird nicht nur die Entstehungsgeschichte dieser Glaser rekonstruiert, sondern dem Liebhaber und Sammler von Ikora- und Myraglasern erstmals ein vollstandiger Katalog der WMF-Produktion an die Hand gegeben. So wird es moglich, spatere, nachahmende Glaser diverser Konkurrenzunternehmen der WMF von den Originalen zu unterscheiden und eine prazise Bestimmung des jeweiligen Ikora- oder Myra-Glases vorzunehmen. Hunderte Abbildungen von Ikora- und Myra-Glasern sowie erlauternde Texte ausgewiesener Spezialisten auf diesem bislang unerforschten Gebiet machen das Buch zu einem unverzichtbaren Nachschlagewerk fur jeden Sammler und Glasliebhaber. Text in Deutsch und Englisch. Neue. Boeknummer: 21218 | Prijs: EUR 38.00 In winkelwagen

BURSCHEL, Carlo und SCHEIFFELE, Heinz; WMF IKORA, MYRA GLASER - GLASS, Arnoldsche, 2003. Bound, frontispice, 230 x 305mm., 200pp., beautifully illustrated. ISBN: 9783897901896 With contemporary advertising and sales catalogues as its sources, the present publication represents the first exhaustive survey of the Ikora and Myra lines in glass produced between the 1920s and 1950s by the Wurttembergische Metallwarenfabrik AG (WMF) at Geislingen/Steige. At the instigation of the then WMF director general, Hugo Debach, WMF had been making high-quality art glass (called ???Unika pieces??™, indicating that they were one-of-a-kind) as well as lines in mass-produced art glass (Ikora and Myra). First presented to the public to great acclaim at the Wurttembergisches Landesmuseum in Stuttgart by museum director G. E. Pazaurek, these pieces are now much sought after as valuable collector??™s items. The present publication not only deals exhaustively with the history of this glass but also provides aficionados and collectors of Ikora and Myra glass for the first time with a complete catalogue of WMF products. The availability of this information makes it possible, first, to distinguish from the original later glass made in imitation of WMF glass by rival competitors and, second, to identify accurately each piece of Ikora or Myra glass. Hundreds of illustrations showing Ikora and Myra glass as well as explanatory texts written by distinguished specialists in this hitherto insufficiently published field make the present book a standard work that will be indispensable to collectors and lovers of glass alike. New book. Text in English and German. Boeknummer: 18412 | Prijs: EUR 39.00 In winkelwagen

C. Fontaine-Hodiamont (ed.) D'Ennion au Val Saint-Lambert. Le verre souffle-moule, brepols, 2011. Hardback, 480 p., 230 x 290 mm, Languages: French, English, German. Actes des 23e Rencontres de l'Association Francaise pour l'Archeologie du Verre ISBN: 9782930054100 D'Ennion, verrier syro-palestinien du ier siecle de notre ere, au Val Saint-Lambert, grand atelier verrier de l'Europe moderne, la technique du verre souffle-moule traverse quelque vingt siecles de creation. Premier colloque international sur ce theme, les 23e Rencontres de l?Association francaise pour l?Archeologie du Verre (AFAV) se prolongent dans ce volume d?Actes richement illustre, accueilli dans la serie Scientia Artis de l?IRPA. Suivant un canevas chronologique, une quarantaine de contributions originales y rendent compte de l?actualite de la recherche sur l?histoire du soufflage du verre dans un moule. Resolument pluridisciplinaire, l?ouvrage associe les regards de specialistes de differents domaines et periodes ? archeologie, histoire, chimie et technique, conservation-restauration. Une large place est reservee a des decouvertes inedites ou meconnues. Avec son abondante illustration, l?ensemble propose un veritable florilege des productions en verre souffle-moule de l?Antiquite a nos jours, et etablit de precieux jalons scientifiques pour les recherches futures. Boeknummer: 32030 | Prijs: EUR 66.00 In winkelwagen

CAPPA, Giuseppe; LE GENIE VERRIER DE L'EUROPE. TEMOIGNAGES DE L'HISTORICISME A LA MODERNITE, Sprimont, Pierre Mardaga, 1998. softcover, couverture carton illustree, 205 x 250mm., 575pp., illustration abondante en couleurs. ISBN: 9782870096802 La decouverte faite a Venise dans la deuxieme moitie du XIVe siecle d'un type de verre incolore et transparent comme de l'eau de source - dit "cristallin" - allait donner l'elan decisif au developpement d'un art specifique a l'Europe, et depuis lie aux pratiques de sa civilisation et de son histoire. L'eventail deploye de pres de mille verres ici reunis offre une etonnante diversite repondant au caractere foncier de l'Europe, peniblement forge au cours d'une histoire mouvementee. Livre est en bon etat. Boeknummer: 21008 | Prijs: EUR 35.00 In winkelwagen

CAPPA, GUISSEPPE. 100 ANS D' ART VERRIER EN EUROPE. Bruxelles, Societe Generale de Banque, 1983. Broche, couverture d' editeur illustre en couleurs, formate oblong, 24x21cm, 407pp, illustre en couleurs et n/b. De l' art nouveau a l' art actuel. Exposition Bruxelles, Societe Generale de Banque, 24/03-20/05/1983 et Luxembourg, Banque Generale du Luxembourg, 2/06-8/07/1983.tres bon catalogue, Boeknummer: 12723 | Prijs: EUR 50.00 In winkelwagen

Carolus Hartmann GLASMARKEN, GLASMARKEN-LEXIKON , 1600-1945 germany, Arnoldsche, 2005. 1 008 Seiten, 21 x 28,5 cm. Uber 11 000 Signaturen und Markenabbildungen. Leineneinband mit Schutzumschlag, im Schuber. Benutzerhinweise in Deutsch, Englisch, Franzosisch und Japanisch. ISBN: 9783925369377 Nach uber zehnjahriger intensiver Forschung kann nun das erste Lexikon zu GLASMARKEN vom 16. bis 20. Jahrhundert vorgelegt werden; es gibt bisher keine vergleichbare Publikation! Der Ausgangspunkt ist die gesuchte Marke. Das Nachschlagewerk ist ubersichtlich aufgebaut und einfach in der Handhabung. Direkt bei der gefundenen Marken-Abbildung sind alle gewunschten Informationen. Das ?»Geheimnis?« der Marke ist entratselt, fundierte Angaben informieren uber Kunstler/ Manufaktur/oder ausfuhrende Glas-Fabrik und in welchem Zeitraum die Arbeit entstanden ist. Sie finden daruber hinaus viele tausend Kunstler- und irmenbiografien zum Glasschaffen in Europa und Nordamerika. Es gibt kein vergleichbares Buch auf dem Markt! Durch seine hohe Qualitat hat es sich bereits in kurzester Zeit zu einem Standardwerk entwickelt Boeknummer: 22403 | Prijs: EUR 199.00 In winkelwagen

CHEVALIER, Anne. LE VERRE AU QUOTIDIEN. GLASS IN DAILY LIFE. GLAS VOOR ALLEDAG. Liege, Mardaga, 1990. Relie, tissu blanc, sous jaquette originale d'editeur, 27x24.5 cm., 192 pp., illustrations en couleurs. . ISBN: 2870094388 Edition Francaise/Anglaise/Neerlandaise. Boeknummer: 26606 | Prijs: EUR 20.00 In winkelwagen

Christophe Bardin, Isabelle Lecocq, Pierre Loze LE VERRE ART DECO L'Atelier de Charles Catteau et le Modernisme en Belgique Belgique, Musee Royal de Mariemont, 2011. softcover, 275x220mm, 250p, 200 colour illustrations, French-English and Dutch edition . ISBN: 9782930469362 Charles Catteau a ete l'un des plus grands createurs de l'Art Deco en Belgique. Sa reputation dans le domaine de la ceramique l'a amene a creer des decors pour l'industrie verriere. Quelques-uns de ses eleves compterent ainsi parmi les meilleurs createurs de gobeleteries implantees a Manage (Scailmont), Familleureux (Gobeleterie nationale) et Houdeng-Goegnies (Verreries du Centre). Durant les annees 1920, ces entreprises ont introduit des ouvres luxueuses dans leurs catalogues. Les travaux exceptionnels de ces entreprises sont compares a d'autres du Val Saint Lambert et des verreries de Boom (entre Malines et Anvers). Outre le catalogue de plus de 150 ouvres remarquables produites entre 1925 et 1937, l'ouvrage compte des essais de specialistes sur l'histoire des verreries, l'histoire du vitrail, l'enseignement du verre et de la ceramique, les techniques verrieres et de la place de l'art verrier belge au sein de l'Europe. Charles Catteau, een van de grootste keramiek en glasontwerpers van de Art Deco in Belgie, beinvloedde met zijn geometrische motieven in sterke mate de esthetiek van de glasindustrie in Belgie. Niet alleen als ontwerper, maar ook als docent. Zijn leerlingen onder wie Paul Bernard, Henri Heemskerk, Paul Heller, Robert Hofman en Leon Mairesse waren actief in de lokale glasindustrie. De producten van de verschilldende glasfabrieken zijn stilistisch verwant en verbazend modern. Deze fraaie catalogus toont een selectie van 150 producten van de fabrieken Scailmont, Gobeleterie nationale en Verreries du centre, geproduceerd tussen 1925 en 1937. text in English , French and Dutch !!! Boeknummer: 28126 | Prijs: EUR 40.00 In winkelwagen

Clemence + Didier Krzentowski (Editor),Alex Coles, Pierre Doze, The Complete Designers Lights volume II. JRP|Ringier, 2015. Hardcover, bound, Pages: 400, illustration in color. fine condition ! ISBN: 9783037643563 Clemence and Didier Krzentowski--the founders and directors of the leading contemporary design gallery Kreo, whose program includes designers such as the Bouroullec brothers, Martin Szekely and Konstantin Grcic--have been collecting lights for 30 years. Focusing particularly on Italian and French design, their collection is the most important of its kind today, spanning creations from the 1950s to the 1990s with special attention to the 1950s, 1960s and 1970s. It includes large groups of works by Pierre Paulin, Pierre Guariche, Achille Castiglioni and the biggest collection of works by Gino Sarfatti, who, according to the Krzentowskis, is "the best of his category, because he was a long-lasting researcher of forms and techniques. As soon as a new bulb was created, he was doing a new lamp that was completely minimal." This new expanded paperback edition of The Complete Designers' Lights (1950-1990) provides priceless documentation and a visual guide for those interested in light design and furniture history. Conceived as a catalogue raisonne of nearly 500 lights, this book also includes a discussion between Didier Krzentowski, the design historian and curator of the Paris Musee des Arts Decoratifs, Constance Rubini, and the journalist and design critic Pierre Doze, as well as an essay by the design and art critic Alex Coles focusing on the relationship between light design and light art, mainly through a parallel study of Gino Sarfatti's and Dan Flavin's works. Boeknummer: 46347 | Prijs: EUR 69.99 In winkelwagen

D'HULST, Henri. KUNSTGLASRAMEN IN DE COLLEGIALE KERK VAN SINT-GUMMARUS TE LIER. Antwerpen, De Vlijt, 1956. Gebonden, half-linnen, vergulde titel op de voorplaat en de rug, 23x16 cm., 119 pp., geillustreerd z/w., bibliografie, register. N?° 709 van de 1000 genummerde exemplaren. Boeknummer: 13061 | Prijs: EUR 15.00 In winkelwagen

David Burton Antique Sealed Bottles 1640 -1900 and the Families that Owned Them. 3 volumes. ACC, 2014. 1800 pages . 5,000 col - 3 volumes in hardback collection in a slipcase - 300 mm x 237 mm. unopened ! ISBN: 9781851497553 A must-have guide examining value, rarity and collectability. Using specific examples of known British-manufactured seals that have identified the original owner, this gives not only historical identity but a clearer perspective and understanding of society at the time the bottles were sealedAntique Sealed Bottles is a collection that explores the unlocking of history through the identification of its unique seals, using crests and coats-of-arms as the 'keys' towards identifying the original owner. This three-volume collection examines the evolution of the sealed bottle from the 1640s to the late 1800s and provides a detailed description to accompany each entry, supported by numerous photographs, including the number of examples known, their condition, and the collections where the bottles and detached seals are held. Boeknummer: 46251 | Prijs: EUR 345.00 In winkelwagen

David Landau and Deyan Sudjic Elisabeth Scherffig: Vitrea BE, mercaterfonds - fondsmercator, 2012. Couverture reliee ,Pages: 100, Format: 17 x 24.5 cm only in English (ISBN 978 90 6153 7120). ISBN: 9789061537120 The 35 works exhibited represent a selection from a long series focused exclusively on the subject of glass: since 2009 Scherffig has completed more than fifty drawings of found industrial glass fragments, capturing an astonishing depth and variety of abstract aesthetic properties hidden in the fabric of this overlooked detritus. She shows glass as both defined by the light that passes through it, refracting and reflecting in myriad complexities, and yet distinguished by the individual imperfections and strata unique to each fragment. The microscopic intensity of her analysis results in images that evoke the play of light on water, fur, skin and cosmic vortices, but which evade any straightforward reading - the eye follows the light, but the subject is elusive and mysterious. Even the prosaic rhythms of wire mesh in reinforced glass become ethereal and profound in the sepia depths. Avec un hyperrealisme dune qualite presque hallucinante, elle trace ce quelle voit a la surface des choses, revelant ainsi une dimension plus profonde et troublante de leurs qualites essentielles. Dans cette serie de dessins, elle etudie lepaisseur du verre, la manipulation de la lumiere, les modifications et les distorsions que les choses apercues a travers le verre peuvent subir du fait de la substance elle-meme. Et aussi limpact de la lumiere sur la surface du verre, ou se revelent les ambiguites propres a la perception. - Deyan Sudjic Scherffig, qui expose a Londres pour la quatrieme fois, est celebre par sa capacite a se concentrer sur la matiere et la forme de son sujet et a faire ressortir  par le procede elementaire du marquage  ses qualites les plus fondamentales et intrinseques. Par la repetition de petites marques monochromes au blanc de plomb sur du papier Arches legerement graine, Scherffig decrit patiemment son sujet centimetre par centimetre. La transformation du materiau dur  debris industriels, acier rouille, verre casse  par le blanc de plomb tendre et friable produit une image voilee, irreelle. Les 35 uvres exposees ont ete selectionnees dans une longue serie exclusivement consacree au theme du verre : depuis 2009, Scherffig a realise plus de cinquante dessins de fragments de verre industriel, saisissant dans toute leur profondeur et leur variete les proprietes esthetiques abstraites dissimulees dans la structure de ces dechets negliges. Chez elle, le verre se definit par la lumiere qui le traverse, refractee et reflechie en dinnombrables complexites, mais se distingue neanmoins par les imperfections individuelles et les strates propres a chaque fragment. Les images qui resultent de lintensite microscopique de son analyse evoquent les jeux de la lumiere sur leau, le pelage, la peau et les vortex cosmiques, mais echappent a toute lecture directe  lil suit la lumiere, mais le sujet est insaisissable et mysterieux. Dans les profondeurs sepias, meme les rythmes prosaiques des mailles metalliques du verre arme prennent une intensite etheree. Boeknummer: 33826 | Prijs: EUR 28.95 In winkelwagen

De BRITO ARANHA, Pedro Wenceslau A Marinha Grande em 1870: Memorias Historico-Estatisticas de Algumas Villas e Povoacoes de Portugal. In Portuguese. Edicao Santos Baroso-Vidros para o Museu Santos Barosa da Fabricacao do Vidro, Marinha Grande, Portugal reprint 1996. softcover Reprint 1996 - 64 pp., 21 x 15 cm. V.G. A Marinha Grande em 1870: Memorias Historico-Estatisticas de Algumas Villas e Povoacoes de Portugal. In Portuguese. Edicao Santos Baroso-Vidros para o Museu Santos Barosa da Fabricacao do Vidro, Marinha Grande, Portugal. ?©1871(First Edition) Boeknummer: 51504 | Prijs: EUR 25.00 In winkelwagen

Dirk Blubaum, Antje Marthe Fischer. Glaserne Pracht. Die Glassammlung des Staatlichen Museums Schwerin. glaserne pracht DE, Imhof verlag, 2011. Hardcover,21,5 x 28,5 cm, 360 Seiten, 708 Farbabbildungen, ISBN: 9783865686800 Bestandskatalog, Das Schweriner Museum besitzt eine umfangreiche Glassammlung, die nahezu eintausend Hohlglaser und Objekte von der Antike bis zum Ende des 20. Jahrhunderts umfasst. Die kostbarsten Pokale, Humpen, Zier- und Gebrauchsgefasse aus vorwiegend europaischen Herstellungsgebieten werden in der Ausstellung gezeigt. Boeknummer: 28285 | Prijs: EUR 36.50 In winkelwagen

Diverse Auteurs. Catalogus van Noord- en Zuidnederlands Glas. Bestandscatalogus Gemeentemuseum Den Haag,, Gemeentemuseum Den Haag, 1962. Oorspronkelijk uitgevers omslag, 130 pp., ill., 23 cm. V.G. Condition. Catalogus van Noord- en Zuidnederlands Glas. Bestandscatalogus Gemeentemuseum Boeknummer: 51456 | Prijs: EUR 10.00 In winkelwagen

Dos Winkel - Van Rossum. Ancient Glass and some Egyptian Antiquities, Dos and Berthie Winkel collection. BE -, Private edition -, 2014. Bound, hardcover in fullcolor, 31x 31cm. 384pp. very fine photographs by Dos Winkel. an collection of 106 pieces ancient glasses, + 44 pieces 16th -18th century bottles found in the Netherlands and 12 pieces Egyptian antiquities. An private edition only on request. special photography of the particular items or glass. Each rare glass from This collection has a photo and a detailed description. This book is an must for any collector or old glass. With contributions by Hans Cuyckx and Karl Stimm. Boeknummer: 46283 | Prijs: EUR 249.00 In winkelwagen

DUMBRELL, Roger Understanding Antique Wine Bottles. With an Appendix (pp. 208-322) with drawings from Sealed Bottles (Chapter Seven: Crests and Coat-of-Arms) by Sheelah Ruggles-Brise, Antique Collectors? Club, 1992. Hardcover with dusjacket, 338 pp., 122 pl., 22 x 14 x 3 cm. As new condition.
. ISBN: 9780907462149
With an Appendix (pp. 208-322) with drawings from Sealed Bottles (Chapter Seven: Crests and Coat-of-Arms) by Sheelah Ruggles-Brise and supplementary items from the author incorporated. (Reprint 1983) - Boeknummer: 51508 | Prijs: EUR 125.00 In winkelwagen

edited by Johan Veeckman ; with Sarah Jennings ... [et al.] = / onder redactie van Johan Veeckman ; met Sarah Jennings ... [et al.] = / edite par Johan Veeckman ; avec Sarah Jennings ... [et al.]. Majolica and glass from Italy to Antwerp and beyond the transfer of technology in the 16th and early 17th century /// Majolica en glas van Italie naar Antwerpen en verder : de overdracht van technologie in de 16de-begin 17de eeuw /- Majolique et verre de l'Italie a Anvers et au-dela : la diffusion de la technologie au XVIe et au debut du XVIIe siecle. Antwerp, Stad, 2002. Hardbound, 494 pp. illustrated, new condition TEXT IN ENGLISH AND FRENCH. ISBN: 9080291560 Includes bibliographical references. Dutch , Essays in English and French. Dumortier, Claire: La majolique anversoise. p. 39-49 Oost, Tony; Veeckman, Johan: Majolica in Antwerp. p. 51-68 Veeckman, Johan; Dumortier, Claire: La production de verres a Anvers. p. 69-78 Veeckman, Johan: Production and consumption of glass in 16th and early 17th century Antwerp. ? p. 79-93 De Raedt, Ine; Janssens, Koen; Veeckman, Johan: On the distinction between 16th and 17th century Venetian and 'facon de Venise' glass. p. 95-121 Pleguezuelo Hernandez, Alfonso: Jan Floris (c. 1520 - 1567), a Flemish tile maker in Spain / Alfonso Pleguezuelo. ? p. 123-144 - Baart, Jan M.: Sixteenth century majolica from the North Netherlands. ? p. 145-154 Henkes, Harold E.: The influence of Antwerp on the development of glass production in the 16th and 17th centuries in the Northern Netherlands. ? p. 155-159 -Baart, Jan M.: The "facon de venise" glass of Amsterdam. p. 161-171 -Edwards, Julie; Stephenson, Roy: Production and use of tin-glazed wares in late 16th and early 17th century London. p. 173-185 Willmott, Hugh: Glass in London and England. p. 187-200 Velde, Bruce: Sixteenth and 17th century drinking glasses in France. p. 201-214 Hughes, Michael J.; Gaimster, David R. M.: Neutron activation analyses of majolica by the British Museum. p. 215-241 Page, Jutta-Annette: The 'Catalogue Colinet'. p. 243-262 Mendera, Marja: Glass production in Tuscany 13th to 16th century. p. 263-294 Blonde, Bruno: Tableware and changing consumer patterns. p. 295-311 Hurst, John Gilbert: Distribution and consumption of majolica in Britain. p. 313-331 Rosen, Jean: Diffusion de la technique et production de majolique en France aux XVIe et XVIIe siecles. p. 333-344 Ravoire, Fabienne: Distribution et consommation de la majolique d'origine francaise, italienne et des Pays-Bas en France a la Renaissance (du debut du XVIe siecle au debut du XVIIe siecle). ? p. 347-370 Falk, Alfred; Gaimster, David R. M.: Majolica in the Baltic c. 1350 - 1650. ? p. 371-390 In de 16de eeuw speelde Antwerpen een cruciale rol bij de verspreiding van nieuwe technologieen in de Nederlanden en daarbuiten, bijvoorbeeld wat betreft luxueus tafelgoed in majolica of glas. Dit onderwerp was het thema van een internationaal colloquium georganiseerd door de Afdeling Archeologie van de stad Antwerpen. De akten van dit colloquium bevatten alle lezingen, evenals posters die tijdens het colloquium gepresenteerd werden en kunnen beschouwd worden als een status quaestionis van dit onderwerp. Alle artikels zijn in het Engels of het Frans geschreven. Boeknummer: 24461 | Prijs: EUR 125.00 In winkelwagen

EIDELBERG, Martin and MCCLELLAND, Nancy. BEHIND THE SCENES OF TIFFANY GLASSMAKING. THE NASH NOTEBOOKS. New York, Estate of Leslie H. Nash, 2001. Bound, hardcover with gold print, original editor's jacket in colour, 23.8x28.3 cm., 236 pp., illustrated in b/w and colour. ISBN: 0312282656 Including Tiffany Favrile Glass by Leslie Hayden Nash. In association with Christie's Fine Arts Auctioneers. Boeknummer: 24006 | Prijs: EUR 20.00 In winkelwagen

Elizabeth Morris. De schoonheid van glas in lood. Alphen aan den Rijn, ICOB, 1988. Gebonden met stofomslag, 128pp., 22.5x29cm., ills. in kleur, goede staat. ISBN: 9061133173 Boeknummer: 37315 | Prijs: EUR 18.00 In winkelwagen

ELLIOTT, Kelley Jo & EVERTON, Elizabeth & OLDKNOW, Tina Rene Lalique: Enchanted by Glass. London, Yale University Press, 2014. Hardcover with dusjacket, 383 pp., 463 col. ill., 26 x 26 x 4 cm. As new condition. ISBN: 9780300205114 This publication accompanies the exhibition ?Rene Lalique: Enchanted by Glass?, held at The Corning Museum of Glass from May 17th, 2014 ? January 4th, 2015. Publ. by The Corning Museum of Glass Boeknummer: 51462 | Prijs: EUR 50.00 In winkelwagen

ENGEN, LUC HET GLAS IN BELGIE van de oorsprong tot heden. Antwerpen, Mercatorfonds,1989,. Gebonden in linnen met geillustreerde omslagwikkel, folio,440pp. 420 illustratie's waarvan de meeste in uitzonderlijk kleuren Het boek over de geschiedenis van het glas in belgie, van oorsprong tot heden, in goede conditie, Boeknummer: 8442 | Prijs: EUR 75.00 In winkelwagen

ENGEN, Luc. HET GLAS IN BELGIE. VAN DE OORSPRONG TOT HEDEN. Antwerpen, Mercatorfonds, 1989. Gebonden, linnen hardcover met goudopdruk, originele uitgeversomslag met flappen in kleur, 33.3x25.5cm., 440 pp., 420 illustraties waarvan de meeste in uitzonderlijke kleuren. Het boek over de geschiedenis van het glas in Belgie, van oorsprong tot heden. Boeknummer: 18011 | Prijs: EUR 85.00 In winkelwagen

ENKE, Dieter. ANDRIES DIRK COPIER. IDEAS IN GLASS. UNICA AND MORE. Stuttgart/Berlin, Arnoldsche Art Publishers/Dieter Enke, 2009. Bound, hard cover, original editor's jacket illustrated in colour, 24.3x24.3 cm., 200 pp., English text, German translation on Cd, illustrated in colour. ISBN: 9783897902992 Andries Dirk Copier (1901-1991) is the best known 20th-century Dutch glass artist and a precursor of the international studio glass movement. At the age of twenty-seven, he was already managing the Leerdam Glass Factory, the largest of its kind in the Netherlands. There he was able to freely develop aesthetically alongside extensive work in designing utilitarian glass, to experiment with forms and colours and try out recently discovered techniques. The works that grew out of that artistic experimentation are called Unica. Today they are viewed as autonomous works of art in their own right. Even after he retired, Copier continued to work until he was ninety years old at the worldis leading glass centres in Murano, the US, Sweden, France and the Czech Republic. Copier called the Unica objects he produced during that period ?autonomous glass". The present book focuses on the artistic development of Unica glass. Some 60 Unica pieces as well as ?autonomous glass" pieces are shown and analysed, covering a period of approx. 70 years. Nor is the work Copier produced as an industrial designer neglected. Particularly important or rare examples of designs for utilitarian objects - notably Leerdam glass - are also shown. Boeknummer: 24093 | Prijs: EUR 30.00 In winkelwagen

ESVELD, Tiny; Charles Schneider French art deco glass Tiny Esveld, 2015. Hardcover, 23 cm x 29 cm, 288 pages, with 500 photographs in color. fine copy !. ISBN: 9789081577663 reference book !! In 1913 the two brothers had saved enough to buy their own glassfactory, together with a friend, Henri Wolf. This factory was located in Epinay-sur-Seine near Paris. 1913 was not a good year to start a business. In 1914 the first world war broke out and till 1918, the brothers did not really start to make art glass. In 1918 they needed money to relight their furnaces and they accepted the help from an English investor. At that moment they were no longer in control of their glassworks. The investor wanted profit and in 1923 it led to a rupture. The Schneider brothers scraped every bit of money that they could find to buy their factory back. Luckily they succeeded. From then on the success came. In 1924 the Schneider glassworks build the biggest concrete hall ever with the most modern furnaces. In 1926 they are the biggest glassfactory in France with almost 500 employees. In 1925 Charles was asked to be a member of the jury at the Exposition des Art Decoratifs in Paris. This meant that his work could not enter the exposition and would not compete with the work of the other artists. It was an honour to be a member of the jury, so he accepted, but maybe it had been better if he had declined for the honour and participated as an artist. He would have swept the competition away. His coupe bijoux and the big black footed bowls in contrasting colours were an enormous success all over the world. Most of their production went to North and South America. The glass of Charles Schneider has such joyfull colours, bright and happy colours like orange and yellow. It looks like the sun shines every day. The little bijoux vases are jewels of technique and shape and colour. The ?Le verre Francais? line had a great success with the stylized flowers in stunning colours. As the majority of the le verre francais glass , was only etched one time, the producing costs were low. The general public loved these bright vases. The success of the Schneider factory continued until 1929. In 1929 the banks on Wall street crashed and rich people lost a lot or all of their money. The market for luxury goods collapsed. Schneider tried to survive by cutting down costs, but this does not help when there are no buyers left. After a struggle of a three years the furnace extinguised in 1932. The factory filed for bankruptcy in 1938. Charles Schneider died in 1953 before the revival of his glass. In the eighties his glass was rediscovered. It has its place now among Galle and Daum glass as their equivalent. Boeknummer: 47807 | Prijs: EUR 24.00 In winkelwagen

ESVELD, Tiny; Daum Art Deco Glass A private collection Leo Esterkin, 2015. Hardcover, 24 cm x 30 cm, 248 pages, Illustrated. Fine copy. ISBN: 9789081577656 Leo en Irina Esterkin?s collection is impressive, and provides a beautiful example of what Daum produced between 1910 and 1940. Everything is here: the transitional years from art nouveau to art deco, as well as Daum?s search for a new style, which culminated in deeply etched vases with geometric decoration and in the later years with the blown vases in crystal. The Esterkin collection is unique in the world thanks to its completeness and the fact that it contains many rare pieces. Boeknummer: 47806 | Prijs: EUR 74.00 In winkelwagen

ESVELD, Tiny; GLASS MADE TRANSPARENT. A PRACTICAL GUIDE TO FRENCH ART GLASS BY GALLE, DAUM AND SCHNEIDER, Rijkevorsel, Auteur, 2010. Illustrated cardboard cover in colour, 205 x 260mm., 176pp., beautiful colour illustration throughout. ISBN: 9789081577601 Tiny Esveld, an antique dealer, has written a practical guide book called Glass made Transparent produced by the great French glass artists Galle, Daum en Schneider. The main objective of the book is to give a professional insight into the technique and production of these beautiful and exceptional pieces in order to protect lovers, connoisseurs and collectors from buying by mistake. The world of glass is unfortunately full of deception. The pitfalls accompanying a purchase can be plentiful but however fraudulent or deceitful Esveld reveals all in Glass made Transparent, the first revealing publication of its kind. The book is a beautifully designed guidebook rich in illustration with excellent practical guidelines. French glass no longer maintains any secrets. Glass made Transparent is published in the English language with a resume in French, Dutch and Spanish and is also available as an e-book publication. Glass Made Transparent guides the reader in eight chapters through the world of the great French glass artists Galle, Daum and Schneider of the period 1890 - 1930. Esveld not only describes the beauty and artistry of their glass art but also reveals the technical side of their creations in great detail. This book helps to detect a genuine example from a falsification, a flawless piece from a damaged one and it trains the eye for any cut glass or combinations of pieces put together. It educates the reader to develop a feeling for the perfect style and shape, to learn to look sharply at the decoration, colour, finish and signature of its maker. It also points out all the applied tricks of the trade of the past and present day in order to deceive the unsuspecting buyer. New book. Boeknummer: 26344 | Prijs: EUR 19.99 In winkelwagen

Esveld. Glass made transparent, Praktische gids ontmaskert bedrog en falsificaties NL., Esveld, 2010. softcover, Illustrated cardboard cover in colour, 205 x 260mm., 176pp., beautiful colour illustration throughout. ISBN: 9789081577601 Met Glass made transparent schreef antiquair Tiny Esveld een praktische gids over glas vervaardigd door de grote Franse glaskunstenaars Galle, Daum en Schneider. Het boek geeft vakkundig inzicht in de techniek en fabricage om dat is de opzet zowel liefhebbers als kenners en verzamelaars van dit prachtige en bijzonder soort glas voor miskopen te behoeden. Want bedrog komt in de wereld van antiek glas veel voor. De valkuilen bij aankoop zijn talrijk. Maar geen bedrog slim of geslepen genoeg of Esveld ontmaskert het in Glass made transparent, de eerste onthullende publicatie in zijn soort. Het boek is een nuttige, mooi vorm gegeven en rijk geillustreerde handleiding. Logisch van opbouw en praktisch in het gebruik. Frans glas heeft voortaan geen geheimen meer. Glass made transparent verschijnt in het Engels, met samenvattingen in het Frans, Nederlands en Spaans, Glass made transparent maakt de lezer in acht hoofdstukken wegwijs in de wereld van Galle, Daum en Schneider, de grote Franse glaskunstenaars uit de periode 1890-1930. Esveld beschrijft de schoonheid en artisticiteit van hun glaskunst, maar meer nog doet ze de technische kanten ervan uit de doeken. Dit boek helpt om echt van vals te onderscheiden, puntgave objecten van beschadigde, oog te krijgen voor bijgeslepen of samengesteld. Het leert gevoel te ontwikkelen voor perfecte vormgeving en modellen, bewust te kijken naar decoratie, kleur, afwerking en signatuur en het wijst op alle trucs die in vroegere tijd en vandaag de dag zijn toegepast om de argeloze koper om de tuin te leiden. Alleen gave stukken zijn kostbaar en blijven waardevol ? voor al het andere betaalt men altijd teveel op veilingen of e-bay, waar men koopt voor eigen risico. Boeknummer: 26342 | Prijs: EUR 17.00 In winkelwagen

Esveld. Glass made transparent, The secrets of French glass making finally revealed. NL., Esveld, 2010. Illustrated cardboard cover in colour, 205 x 260mm., 176pp., beautiful colour illustration throughout. Summary in French, Spanish and Dutch. ISBN: 9789081577601 A practical guide exposes deception and falsification.Tiny Esveld, an antique dealer, has written a practical guide book called Glass made Transparent produced by the great French glass artists Galle, Daum en Schneider. The main objective of the book is to give a professional insight into the technique and production of these beautiful and exceptional pieces in order to protect lovers, connoisseurs and collectors from buying by mistake. The world of glass is unfortunately full of deception. The pitfalls accompanying a purchase can be plentiful but however fraudulent or deceitful Esveld reveals all in Glass made Transparent, the first revealing publication of its kind. The book is a beautifully designed guidebook rich in illustration with excellent practical guidelines. French glass no longer maintains any secrets. Glass made Transparent is published in the English language with a resume in French, Dutch and Spanish Glass Made Transparent guides the reader in eight chapters through the world of the great French glass artists Galle, Daum and Schneider of the period 1890 ? 1930. Esveld not only describes the beauty and artistry of their glass art but also reveals the technical side of their creations in great detail. This book helps to detect a genuine example from a falsification, a flawless piece from a damaged one and it trains the eye for any cut glass or combinations of pieces put together. It educates the reader to develop a feeling for the perfect style and shape, to learn to look sharply at the decoration, colour, finish and signature of its maker. It also points out all the applied tricks of the trade of the past and present day in order to deceive the unsuspecting buyer. Only the flawless pieces remain expensive and maintain their value. All the others bought at one?s own risk, either at auctions or on e-bay are always paid over the top.. Boeknummer: 26343 | Prijs: EUR 17.00 In winkelwagen


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