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17e-eeuwse kunst

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-- ERASMUS QUELLINUS Erasmus Quellinus Dans le sillage de Rubens MUSEE DE FLANDRE - CASSEL, 2014. Illustrated. Including an index. 176pp 100 ill Hardcover. Fine copy. French text. ISBN: 9789461611406 Élève et proche collaborateur de Rubens, Érasme Quellin contribue, par son activité prolixe et son style soigné, au rayonnement artistique d?Anvers dont il devient le peintre officiel en 1640. Sa curiosité, son goût pour la philosophie, son ouverture sur les arts, notamment la sculpture, en font un artiste atypique, un peintre érudit. Son ?uvre abondante et variée nous plonge dans la peinture fascinante du XVIIe siècle, transcendée par l?art de Rubens. Les multiples collaborations de Quellin avec des peintres animaliers ou spécialisés dans les natures mortes contribuent à l?émergence de productions originales et de grande qualité à l?instar des énigmatiques guirlandes de fleurs. Si plusieurs de ses ?uvres s?inscrivent dans le mouvement baroque, dans le sillage du grand maître que fut Rubens, progressivement, une certaine retenue dans la gestuelle, l?affirmation de décors architecturaux monumentaux et l?apparition d?une palette chatoyante font apparaître une nouvelle orientation stylistique. Érasme Quellin peut être considéré comme l?un des précurseurs du classicisme dans la peinture flamande. Boeknummer: 44588 | Prijs: EUR 32.50 In winkelwagen

 
A. Balis; Hunting Scenes, Turnhout, Brepols, 1986. Hardback, 406 p., 145 b/w ill., 180 x 265 mm. ISBN: 9780199210411 Dr. Balis explores examines in the greatest detail Ruben´s paintings and drawings of hunting scenes and thereby throws a fascinating light on the society in which the artist lived, bringing the hunting scenes together for the first time in a definitve catalogue raisonné. Rubens may be said to have revived the genre of hunting scenes, a theme whose popularity had declined since the Middle Ages. Moreover, he enriched the courtly allusions and contemporary preoccupations. Dr. Balis explores this updating of the genre by examining in the greatest detail Ruben´s paintings and drawings of hunting scenes and thereby throws a fascinating light on the society in which the artist lived. This volume brings the hunting scenes together for the first time in a definitve catalogue raisonné that documents both the precedents for and the originality of Rubens´s development of hunting iconography, and argues that the prolific production of Flemish animal painters in the 17th century owes its very existence to Rubens´s example and his creation of a sympathetic audience. Both text and catalogue discuss the ever-important questions of what part Rubens himself played in the execution of these sometimes huge canvases, since he seems to have relied in some degree on the assistance of his studio or of specialized animal painters. Languages: English. Boeknummer: 37233 | Prijs: EUR 165.00 In winkelwagen

A. Merle du Bourg The Henri IV Series Corpus Rubenianum Ludwig Burchard 14.2 / RUBENS. Brepols - Harvey Miller, 2017. Hardcover with dusjacket. 484 p., 121 b/w ill. + 23 colour ill., 180 x 265 mm, Languages: English. ISBN: 9781909400962 On 26 February 1622, in Paris, Rubens entered into a contractual agreement to execute two series of paintings, ?by his own hand?, intended to decorate the two parallel galleries of the Parisian palace ? the so-called Luxembourg Palace ? of Maria de? Medici, widow of Henri IV and mother of Louis XIII. Completed in 1625, the twenty-four monumental paintings of the western gallery exalting the life of the Queen Mother form a universally admired ensemble, on display at the Musée du Louvre for the last two centuries. However, the second part of this grand project, envisioned for the eastern gallery of the palace, was abandoned in 1630. The suspension and then premature termination of the project after the Queen Mother?s exile in July 1631 have deprived us of a work that would have been unique, both in its magnitude and in the artistic means Rubens deployed to glorify the royal couple. The Galerie Henri IV, planned as a commemoration of the king?s military victories and a celebration of his triumphs ?in the manner of the triumphs of the Romans? (as the contract has it), remains a puzzle whose missing pieces are more numerous than what is preserved. Still, some fifteen works ? preparatory oil-sketches on panel and large canvases, more or less completed ? have survived. It is above all through the study of these works that this volume aims to arrive at a better understanding of the context, the iconography, and the political significance of the Galerie Henri IV. Despite the frustration (for us, as for Rubens himself) of its abandonment, the unfinished project remains an extraordinary feat of Baroque encomium, and one of the artist?s greatest masterpieces. Boeknummer: 51039 | Prijs: EUR 189.00 In winkelwagen

Aerts, Lambert. De aanbidding van het lam gods. Diest, Pro arte, 1942. softcover , 88pp. en 37 afbeeldingen in zwart-wit. Een kunstkritsche studie over het meesterstuk der gebroeders van Eyck. Boeknummer: 20664 | Prijs: EUR 10.00 In winkelwagen

Alen, van Mulders, Van Dorst, Nagelsmit, Van de velde, Watteeuw, Nico Van Hout. Power Flower bloemstillevens in de nederlanden BE, KMSKA-Rockox, 2016. Hardcover, 198 pages. met illustraties in kleur tekst in het Nederlands Door de groeiende interesse voor botanica en de ontluikende liefde voor de natuur gingen kunstenaars rond 1600 bloemen behandelen als een zelfstandig motief. In die tijd en nog lang daarna raakten schilders helemaal in de ban van de -Power Flower-. Jan Brueghel, Jan Davidz De Heem, Osias Beert, Daniël Seghers, Rachel Ruysch en vele anderen pronken op deze tentoonstelling met hun mooiste ruikers. Boeknummer: 48819 | Prijs: EUR 29.00 In winkelwagen

Alice I. Davies ALLART VAN EVERDINGEN - First Painter of Scandinavian Landscape Nunspeet, Aetas Aurea, Davaco., 2001. Bound in cloth with dust jacket,. 2001. 4to. 312 pp. text and 467 plts. and ills. (14 in color). Cloth bound with dustjacket; aetas aurea xv ISBN: 9070288273 This study of Allart van Everdingen (1621-1675) draws particular attention to his significant contribution to the history of art as the earliest painter of the landscape of Scandinavia. A native of Alkmaar, Everdingen started out painting marines in the Porcellis-de Vlieger tradition. His only known indigenous landscape from his first period is a dunescape in the style of his reputed teacher Pieter Molijn. In 1644 he traveled to Norway and Sweden where he made sketches of several identified sites. After his return to the Netherlands he specialized in Nordic scenes, characterized by craggy mountains and crashing waterfalls, quiet fjords or rivers, huge boulders, fir trees, and log cabins. Here, the influence of his second-named teacher Roelant Savery is discernible in the earliest works. These paintings were eagerly collected by his countrymen and emulated by other artists, most significantly by Holland's leading landscape painter Jacob van Ruisdael, who himself had no direct experience with the foreign subjects being portrayed. Boeknummer: 17480 | Prijs: EUR 220.00 In winkelwagen

Alice I. Davies ALLART VAN EVERDINGEN, THE DRAWINGS, A Complete Catalogue, Including the Studies for Reynard the Fox. Nunspeet, 2007, Aetas Aurea, Davaco. Bound in cloth with dust jacket,. 4to. 504 pages, containing an Introduction, the main text comprising of 12 chapters, an extensive bibliography and indexes; 756 illustrations, from which 10 are in colour.ISBN 90 70288 974 Aetas Aurea, Vol. XXI ISBN: 9070288974 Allart van Everdingen, born at Alkmaar in 1621, launched his career as a landscape and marine specialist at Haarlem in the 1640s, then moved to Amsterdam in 1652 where he was active as a painter, printmaker, draftsman and art dealer up to his death in 1675. He was renowned in his day for the Scandinavian subjects he depicted following his trip to Norway and Sweden in 1644.This catalogue of Everdingen's drawings presents 670 authentic water colors, ink drawings and oil sketches on paper in comprehensive, illustrated entries. The accompanying text explores many facets of his activity as a draftsman, including his use of paper, and also discusses later collectors of his sheets, their marks and inscriptions, and many imitations and copies of the master's drawing extant today. High points from Everdingen's production include his trip sketches (both from his travels to Scandinavia and from a trip he made to the Ardennes in 1656), his masterworks showing Dutch scenery, his allegorical series (Twelve Month, Four Seasons and Four Elements) and his studies and transfer drawings for both his Scandinavian landscape etchings and the prints he made to illustrate the fable Reynard the Fox.The volume is an important reference work for all those with a general interest in seventeenth-century Dutch landscape and old master drawings, or with a particular interest in allegorical landscape subjects, book illustration or the Reynard the Fox fable.The author, Alice I. Davies, published an Everdingen monograph and catalogue of the artist's paintings (in collaboration with Frederik J. Duparc) in 2001. Her other publications includes a book on the life and work of Jan van Kessel (1641-1680) and a catalogue of the 16th- and 17th-century Dutch and Flemish paintings at the Springfield Museum of Fine Arts. She was an editor of Shop Talk, the 1995 Festschrift in honor of Seymour Slive. Boeknummer: 17479 | Prijs: EUR 290.00 In winkelwagen

Alice I. Davies ANTHONIE VAN BORSSOM (1630-1677) - A Catalogue of His Drawings NL-, Davaco, 2014. Hardcover with dusjacket, in 4to. 141 pp., including 186 illustrations (91 in color)
Cloth bound with dustjacket. English. ISBN: 9789070288099
Anthonie van Borssom was a resident of Amsterdam his entire life, active primarily as a landscape artist, who is associated with Rembrandt at the onset of his career. Werner Sumowski catalogued many of Borssom's drawings and paintings in 1979 and in 1983, respectively, in the sixteen volumes he devoted to fifty-four members of Rembrandt's school. Hollstein (1951) lists eight Borssom etchings of domestic animals and birds in landscape settings. A comprehensive monograph has not been published, and some confusion remains concerning aspects of the artist's life, including the year of his birth. New information about Anthonie van Borssom's life is presented in the introductory essay for this updated catalogue of his watercolors and ink wash drawings. There is a growing consensus that Borssom's true talent and originality find their best expression in his drawings, and not in his largely derivative paintings. The new attention paid to his works on paper has brought a clearer understanding of his production. Besides elucidating the artist's biography and the complexities involving his name, the introductory text presents a discussion of his subjects (mostly Dutch landscapes, garden scenes, birds and animals, five church interiors, three allegorical series, and a few figures); the trips and excursions he made to depict identifiable sites in The Nether-lands and at Cleves, just over the German border; and the characteristics of his style which help secure attributions to his hand. New attributions are reported in the essay, involving both his contemporaries (mainly from Rembrandt's school) and also his dedicated followers in the 18th and 19th centuries. The catalogue of Borssom's drawings is limited to those accepted by the author as authentic, and for which an illustration is available. The independent sheets are grouped by medium (watercolor; brown ink with brown wash; brown ink with grey or grey and brown wash; grey ink and black chalk), organized by size (larger to smaller). The most important work is the artist's sketchbook preserved at the British Museum, which is fully illustrated here. Sumowski (1979) reproduced six pages from the sketchbook, and illustrated 78 independent drawings by Borssom, while mentioning twelve more as authentic works. This catalogue contains 122 independent sheets (not always in agreement with Sumowski's selection), some with sketches on their versos (likewise illustrated), in addition to the 94 complete sketches (sometimes several to a page) in the British Museum book. The independent drawings are supported by full entries: heading, inscriptions/marks, watermark, chain lines, provenance, literature, exhibitions, and notes. The volume is completed by a full bibliography (books and articles, exhibition catalogues, and sale catalogues) and two indexes (present collections and owners). Boeknummer: 50394 | Prijs: EUR 185.00 In winkelwagen

Alice I. Davies; JAN VAN KESSEL (1641-1680), Davaco, Aetas Aurea, Vol. X, 1993. Cloth bound with dusjacket, 4to. VIII, 335 pp. text and 411 ills. on 244 plts. (11 in color). ISBN: 9070288818 JAN VAN KESSEL is a monograph and catalogue raisonné introducing a little-known but talented Amsterdam follower of Jacob van Ruisdael. Many art professionals outside of the speciality of seventeenth- century Dutch landscape do not realize that he existed, with the result that his works sometimes are assigned to the contemporary (but unrelated) Antwerp painter of the same name. The monograph text starts with a critique of the artist's reception to date, both in terms of the public exhibition of his work and the appraisals of him in scholarly literature. Next, his biography is updated using primary and secondary sources, including un-published data from the Amsterdam Municipal Archives. Then, Jan van Kessel's paintings and drawings are given a general introduction, with special attention paid to the development that occurred in the way he signed his name. The main body of the monograph is devoted to his art, presented chronologically from the artist's documented start in 1661 until his early death in 1680. The catalogue raisonné contains fully documented entries with discussions up to a thousand words in lenght. The 290 works catalogued are organized into six sections: Authentic, Problematic, Doubtful Paintings, Authentic Drawings, Problematic Drawings, Doubtful Drawings (26). As new! Boeknummer: 15149 | Prijs: EUR 215.00 In winkelwagen

Anke A. van Wagenberg-Ter Hoeven Jan Baptist Weenix and Jan Weenix: The Paintings: Dutch Paintings from the 17th Century /// Jan en Jan Baptist Weenix De schilderijen NL-, Waanders Uitgevers, 2018. Hardcover with dusjacket, slipcase, 720 pages, 210 x 260 mm, 500 colour illustrations Dutch / English text,
. ISBN: 9789462621596
'Jan Baptist Weenix en Jan Weenix: de schilderijen' is het resultaat van kunsthistorisch onderzoek naar de werken van de Nederlandse 17de-eeuwse schilders Jan Baptist Weenix (1621-1659) en zijn zoon Jan Weenix (1641-1719). Deze schilders zijn te zien in de belangrijkste musea met Nederlandse en Vlaamse schilderijen. Dit Weenix-boek vult een lacune in de kunstgeschiedenis en werpt een nieuw licht op de waardering van de Nederlandse kunst. Honderden schilderijen zijn sinds 2004 gedocumenteerd als Weenix I en II. De schilderijen van beide kunstenaars zijn eeuwenlang verward met elkaar. De keuze voor vergelijkbare onderwerpen en een vergelijkbare schilderstijl (ten minste voor een bepaalde periode), liggen daaraan ten grondslag. Na de dood van zijn vader (en leraar), transformeerde Jan zijn stijl geleidelijk, in overeenstemming met de meer hoofse smaak van de late 17de en begin 18de eeuw. Deze eerste gepubliceerde monografie over Jan Baptist Weenix en zijn zoon Jan Weenix bevat meer dan 500 schilderijen. 'Jan Baptist Weenix and Jan Weenix: the paintings' is the result of art historical research into the works of Dutch 17th century painters Jan Baptist Weenix (1621-1659) and his son Jan Weenix (1641-1719). These painters can be seen in the most important museums with Dutch and Flemish paintings. This Weenix book fills a gap in art history and sheds a new light on the appreciation of Dutch art. Hundreds of paintings have been documented since 2004 as Weenix I and II. The paintings of both artists have been confused for centuries. The choice for similar subjects and a similar style of painting (at least for a specific period) is the basis for this. After the death of his father (and teacher), Jan gradually transformed his style, in keeping with the more courtly taste of the late 17th and early 18th centuries. This first published monograph on Jan Baptist Weenix and his son Jan Weenix contains more than 500 paintings Boeknummer: 51415 | Prijs: EUR 95.00 In winkelwagen

Annemarieke Willemsen, Back to the schoolyard: the daily practice of medieval and renaissance education. (studies in european urban history (1100-1800)) (studies in european urban history (1100-1800) Brepols Publishers, 2008. paperback,324 p., 265 colour ill., 180 x 250 mm,
Languages: English. ISBN: 9782503525990
Back to the Schoolyard The Daily Practice of Medieval and Renaissance Education After about 1300, most schools in the Netherlands came under secular rule. It managed to create good and accessible schools, causing a hey-day for education in the 14th, 15th and 16th century. As a result, more than half of the children participated in basic instruction and literacy rate went relatively high. A contemporary Italian visitor noted with awe that ?in the Low Countries everybody could read and write, even the peasants?. In the 16th century, the curriculum changed because of the Reformation and the availability of printed texts. In this book, the favourable situation in the Netherlands is compared with the rest of Western Europe. Medieval and Renaissance schools have been studied before, but never from the perspective of those who experienced it on a daily basis. Recent excavations on the sites of late-medieval schools and boarding houses revealed the objects used by pupils and teachers for reading, writing, mathematics, and school life in general. Combining those finds with texts and hundreds of depictions of school scenes in manuscripts, frescoes, sculpture, stained glass and early prints, the practice of education could be reconstructed. The book gives a detailed overview of the material school culture, allowing a rare glimpse into a late-medieval classroom Boeknummer: 45654 | Prijs: EUR 80.00 In winkelwagen

Authors; Anna Cecilia Koldeweij, Friso Lammertse, Volker Manuth, Fred Meijer, Monique Rakhorst, Viënna van Rosmalen Henri de Fromantiou Royal Illusions , ENG. Bonnefanten Museum, 2015. Hardback, , 120p, English edition ISBN: 9789082296525 Along with the first exhibition on Henri de Fromantiou, looks on this occasion also the first monograph on the artist's light. The book you have before you want it Bonnefantenmuseum fill this gap in art history. There are several chapters included that allow discussed together all aspects of this broad-based man come, as his apprenticeship, his appointment as court painter in Potsdam, his work and his role as an art dealer. After his birth in Maastricht and its nebulous apprenticeship was the Fromantiou based in The Hague and Amsterdam. Samen met de eerste tentoonstelling over Henri de Fromantiou, ziet bij deze gelegenheid ook de eerste monografie over de kunstenaar het licht. Met het voor u liggende boek wil het Bonnefantenmuseum deze kunsthistorische lacune opvullen. Er zijn verschillende hoofdstukken opgenomen die samen alle aspecten van deze breed georiënteerde man aan bod laten komen, zoals zijn leertijd, zijn aanstelling als hofschilder in Potsdam, zijn oeuvre en zijn rol als kunsthandelaar. Na zijn geboorte in Maastricht en zijn in nevelen gehulde leerperiode was De Fromantiou werkzaam in Den Haag en Amsterdam. Boeknummer: 46898 | Prijs: EUR 30.00 In winkelwagen

Authors; Anna Cecilia Koldeweij, Friso Lammertse, Volker Manuth, Fred Meijer, Monique Rakhorst, Viënna van Rosmalen Henri de Fromantiou Vorstelijke Illusies. NL. Bonnefanten Museum, 2015. Hardback, , 130p, Dutch (NL) edition . ISBN: 9789082296518 Samen met de eerste tentoonstelling over Henri de Fromantiou, ziet bij deze gelegenheid ook de eerste monografie over de kunstenaar het licht. Met het voor u liggende boek wil het Bonnefantenmuseum deze kunsthistorische lacune opvullen. Er zijn verschillende hoofdstukken opgenomen die samen alle aspecten van deze breed georiënteerde man aan bod laten komen, zoals zijn leertijd, zijn aanstelling als hofschilder in Potsdam, zijn oeuvre en zijn rol als kunsthandelaar. Na zijn geboorte in Maastricht en zijn in nevelen gehulde leerperiode was De Fromantiou werkzaam in Den Haag en Amsterdam. Boeknummer: 46897 | Prijs: EUR 29.75 In winkelwagen

Ayooghi, Sarvenaz ; Sylvia Boehmer (et al) Die Stillleben des BALTHASAR VAN DER AST (1593/94?1657) Imhof verlag, 2016. Hardcover; 30cm., hardcover, 232pp., 180 color illus. ISBN: 9783731903161 Die Stillleben des 1593/94 in Middelburg geborenen Balthasar van der Ast gehören zu den schönsten Darstellungen seiner Zeit. Der Vergleich mit Gemälden seines Lehrmeisters Ambrosius Bosschaert oder von Roelant Savery zeigt, dass der Maler, der später in Utrecht und viele Jahre in Delft lebte, dieser Gattung wichtige neue Impulse gab. Er malte vor allem augentäuschende Blumen und Früchtestillleben auf höchstem künstlerischem Niveau, die gelegentlich mit Muscheln und Meeresschnecken, verschiedenen Tieren sowie kostbarem chinesischem Porzellan in einen Zusammenhang gebracht wurden. Die teils exotischen Gegenstände spiegeln dabei die internationalen Handelsbeziehungen der Niederländer wie auch das wissenschaftliche Interesse an der genauen Erfassung der Natur wider. Contents: Balthasar van der Ast - Eine Lebensbeschreibung. Anhang - Biografie Balthasar van der Asts anhand von Dokumenten ; Die Stilllebenmalerei van der Asts. Naturporträts im Spannungsfeld von Wissenschaft und Kunst ; Schöner als die Wirklichkeit. Der Maler und Inventor Balthasar van der Ast ; Balthasar van der Ast und die niederländische Stilllebenmalerei im 17. Jahrhundert ; Balthasar van der Ast. Materialien und Techniken ; Katalog. Boeknummer: 48466 | Prijs: EUR 59.95 In winkelwagen

Birgit Schumacher. PHILIPS WOUWERMAN (1619-1668).The Horse Painter of the Golden Age. Aetas Aurea, Vol. XX. Davaco, 2006. 2 vols. in-4to.Bound in cloth, with dusjacket, An introductory text in 6 chapters of 164 pages followed by a catalogue raisonné of 488 pages, comprising authenticated, attributed, rejected works in public collections, and lost works; followed by 112 pp. consisting of bibliographies, concordance and indexes; 795 illustrations from which 100 plates in colour and 86 comparative figures. ISBN: 9070288672 The exhaustive catalogue raisonné is divided into four parts: the first contains detailed information on accepted, verifiable paintings; the second comprises dubious attributions; the third and fourth part document the rejected works in public collections, as well as works that have been lost. The catalogue is complemented by comprehensive appendixes which contain a list of archival documents, indexes of owners, past and present, and a concordance with Hofstede de Groot's 1908 numbers. This lavishly illustrated reference book provides a basis for further research on the work of Philips Wouwermans. as new ! Boeknummer: 15130 | Prijs: EUR 459.00 In winkelwagen

Blankert, Albert; FERDINAND BOL (1616-1680). Rembrandt's Pupil, Davaco, Aetas Aurea,Vol. II, 1982. Cloth bound, 4to., 382 pp. including a full catalogue raisonné, 300 ills. on 141 plates. ISBN: 9070288052 Bol has always been Rembrandt's most famous pupil. Like him he aimed at the high goal of being a history-painter, choosing themes from the bible, classical mythology and allegories as his subject matter. The name of Ferdinand Bol still serves as the collective designation of hundreds of very dissimilar paintings. The present study reduces the number of Bols to a catalogue raisonné of a hard core of under 200 ascertained pictures. As new. Boeknummer: 15159 | Prijs: EUR 210.00 In winkelwagen

 
Bodenhausen-Degener, Eberhard Freiherr (Creator) Gerard David Und Seine Schule Bodenhausen, Eberhard Freiherr von, 1971. Hardcover -238 pages, Illustrated. ISBN: 0876810954 Boeknummer: 50022 | Prijs: EUR 25.00 In winkelwagen

 
BOSQUE (Andrée de) Mythologie en maniërisme in de Nederlanden. mercaterfonds - fondsmercator, 1988. Gebonden, Hardcover met omslagwikkel compleet. foudraal, 328 pp. rijkelijk geïllustreerd prima staat !. . ISBN: 9061531462 Met "manierisme" wordt de stijl aangeduid die in de 16de eeuw uit de renaissancestijl ontstaat, en die op zijn beurt aan de barok voorafgaat. Het manierisme wordt geboren in Toscane, onder impuls van Michel-Angelo. Rome neemt het over en wordt het centrum van de nieuwe school, doch Venetie geeft het zijn sublieme verfijning. Met de Hervorming en het Caravagisme verschijnt het "derde" manierisme dat zo vruchtbaar is voor de Nederlanden. Het is de bedoeling van dit boek de drie manierismen te definieren, zoals zij zich ontwikkeld hebben tijdens de 16de eeuw in een brede Europese context: Italie, Fontainebleau, het Hof van Beieren en het Hof van Praag, de Nederlanden. In het bijzonder komt de laatste periode van deze stijl aan bod, die samenvalt met de scheiding tussen Noord en Zuid. Een grondige studie, verlucht met talrijke meesterwerken in kleur. Boeknummer: 48036 | Prijs: EUR 75.00 In winkelwagen

BRIELS, JAN. VLAAMSE SCHILDERS IN DE NOORDELIJKE NEDERLANDEN IN HET BEGIN VAN DE GOUDEN EEUW 1585-1630. Antwerpen, Mercatorfonds, 1987. Gebonden, met foudraal, halflinnen, vergulde bandstempel, rug versierd met vergulde titel, originele geïllustreerde omslagwikkel in kleur, 25x33,5cm, 454pp, geïllustreerd in kleur en z/w, bibliografie, personenregister. ISBN: 9061531748 Portret - Historie - Genre - Plunderingen, overvallen en batailles -Stads- en dorpgezicht - Dierstuk - Stilleven - Architectuur - Landschap - Zeegezicht. Boeknummer: 12430 | Prijs: EUR 49.90 In winkelwagen

BROOS, Ben (catal.). HOLLANDSE MEESTERS UIT AMERIKA. Zwolle, Waanders, 1990. Gebrocheerd, originele uitgeversomslag in kleur, 28x22.8 cm., 563 pp., geïllustreerd in kleur en z/w. ISBN: 9066302526 Uitgegeven ter gelegenheid van de gelijknamige tentoonstelling in het Mauritshuis, Den Haag 28 september 1990 - 13 januari 1991 en in The Fine Arts Museums of San Francisco, 16 februari 1991 - 5 mei 1991. Boeknummer: 30948 | Prijs: EUR 25.00 In winkelwagen

BROOS, Ben (catal.). HOLLANDSE MEESTERS UIT AMERIKA. Zwolle, Waanders, 1990. Gebonden, lichtroze linnen hardcover met zilveropdruk op de rug, originele uitgeversomslag in kleur, 28.6x23.4 cm., 563 pp., geïllustreerd in kleur en z/w. ISBN: 9066302437 Uitgegeven ter gelegenheid van de gelijknamige tentoonstelling in het Mauritshuis, Den Haag 28 september 1990 - 13 januari 1991 en in The Fine Arts Museums of San Francisco, 16 februari 1991 - 5 mei 1991. Boeknummer: 40685 | Prijs: EUR 30.00 In winkelwagen

Caprice Jakumeit-Pietschmann Künstlerkonkurrenz in Antwerpen zu Beginn des 17. Jahrhunderts: Janssen, Jordaens & Rubens. VDG Weimar, 2017. Paperback, 237 pages, 72 Abbildungen, davon 11 in Farbe. ISBN: 9783897396807 Künstlerische Konkurrenz wird in der kunsthistorischen Forschungsliteratur immer wieder thematisiert und zur Erklärung von Wechselbeziehungen zwischen einzelnen Künstlern herangezogen. Die Grundlagen dieses Phänomens sind dabei jedoch häufig unklar: Vollzog sich die Konkurrenz primär als künstlerischer Diskurs oder spielten womöglich wirtschaftliche Faktoren eine maßgebliche, zumeist unterschätzte Rolle? Diese Frage verfolgt die vorliegende Arbeit am Beispiel der frühneuzeitlichen Handels- und Kunstmetropole Antwerpen und erprobt die Möglichkeiten, künstlerische Konkurrenz anhand der überlieferten Bilder selbst nachzuweisen. Methodisch orientiert sich die Arbeit an der Konkurrenzanalyse des Produktmarketing, um das vielschichtige Phänomen der Künstlerkonkurrenz zu fassen. Den Fokus bildet dabei die Dekade unmittelbar nach der Ankunft von Peter Paul Rubens in Antwerpen im Jahr 1608. Boeknummer: 51624 | Prijs: EUR 40.00 In winkelwagen

Carel Vosmaer De schilderschool, levensschetsen en kunstwerken van eenige meesters uit de Hollandsche en andere scholen. Kruseman,, 1868. gebonden in kunstlederenband, (groen) met goudopdruk, 178pp met verschillende staal gravuren. Boeknummer: 42159 | Prijs: EUR 60.00 In winkelwagen

 
Charles Beddington. avec une contribution de Amanda Bradley Venise Canaletto et ses rivaux BE, Mercatorfonds / Fonds Mercator, 2010. Hardback, 285x245mm, 160p, French edition. etaf neuf ! . ISBN: 978906153971113 La peinture de vue du dix-huitième siècle à Venise est apparue avec Luca Carlevarijs et s'est éteinte à la mort de Francesco Guardi en 1793, suivi par l'invasion de Napoléon et la chute de la République de Venise en 1797. Entre deux, une constellation de peintres remarquables s'est distinguée dans l'illustration des vues les plus célèbres comme des coins les plus reculés de la ville dans d'éblouissantes images qui comptent parmi les plus grandes réussites artistiques du dix-huitième siècle. Bien que Canaletto soit probablement l'artiste le plus directement associé à ces images, il comptait beaucoup de rivaux. Chaque artiste avait de la même topographie sa propre vision unique et la représentait de façon clairement distincte. Ce catalogue montre les différentes réponses à ce paysage urbain avec sa lumière toujours changeante et ses personnages de théâtre. Toutes les figures majeures sont ici représentées, Bellotto, Canaletto, Carlevarijs, Guardi, Joli, Marieschi et Vanvitelli , à côté de quelques contemporains fascinants comme Cimaroli et Tironi dont les dernières recherches ont mis en lumière les rapports stylistiques complexes entre eux.National Gallery, Londen Expo: 13/10/2010 - 16/01/2011, National Gallery, Washington, 20/2/11 - 30/5/2011 Boeknummer: 25805 | Prijs: EUR 35.00 In winkelwagen

 
CHATELET, A. ROBERT CAMPIN.DE MEESTER VAN FLEMALLE. Mercatorfonds, Antwerpen. linnen band met goudstempeling, geplastificeerde stofomslag, 340 x 260 mm., 400 pp., 350 illustraties waarvan 250 in kleur. Cassette Nederlandse tekst ISBN: 9061533651 Monografie. Nauwkeurige reconstructie van Campins loopbaan en stijlontwikkeling. Campins kunst leidt de eigenlijke periode van de " Vlaamse Primitieven " in. Boeknummer: 508 | Prijs: EUR 65.00 In winkelwagen

Cholcman, T. Art on Paper: Ephemeral Art in the Low Countries The Triumphal Entry of the Archdukes Albert and Isabella into Antwerp, 1599 Brepols - Harvey Miller, 2014. softcover, 157 p., 100 b/w ill., 220 x 280 mm,
ILanguages: English. ISBN: 9782503543413
This book focuses on ephemeral art of festival, created for public events, such as triumphal processions, weddings and court funerals. The ephemeral art of festival, popular in the 16th and 17th centuries, was created for public events, such as triumphal processions, weddings and court funerals. Large-scale monuments combining painting, sculpture and the performing arts were devised for the duration of the event, but as soon as this was over, these extravagant constructions were dismantled and their individual components ultimately destroyed. Before the monuments ceased to exist, the city council would ensure their conservation in words and images, thus materializing the ephemeral art of festival into the more lasting medium of word and image on paper. One of the most celebrated such festive events was that of the 1599 Antwerp Triumphal Entry of Archduke Albert of Austria and the Infanta Isabella Clara Eugenia of Spain, the new Spanish governors of the Netherlands. No fewer than 22 monuments, composed of ephemeral materials, were devised. Construction of the monuments was entrusted not only into the hands of sculptors, painters, goldsmiths, carpenters and architects, but also to one of the leading thinkers of the time, the humanist and city secretary Johannes Bochius. This study offers a new approach to an analysis of the art of such events, based on Bochius? book: The Triumphal Entry of the Archdukes Albert and Isabella. Offering a unique and innovative interpretation of the ephemeral art books, a particular relation is revealed between the ephemeral event itself and its documentation in a book. Examining the role of the author (in this case Bochius) as the sole designer of the event, the monuments and their documentation (the book), requires an idiosyncratic reading of the text, which in turns provides more accurate and valid interpretative framework for the book, and hence also for the artwork. Such books, in uniting event and text into one coherent and long-lasting work of art, constitute a new genre of ekphrasis, formulated and conceived solely for the purpose of eternalizing the ephemeral. Tamar Cholcman, from Tel Aviv University, the Art History Department, specializes in Renaissance art, focusing on the ephemeral art of festivals in the Netherlands and the Iberian Peninsula, during the 16th and 17th centuries. Boeknummer: 51696 | Prijs: EUR 89.00 In winkelwagen

Christophe Béchu (Préfacier) La fabrique de l'oeuvre Musées d'Angers Snoeck, 2016. Softcover-308PP. Illustrated.23,0 cm × 29,0 cm × 2,0 cm . ISBN: 9789461612465 Le dessin, pour paraphraser ce qu'en écrivit autrefois Vasari, est bien " le père de nos trois arts " (architecture, peinture et sculpture). Il fixe en effet l'émergence fulgurante d'une pensée en voie de différenciation, avant même que les mots ne l'aient appauvrie, de leur pouvoir réducteur ; avant que la raison ne l'ait tout simplement censurée ou parée de ses accommodements. Chaque dessin de maître est un petit miracle d'intelligence pure, le cristal d'un mouvement de l'âme rendu visible. Mais il semble que la fugacité des idées qu'il porte trouve en la fragilité du papier sa métaphore immédiate. Conservés à l'abri de la lumière, et donc du regard, dans les réserves des musées, comme autant de mots inconvenants ou de pulsions refoulées, les dessins attendent à leur tour de sourdre au grand jour. Les expositions leur offrent cette seconde vie, trois mois tous les trois ans au maximum, comme l'exigent les lois de la conservation qui, en décuplant la peine, semblent confirmer une malédiction originelle. L'exposition : voilà bien la chance du dessin et celle de l'amateur, unis dans le vis-à-vis de leurs consciences qui se croisent. Après avoir été présenté en 2014 au Domaine départemental de Sceaux, le fonds d'arts graphiques des musées d'Angers se dévoile à nouveau, invitant cette fois-ci le visiteur et le lecteur à entrer dans la fabrique de l'oeuvre et de l'histoire de l'art... Boeknummer: 48298 | Prijs: EUR 39.00 In winkelwagen

Collectif; Thomas Coomans; Bertrand Schnerb; Carla Bozzolo; Lorne Campbell; Albert Châtelet Campin in Context. Peinture et société dans la vallée de l'Escaut à l'époque de Robert Campin, 1375-1445 Pu Valenciennes, 2007. Softcover, 343 pagina's, Illustrated. 22,3 cm x 28,6 cm ISBN: 9782905725950 Où en est l'enquête sur le Maître de Flémalle? Que sait-on en définitive de sa véritable identité? Peut-on croire Emile Renders lorsqu'il prétend, dans l'un de ses plus célèbres brûlots, avoir trouvé la solution du problème? Ceux qui auraient la naïveté de prendre cette affirmation pour argent comptant n'auront qu'à parcourir le status quaestionis de Stephan Kemperdick pour se persuader du contraire : la polémique continue à faire rage et la question, plus que jamais, demeure ouverte. Loin de nous la prétention de clore le débat. Le moment n'est-il pas venu, au contraire, de le ranimer et, à la lumière des progrès de ces dernières années, de l'élargir à un certain nombre d'aspects jusqu'ici peu étudiés, si ce n'est ignorés? Boeknummer: 51665 | Prijs: EUR 95.00 In winkelwagen

Corley. b Conrad von Soest, Painter among Merchant Princes. Brepols - Harvey Miller, 1996. Hardback with dusjacket, 312 p., incl. 205 ills., with 34 in colour, 210 x 280 mm, Languages: English . ISBN: 9781872501581 Conrad van Soest´s complete output is discussed, catalogued and reproduced in this book: the illustrations include striking details, infra-red photographs and comparative material. The Westphalian artist Conrad von Soest played a significant role in the development of North European art around 1400 and his elegant and luxurious altarpieces highlight a fascinating period of German social and economic history. He lived and worked in Dortmund, where he found his patronage among the well-educated and cosmopolitan merchant-princes of the Hanseatic cities whose 'Medici'-like life-style, affluence and influence permeated the cultural life of Northern Germany. In reflecting the chivalric tastes of his patrons, Conrad developed an oeuvre that established him as a major exponent of the International Courtly Style. His complete output is discussed, catalogued and reproduced in this book: the illustrations include striking details, infra-red photographs and comparative material. Dr.Corley analyses the subject, iconography, style and technique of the famous Niederwildungen and Dortmund altarpieces as well as the smaller scale panels, and she examines the artist's influence over later German masters of the School of Cologne. The book provides students of Northern European art with the first comprehensive monograph on this highly-skilled master, and should make a significant contribution to the reference literature on International Gothic. Studies in Medieval and Early Renaissance Art History (HMSAH 16) Boeknummer: 43737 | Prijs: EUR 69.00 In winkelwagen

CORNET, Pascal ( réd. ). APRES & D'APRES VAN DYCK. LA RECUPERATION ROMANTIQUE AU XIXe SIECLE, Stad Antwerpen, Hessenhuis, 1999. Softcover , cartonnage d'éditeur illustré, 240 x 300mm., 335pp., copieusement illustré en couleurs et en b/n. ISBN: 9058460177 Edité à l'occasion de l'exposition du mème nom à l'Hessenhuis / Stadsbibliotheek, Nottebohmzaal / Volkskundemuseum, Antwerpen, 15 mai - 31 octobre 1999. En cette année, Anvers se voulait le digne ambassadeur d'Antoine Van Dyck et elle fêtait l'événement aved des multiples expositions et de multiples manifestations. Etat nouveau. Boeknummer: 15117 | Prijs: EUR 15.00 In winkelwagen

Craft- Giepmans Hollandse Meesters uit de Gouden Eeuw, Catalogus van de schilderijen van Hollandse Meesters zeventiende en achttiende eeuw NL, BAI -Museum Mayer Van Den Bergh, 2006. Hardback with dusjacket, 300x240mm, 256p, Dutch (NL) edition . ISBN: 9789085860112 Hollandse Meesters uit de Gouden Eeuw Expo: 1/6/2006 - 29/10/2006, De Hollandse schildersschool is méér dan Vermeer en Rembrandt. Dat wisten kunstliefhebbers Fritz Mayer van den Bergh en Pieter Smidt van Gelder al in de 19de eeuw. Samen verzamelden ze meer dan honderd interessante Noord-Nederlandse schilderijen. Deze heren van stand waren niets minder dan ridders. Bij leven bouwden zij een prachtig kunstpatrimonium op, waaronder vele Hollandse werken uit de 17de en 18de eeuw. Hun collecties bleven bewaard als Antwerpse musea. Deze meesters uit de Hollandse Gouden Eeuw hadden een enorm picturaal en verhalend talent. Met portretten, landschappen, stillevens en genrestukken toont de tentoonstelling Hollandse Meesters uit de Gouden Eeuw de Hollandse schildersschool in volle glorie. Het Museum Mayer van den Bergh selecteerde speciaal voor deze gelegenheid de topwerken van ondermeer Jan van Goyen, Adriaen van Ostade, Salomon van Ruysdael, Caspar Netscher en Christiaen van Couwenbergh. Boeknummer: 23429 | Prijs: EUR 45.00 In winkelwagen

Cranston (ed.) Venetian Painting Matters, 1450-1750 Brepols - Harvey Miller, 2015. paperback, 160 p., 100 b/w ill. + 16 colour ill., 210 x 297 mm, Languages: English
. ISBN: 9782503535265
This publication presents a collection of essays about painting in Venice from 1450 until 1750 with a central focus on the formal, stylistic, and structural aspects of the pictures. This book brings together essays about painting in Venice during three centuries of remarkable artistic production, influence, and exchange. The chronological scope of the anthology reflects the crucial interrelationship between the life of the arts and the republic, but also indicates the longevity of the distinctive, but not in the least isolated, mode of making and looking that engaged painters and viewers both inside and outside of Venice. The focused themes that emerge in the essays?the artist?s self-perception, the role of innovation and tradition in formal and material aspects of pictorial composition, the artistic exchange between Venice and other cities, both east and west, and the unique political and social pressures on artistic production and reception?reflect the Venetian engagement with many of the central concerns that preoccupied early modern artists. The dialogue established between Venetian art and society underpins all of the essays in the anthology; however, their critical focus remains on the formal, stylistic, and structural aspects of the pictures and how these visual mechanisms express meaning and shape viewer response Boeknummer: 47990 | Prijs: EUR 69.90 In winkelwagen

 
D. Freedberg; The Life of Christ after the Passion, Turnhout, Brepols, 1984. Hardback, 425 p., 172 b/w ill., 180 x 265 mm. ISBN: 9780199210329 This volume catalogues and discusses all the known representations by Rubens of the Life of Christ after the Passion, and the material is sufficiently varied to convey a brilliant impression of the energy, inventiveness and technical and artistic mastery - the art of Rubens. This volume catalogues and discusses all the known representations by Rubens of the Life of Christ after the Passion. It includes the little-known group of paintings and drawings of Christ Triumphant over Sin and Death, as well as the various depictions of the Conversion of Saint Paul, the Assumption and Coronation of the Virgin, the Last Judgement, the Fall of the Damned and the Assumption of the Blessed. They range from small panels to the largest works Rubens ever painted and count amongst the most popular and influential of his compostions. In his catalogue Dr. Freedberg presents a considerable amount of new evidence relating to their evolution and patronage, while separate sections are devoted to particularly important and unusual aspects of their iconography. Languages: English. Boeknummer: 37231 | Prijs: EUR 165.00 In winkelwagen

Davies, Alice I. and DUPARC, Frederic J.; ALLART VAN EVERDINGEN 1621-1675. FIRST PAINTER OF SCANDINAVIAN LANDSCAPE, Davaco Publishers, 2001. Cloth bound with dusjacket, 4to., 312 pp. text and 467 plates and illustrations (14 in color). ISBN: 9070288273 A Monograph, with a Catalogue Raisonné of Paintings.The catalogue raisonné of Everdingen's paintings is a collaborative effort by Alice I. Davies and Frederic J. Duparc. Like the chapters treating the painter's career in the monograph, the catalogue of the 179 authentic works is organized by subject - 22 marines, 146 Scandinavian landscapes, and 11 Netherlandish landscapes - with the dated pictures listed first and the remainder presented in chronological order. The other three sections comprise 22 "attributed paintings" not yet examined at firsthand by the authors, 35 "rejected paintings" in public collections, and 5 paintings lost from public collections, for which no reproduction exists. All of the catalogue entries, save the five in the last section, are reproduced in black and white plates (14 also in color). In addition, many of the artist's drawings and etchings appear among the 231 comparative illustrations that accompany the monograph text. The 1709 sale catalogue of Everdingen's painting collection is duplicated in an appendix. Complete bibliographies and indexes also make this a definitive reference book. Aetas Aurea XV. Boeknummer: 15135 | Prijs: EUR 219.00 In winkelwagen

 
De Beir, Solinas, Tapie. De dames van de barok - Les Dames du Baroque Vrouwelijke schilders in het Italië van de 16de en 17de eeuw Snoeck Uitgeverij, 2018. SOFTCOVER , 240 x 210 mm, 272 p, 250 illustrations, NL/ FR edition. ISBN: 9789461615022 Welke rol speelden vrouwelijke kunstenaars in Italië tussen de late renaissance en de barok? Welk pad bewandelden deze kunstenaressen in een wereld geregeerd door mannen? Deze vragen onderzoekt het MSK in haar najaarstentoonstelling. Aan de hand van een 50-tal topwerken brengt het museum de cruciale rol van de vrouw in de Italiaanse schilderkunst van 1580 tot 1680 aan het licht. Spilfiguur is Artemisia Gentileschi (1593-1652), zonder twijfel dé bekendste schilderes uit de Italiaanse 17de eeuw. Het MSK linkt haar werk aan haar tijdgenotes en neemt de bezoeker mee naar een bijzonder keerpunt voor de vrouw in de kunstgeschiedenis. Vrouwelijke kunstenaars in het Venetië, Rome, Napels en Bologna van de 16de en 17de eeuw delen een onmiskenbare verwantschap, die binnen de esthetiek van de barok een bijzondere plaats inneemt. Deze vrouwen hadden van schilderen hun beroep hadden gemaakt, en daardoor alleen al staken ze de gevestigde meesters en hun ateliers naar de kroon. Ze waren dochters, zussen, echtgenotes van bekende kunstenaars maar ook kloosterzusters en hun werken vertonen een conceptuele en vormelijke continuïteit binnen de diversiteit van de toen gangbare stijlen. Met gedurfde ingrepen en knappe expressieve vondsten omzeilden ze - subtiel als het moest, doortastend als het kon - de heersende regels en gebruiken opgelegd door de Contrareformatie, de hervormingsbeweging binnen de Katholieke Kerk. 'De dames van de barok' toont hoe de vrouwelijke kunstenaars in het Italië van de 16de en 17de eeuw inventief omgingen met de restricties van hun tijd. De tentoonstelling neemt de bezoeker mee naar een bijzonder moment in de kunstgeschiedenis waarop de vrouwelijke kunstenaar een prominentere plaats begint in te nemen. De grote variatie die in Gent wordt samengebracht is bovendien zonder meer uitzonderlijk, en brengt deze vaak verborgen wereld van vroege vrouwelijke kunstenaars met verve aan het licht. Boeknummer: 51976 | Prijs: EUR 35.00 In winkelwagen

 
DE POORTER, NORA. The Eucharist Series Complete work of Rubens.,CORPUS RUBENIANUM LUDWIG BURCHARD. ( vol 1 only ) Brussels, Arcade, 1977. Bound, black cloth, gilt spine, originale red dust jacket illustrated in b/w, red slip - case, 18x26,5cm, 510pp vol. 1 only. the Eucharist Series Complete work of Rubens. The catalogue raisonné contains all the available information on each tapastry and painting connected with the eucharist serie. The corpus is based on the material assembled over several decades by Ludwig Burchard. Boeknummer: 6713 | Prijs: EUR 125.00 In winkelwagen

Descamps, Jean-Baptiste. Le Voyage pittoresque de la Flandre et du Brabant de Jean-Baptiste Descamps (1769) Édition présentée et annotée par Gaëtane Maës Brepols - Harvey Miller, 2018. Paperback 492 p., 200 b/w ill. + 30 colour ill., 216 x 280 mm,
Languages: French, Dutch, English. ISBN: 9782503577036
Cette édition du 'Voyage pittoresque de la Flandre et du Brabant' (1769) de Jean-Baptiste Descamps permet non seulement de comprendre l?importance de l'ouvrage dans l?émergence du tourisme d?art, mais elle est aussi la première à fournir la localisation actuelle des oeuvres commandées par les églises aux anciens maîtres flamands. En publiant le 'Voyage pittoresque de la Flandre et du Brabant' à Paris en 1769, Jean-Baptiste Descamps (1715-1791) a fait connaître au public européen les richesses artistiques conservées dans les églises des Pays-Bas du Sud (actuelle Belgique). Alors qu?il était d?usage de se rendre en Italie depuis la Renaissance, son livre était le premier à imposer une autre destination culturelle aux amateurs d?art. A ce titre, il a connu un succès considérable, ne s?éteignant qu?à l?époque napoléonienne en raison du nombre important d?oeuvres disparues ou déplacées. A cet égard, l?ouvrage de Descamps conserve une importance unique, car il fournit un état des lieux du patrimoine visible dans la Flandre et le Brabant jusqu?au XVIIIe siècle, avant les trois événements qui le bouleversèrent à jamais. Il y eut, d?abord, les édits autrichiens supprimant l?ordre des Jésuites en 1773, puis les couvents en 1783, qui aboutirent tous deux à des ventes massives d?oeuvres d?art ; il y eut, ensuite, les saisies effectuées par les troupes françaises de la République en 1794. Par ces dépouillements successifs, le guide écrit par Descamps pour une banale vocation touristique est devenu un document irremplaçable que l?édition critique vise à actualiser et à enrichir. Celle-ci donne, en effet, les moyens de visualiser cet état originel du patrimoine belge décrit par l?auteur grâce aux nombreuses illustrations et aux notes fournissant les localisations actuelles des oeuvres. Un index complète ces éléments en répertoriant la production personnelle des artistes cités par Descamps afin de contribuer à une meilleure connaissance de chacun d?entre eux. Gaëtane Maës est Maître de conférences habilitée à diriger des recherches, et elle enseigne l?Histoire de l?Art des Temps modernes à l?université de Lille. Spécialiste des échanges artistiques entre la France et les anciens Pays-Bas (Flandre et Hollande), elle a notamment publié 'De l?expertise à la vulgarisation au siècle des Lumières. Jean-Baptiste Descamps (1715-1791) et la peinture flamande, hollandaise et allemande' (Brepols, 2016). Elle est également l?auteur de nombreux articles sur l?historiographie des peintres et les fonctions sociales de l?art aux XVIIe et XVIIIe siècles. Boeknummer: 51729 | Prijs: EUR 134.00 In winkelwagen

 
DESTREE Joseph HUGO VAN DEN GOES. Bruxelles/Paris, G. Van Oest & C°, 1914. Broché, 29,2 x 22,5 cm, X + 256 pp. couverture orig. conservée, Hors texte colour and monochrome plates throughout. in very good condition, ex-bibliotheek of Prosper Verheyden ( famous beiaardier from Mechelen) Boeknummer: 3846 | Prijs: EUR 45.00 In winkelwagen

Devisscher, H. Vlieghe The Life of Christ before the Passion The Life of Christ before the Passion The Youth of Christ - 2 VOLUME SET Miller-brepols, 2015. hardcovers with dusjacket 2 vol., approx. 560 p., 95 b/w ill. + 120 colour ill., 180 x 265 mm, 2014
Languages: English met prachtige illustraties. ISBN: 9781872501710
The paintings that Rubens devoted to the theme of the youth of Christ are among the most impressive and influential examples of art that expressed Roman Catholic spirituality as reasserted at the Council of Trent. The vast majority of these works are his numerous images of the Adoration of the Shepherds and the Adoration of the Magi. The oldest sources for these and other scenes from Christ's youth are of course the accounts of the Gospels, but these were usefully completed by several supplementary descriptions, more especially the Apocrypha, patristic literature, and the pious legends woven around the birth of Christ in the course of the Middle Ages. In his interpretations of the scenes from Christ's youth, Rubens built to a large extent on a pictorial tradition that had developed in the Low Countries and Italy in the fifteenth and sixteenth centuries, in which mediaeval views and patterns originating from Northern Europe had merged with those of the Italian Renaissance. In Rubens's representations of scenes from Christ's youth, and especially in his many interpretations of the themes of the Adoration of the Shepherds and the Adoration of the Magi, the ideas of Counter-Reformation iconography found their most explicit embodiment in the clear Eucharistic connotations that are present in these works Corpus Rubenianum Ludwig Burchard Boeknummer: 47527 | Prijs: EUR 189.00 In winkelwagen

Devisscher, H. Vlieghe The Life of Christ before the Passion The Youth of Christ - 2 vol SET Brepols - Harvey Miller, 2015. Hardback with dusjackets Languages: English 2 vol., approx. 560 p., 95 b/w ill. + 120 colour ill., 180 x 265 mm Fine copy. ISBN: 9781872501710 The paintings that Rubens devoted to the theme of the youth of Christ are among the most impressive and influential examples of art that expressed Roman Catholic spirituality as reasserted at the Council of Trent. The vast majority of these works are his numerous images of the Adoration of the Shepherds and the Adoration of the Magi. The oldest sources for these and other scenes from Christ's youth are of course the accounts of the Gospels, but these were usefully completed by several supplementary descriptions, more especially the Apocrypha, patristic literature, and the pious legends woven around the birth of Christ in the course of the Middle Ages. In his interpretations of the scenes from Christ's youth, Rubens built to a large extent on a pictorial tradition that had developed in the Low Countries and Italy in the fifteenth and sixteenth centuries, in which mediaeval views and patterns originating from Northern Europe had merged with those of the Italian Renaissance. In Rubens's representations of scenes from Christ's youth, and especially in his many interpretations of the themes of the Adoration of the Shepherds and the Adoration of the Magi, the ideas of Counter-Reformation iconography found their most explicit embodiment in the clear Eucharistic connotations that are present in these works. Boeknummer: 46552 | Prijs: EUR 189.00 In winkelwagen


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