Sculpture
612 livres trouvéz
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ARCHIPENKO, ALEXANDER. - Alexander Archipenko.
Bruxelles, Palais des Beaux-Arts, 22/10- 16/11, 1969.
Bruxelles, Palais des Beaux-Arts, 1969. Oorspronkelijk uitgevers omslag, Softcover. Orig. wrappers. Illustr. b/w. 48 pag. ,21 x 21 cm.
Référence: 62887 | Prix: EUR 10.00
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Claes Oldenburg. Multiples 1964 - 1990.
Oldenburg, Claes
ISBN 10: 3928071068 / ISBN 13:
Published by Frankfurt am Main Portikus 1992, 1992
Frankfurt am Main Portikus, 1992. Hardcover 95 pages . with numerous b/w and color illustrations. ISBN: 9783928071062
Publication published on the occasion of the exhibitions at Portikus Frankfurt am Main from February 22 - March 31, 1992, at Lenbachhaus Munich from April 8 - May 10, 1992 and at the Hochschule für angewandte Kunst in Vienna from October 6 - November 21, 1992.
Référence: 63938 | Prix: EUR 12.00
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François Joré, Image
xpair - François Joré, 2015. Gebonden, Hardcover met stofomslag compleet. 128 pagina's, met illustraties in kleur. /*** GESIGNEERD DOOR KUNSTENAAR.
In dit boek Image toont François Joré zich als mens en kunstenaar via zijn beelden. Steen, marmer, brons: klanken van rust, onrust, blijheid verdriet en zoveel méér. Lezer en toeschouwer kunnen zich hieraan toetsen om zo tot verrassende ontdekkingen te komen. Wijd en zijd getuigt Joré's oeuvre van een monumentale, doorleefde en sensuele kracht, eigen aan de beeldhouwer.
Référence: 57885 | Prix: EUR 35.00
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Henri LAURENS. 60 terres cuites.
Paris -, Galerie Louise Leiris, 1998. softcover, 128 pages, Illustrated.
Texte en Francais Exhibition catalogue , illustrations en noir et blanc et en couleurs.
Référence: 57989 | Prix: EUR 30.00
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Rodin et le bronze. Catalogue des oeuvres conservées au musée Rodin. Catalogue raisonné VOLUME 2 / G-Z.
2007. Volume 2 only, hardcover, Couverture reliee sous jaquette, pages 329 -823 G-Z. bon etat. Texte en Francais. ISBN: 9782711849314
Catalogue raisonné des sculptures en bronze conservées au musée Rodin.Classées par ordre alphabétique des titres des sculptures, avec numéro d'inventaire, les notices sont accompagnées d'un appareil technique : type de fonte, fondeur, historique, éditions successives et autres
Référence: 56019 | Prix: EUR 175.00
A. F. Moskowitz
The Façade Reliefs of Orvieto Cathedral
Brepols - Harvey Miller, 2009. Hardcover with dusjacket, 245 pages., 199 b/w ill., 220 x 280 mm, Languages: English. ISBN: 9781905375271
This book presents in word and image the façade of Orvieto Cathedral, the reliefs of which are considered to be among the most beautiful and powerful of the Trecento. The town of Orvieto, located half-way between Rome and Florence, played an important and strategic role in the political struggles in Italy during the latter part of the thirteenth century. Frequently the place of residence for popes and their Angevins allies, it became the seat of the Curia under Pope Nicholas IV, which brought wealth and economic growth to the community. Moreover, it enabled earlier plans for a new cathedral, initiated around 1285, to be finally realised. It was Pope Nicholas himself who laid the foundation stone of the new Duomo in 1290, and although building activity continued until well into the seventeenth century, most of the main portion of the building was complete by 1308, creating a dazzling and unique Gothic structure. The façade of the Cathedral in particular, is a masterpiece of design and relief sculpture. Its rich decorative carving is of outstanding quality and the innovative, compelling iconographic programme spreads across all four piers of the lower façade. The corpus of photographs by David Finn, taken specially for this publication, shows the skill and narrative details of this vituoso display of relief carving, while the text by Anita Fiderer Moskowitz, Professor of Art History at the State University of New York, Stony Brook, explains the building in the context of related Italian Gothic architecture, and discusses the problems and controversies regarding the design and ornamentation of the façade as well as the puzzling question as to its artistic attribution. The author also interprets the basic iconography of the sculptures and provides full descriptions for the detail images.
Référence: 54600 | Prix: EUR 109.00
A. Luchs
The Mermaids of Venice. Fantastic Sea Creatures in Venetian Renaissance Art
Brepols, 2010. Hardback, VIII 273 p., 234 b/w ill. 44 colour ill., 220 x 275 mm, Languages: English. ISBN: 9781905375455
The arts of Renaissance Venice teem with sea monsters. Chief among these are mermaids and mermen--graceful hybrid beings human from the waist up, but with the lower body and tail of a fish, dolphin or sea serpent. Other sea hybrids--horses, bulls, panthers, even an elephant--also swim through Venetian art in finned and fish-tailed forms. Such creatures emerge from stone in the shadowy churches and the sunlit courtyard of the Palazzo Ducale, crown the wooden frame of a Giovanni Bellini altarpiece, and encircle the bronze flagpole bases in Piazza San Marco. Their gilded sugar apparitions graced banquet tables for illustrious visitors, and their descendents still glide through the canals in the form of brass seahorses set above the sides of gondolas This book focuses on the conceptions of artists who made marine hybrids as some of the most engaging inventions of the Renaissance in Venice and its subject city Padua. The chapters deal with five functional contexts: book decoration of the 1470s and 80s; tomb monuments of the 1480s and 90s; church decoration of the same years, particularly at Santa Maria dei Miracoli; centers of political activity, including civic settings in Venice and the palaces of powerful mainland employers of Venetian artists; and finally, private homes, where owners could hold small bronze sea hybrids in their hands, often as objects for use. A prologue introduces the ?heritage of monsters? from the ancient and medieval worlds, the better to show how Venetian artists adapted these to new purposes. Exploring the ways in which artists could interpret and contemporary viewers might experience these wide-ranging sea-creatures, the book brings their best images together as a source of delight. Studies in Medieval and Early Renaissance Art History(HMSAH 58)
Référence: 32939 | Prix: EUR 145.00
Agnes Husslein-Arco , Stephan Koja
Rodin and Vienna
HIRMER VERLAG, 2010. 1. Hardcover, 240 pages, ENG. edition, 285 x 235 x 20 mm, condition : New, illustrated in colour / b/w. ISBN: 9783777433110
A corresponding member of the Vienna Secession, French sculptor Auguste Rodin submitted works for its exhibitions beginning in 1898. The ninth Secession exhibition marked the high point of his involvement, with many of his major works prominently displayed, including Eve, The Age of Iron, The Burghers of Calais, and Rodin?s monument to the great French writer Honoré de Balzac?now considered among his greatest works though met at the time with considerable disapproval. Rodin and Vienna examines the sculptor?s influence on Austrian art and traces the history of the annual Secession shows and Rodin?s many contributions. Part of the Belvedere Gallery?s collection ever since, these masterpieces are here joined by later additions and selected works on loan in order to illustrate the way Rodin wrestled with form. Individual chapters by selected Rodin experts place works into their rightful contexts and demonstrate how the artist made use of his contacts in bourgeois society and intellectual circles to fulfill his ambitions and further his career.
Référence: 62831 | Prix: EUR 45.00
Alain Charre
Patrick Raynaud Sculpture
Paris, Jacques Damase, 1989. Cartonnage sous jaquette illustree en couleurs, 165 pp., bon etat, avec de nombreuses illustrations ISBN: 2904632204
Text en francais and in englisch. Signed by the artist.
Référence: 24296 | Prix: EUR 20.00
Alain Delmotte ; Marie Verboven ; vertaling : Silvain Verboven
Herman Van Nazareth : Inzichten
Verbeke Foundation, 2021. 1. Hardcover, 128 pag. , NL / ENG, 250 x 180 x 15 mm, NIEUW / NEW, illustr. in kleur / z/w. ISBN: 9789464000085
'KUNST IS NIETS ANDERS DAN LEREN ZIEN' Herman Van Nazareth, pseudoniem voor Herman Van Aerde, (° Evergem 1936) vestigde zich begin jaren zestig in Kaapstad. Zijn werk kan beschouwd worden als een protest tegen ontmenselijking : het vaak ontbreken van een uitgewerkt gelaat in zijn schilderijen en zijn ruw gevormde sculpturen zijn daar een bewijs van. Van Nazareth reduceert zijn beelden tot essentiële vormen en lijnen. In Zuid-Afrika gold hij als vernieuwer en als een van de eerste protestkunstenaars. Zij specifieke figuratieve aanpak, die hij al vanaf de jaren zestig toepast, is mogelijk van invloed geweest op kunstenaars als Marlène Dumas. Van Nazareth groeide sinds al die jaren naar een voorname plaats bij de tonalisten en expressionisten op de Vlaamse en internationale kunstscène en blijft een vaste internationale waarde met werk in openbaar bezit en diverse private collecties.
Référence: 62017 | Prix: EUR 20.00
Alain Monvoisin.
Dictionnaire international de la sculpture moderne et contemporaine
Paris, Regard, 2008. Hardcover, 560pp., 23.5x31cm., ills. in col., good copy. (frontcover slightly bumped) ISBN: 9782841052110
Référence: 42178 | Prix: EUR 94.00
Alan Bowness, Sophie Bowness, Catherine Chevillot
Barbara Hepworth
In Fine, 2019. 1. Hardcover, 258 pages, Texte en Francais ; 280 x 225 x 27 mm; NOUVEAU, illustrations en couleur / n/b. ISBN: 9782902302284
Barbara Hepworth (1903-1975) est l'une des plus grandes femmes sculpteurs du XXe siècle. Elle fait partie de ces artistes (Arp, Calder, Gabo, Mondrian...) qui, au lendemain de la Première Guerre mondiale, ont su réinventer l'art entre abstraction et figuration, dans une démarche humaniste et universelle de profond renouvellement des formes. En étroite collaboration avec la Tate, le musée Rodin invite à une (re)découverte inédite de la brillante carrière de cette artiste singulière qui a inventé une poétique des plus originales, proche de l'art abstrait mais fortement inspirée par la nature. Du marbre au bronze en passant par le plâtre ou le bois, Barbara Hepworth a toujours su varier matières et textures avec une inspiration fertile. Peintures, dessins et gravures, évocation de l'atelier, documents et photographies d'archives illustrent l'univers sensible et fascinant de l'artiste, véritable alchimie entre paysage, monde intérieur et matériau.
Référence: 63201 | Prix: EUR 24.95
Alastair Duncan
ART DECO SCULPTURE
Thames and Hudson 2016, 2016. 1. Hardcover, 408 pages, ENG, 315 x 250 mm, New, dustjacket, 800 illustrations in colour, . ISBN: 9780500239483
This book showcases and puts into historical context a host of sculpted works created in the 1920s and 1930s in the decorative vernacular defined loosely today as 'Art Deco'. Whether designed as free-standing statuary for the domestic market or commissioned for some form of architectural placement, as a frieze on a building's façade or as a public monument or pool fountain, the works shown demonstrate a sometimes bewilderingly broad range of styles and stylistic influences: from the chevrons, sunbursts, maidens, fountains, floral abstractions and ubiquitous biche (doe) of the Parisian geometric style to the crisp, angular patterns of the zig-zag, jazz-age, streamlined aesthetic of the 1930s. Alastair Duncan organizes his subject into three main categories: the first features work by avant-garde sculptors (Csaky, Janniot, Pompon, etc), often as pièces uniques or small editions; the second shows commercial sculpture, comprising mainly large-edition statuary, commissioned as decorative works for the burgeoning 1920s domestic market; while a final, third category covers architectural and monumental sculpture from West and Eastern Europe, Scandinavia, North America, Brazil and beyond. With artists' biographies and details of manufacturers, a full glossary and a thematic index, this volume is the essential and authoritative guide for all those interested in the Art Deco style, from the amateur collector of animalier sculpture to professional historians of the period.
Référence: 58615 | Prix: EUR 50.00
ALBERIGS, L.M.
WIM RIJVERS. BEELDHOUWER. (opdracht, gesigneerd).
Venlo, Van Spijk, 1980.**. Gebonden, linnen, vergulde titel op de voorplat, rug versierd met vergulde titel, originele geillustreerde (foto) omslagwikkel in kleur, 25,5x26cm, 156pp, rijkelijk geillustreerd in kleur en z/w.
Met opdracht en gesigneerd door de kunstenaar.
Référence: 11363 | Prix: EUR 25.00
Alberto Shayo
Roland Paris The Art Deco Jester King
ACC Art Books, 2016. Hardcover with dusjacket, Pages: 256, Illustrations: 472 colour , 300 mm x 237 mm. ISBN: 9781851498239
Roland Paris is one of the most recognisable artists of the Art Deco world, yet his work remains something of an enigma. His art is caricature-like, bordering on grotesque, and he delivers critical perspectives on society's downtrodden via jesters and devils. His mediums range from sculpture and painting to porcelain and wood, including woodcuts and the written word. This never-before-seen study focuses on the artist's trials and tribulations while living in Nazi-ruled Germany, and the tragic end to his life, hours before the end of World War Two.
Référence: 48546 | Prix: EUR 74.00
Aleksandra Lipiska,
Moving Sculptures Southern Netherlandish alabasters from the 16th to 17th centuries in Central and Northern Europe
Brill, 2016. Hardcover, xxii, 385 pp., 205 color & b/w illus. Illustrated. Fine. ISBN: 9789004270930
The Low Countries are generally considered to be the land of painting. Consequently, sculpture, especially that of the 16th century, has been insufficiently explored. In Moving Sculptures Aleksandra Lipi?ska presents a little-known chapter of the history of Netherlandish sculpture: the serial production of small-scale alabaster reliefs, altarpieces and statuettes in the workshops of Mechelen and Antwerp between c. 1525 and 1650. She gives the reader an insight into the rules of this craft, the specificity of the material, and the marketing methods employed. But the innovative element of this study lies in the fact that Lipi?ska analyses the phenomenon from the perspective of its distant recipients in Central and Northern Europe on the basis of works largely unknown to the broader public.At the Source: Production of the Alabaster Sculpture in the Southern Netherlands 1 Alabaster as a Sculpture Material 17 2 Alabaster in Netherlandish Sculpture from the Late Gothic to the Early Baroque 44 3 Serial Production of Alabaster Sculpture in Mechelen 96 4 The Spread of Alabaster Sculpture from the Low Countries 124 Part 2 At the Destination: Southern Netherlandish Alabaster Sculpture in Central and Northern Europe 5 Altarpieces 143 6 Tombs and Epitaphs 205 7 Exhibits of Real and ?Imagined? Collections 254 8 Alabaster Chambers 271
Référence: 49487 | Prix: EUR 114.00
Alex de Vries
Handreiking beelden buiten, beheer & behoud
Stichting Cultuurfonds, 2003. Hardcover, 127 pag. NL, met ill. in kleur. ISBN: 9789032279554
Over beeldhouwkunst
Référence: 62742 | Prix: EUR 15.00
Alex Pinna.
Alex Pinna. The way to get lost.
Punto Sull'Arte, 2016. Softcover, 65pp. 22x22cm., ills., very good copy.
Référence: 49231 | Prix: EUR 10.00
Alexander Bastek; Eva Mongi-Vollmer ; Birgit Sander
Von Köpfen und Körpern : Frankfurter Bildhauerei aus dem Städel
Frankfurt am Main, Städelsches Kunstinstitut, 2006. 1. Hardcover, 288 Seiten, Deutsch, 285 x 215 x 32 mm, mit abbild. in farbe v/ s/w, in Sehr gute kondition, nur ein kleiner Graben auf der Abdeckung unten, weiter wie Neu. ISBN: 9783935283113
Die Entwicklung der Tierplastik vom Abbild zum Formproblem. Aktdarstellunen im Städel. der Nachlaß Hans Mettel im Städel. Frankfurter Bildhauerarbeiten.
Référence: 25104 | Prix: EUR 30.00
Alfredo López Austin, ING Cultuurcentrum
Lichaam en kosmos : Precolumbiaanse sculptuur uit Mexico
Snoeck, 2004. 1. Softcover, 229 pag. NL, 300 x 240 mm, in prima staat, paginagrote ill. in kleur. ISBN: 9789053495360
Lichaam en kosmos omvat een tweehonderdtal stukken, afkomstig uit meer dan veertig musea en archeologische sites verspreid over heel Mexico. Ze zijn ontstaan tussen 1200 v. C. en de komst van de Europeanen in 1521. Door deze kunstwerken te verenigen wordt de onmiskenbare eenheid van de meso-Amerikaanse cultuur benadrukt. Verschillende basiskarakteristieken van die cultuur bleven inderdaad nagenoeg ongewijzigd gedurende de hele precolumbiaanse periode, die niet minder dan 3000 jaar beslaat. De kenmerken kunnen worden aangetroffen bij alle volkeren - de Olmeken, de Maya's en de Mexicanen - hoe verschillend hun talen en artistieke expressies ook zijn. Deze catalogus neemt de kosmologische visie van de verschillende volkeren als uitgangspunt. De ge?xposeerde stukken reflecteren de symbolische betekenis van hun complexe visie op de wereld en het universum
Référence: 61306 | Prix: EUR 45.00
ALLARD, D./ BREUCK, DE, A.
GOUD, BROKAAT EN GLACIS. S.O.S. POLYCHROMIEEN.
Brussel, Koning Boudewijnstichting, 1996. Gebrocheerd, originele uitgeversomslag geillustreerd in kleur, omslag licht beduimeld, 23x30cm, 120pp, geillustreerd in kleur en z/w.
Référence: 41 | Prix: EUR 25.00
Althöfer, Sina und Moritz Woelk:
Bildwerke vom 9. bis zum 16. Jahrhundert aus Stein, Holz und Ton im Hessischen Landesmuseum Darmstadt
Reimer verlag 1999, 1999. Hardcover, 559 seiten, Deutsche sprache, 285 x 235 mm, in sehr guten zustand,. ISBN: 9783496012047
Référence: 55575 | Prix: EUR 25.00
Amanda W. Dorseth, Barbara C. Anderson, Mark A. Roglan (ed.).
Fernando Gallego and His Workshop: The Altarpiece from Ciudad Rodrigo, Paintings from the Collection of the University of Arizona Museum of Art.
Dallas, Meadows Museum, 2008. Bound, cloth with dustjacket, 360pp., 28.5x25.5cm., ills. in col. and b/w., new. ISBN: 9780856676512
The twenty-six panels of the altarpiece of the cathedral of Ciudad Rodrigo (Castile) rank among the most beautiful and ambitious works by two of Castile?s gifted late medieval painters, Fernando Gallego and the virtually unknown Master Bartolome. Accompanying a major new exhibition of their work, this extensively illustrated volume includes full catalog entries for each of the panels, as well as a collection of essays exploring both their cultural and artistic significance. Ranging in subject matter from the physical life and composition of the altarpiece itself, to Fernando Gallego, the Hispano-Flemish tradition in Spain and millennialism in late fifteenth-century Castile, these essays highlight individual techniques and workshop practices in the context of the cosmopolitan communities of a gothic city.
Référence: 42096 | Prix: EUR 29.95
andau, Joachim Bischoff, Ulrich Foncé, Jan Puvogel, Renate
JOACHIM BANDAU. SKULPTUREN 1976 - 1990.
Antwerpen, Museum voor Hedendaagse Kunst Antwerpen, 1990. softcover, originele uitgeversomslag, 23x30cm, 245pp, geillustreerd in kleur en z/w. NL/DE/FR/ENG
expo catalogue Middelheim
Référence: 9111 | Prix: EUR 20.00
Anne Bony, Matthew Tyas, Karl Fournier, Emmanuelle Duguet
PIERRE CULOT : 1938 - 2011
Mercatorfonds, 2023. 1. HB, 335 x 250 x 30 mm, 296 p, 75 illustrations, ENG edition, Fine. ISBN: 9789462303416
Pierre Culot (1938-2011) was a Belgian ceramicist and sculptor. After training with Antoine de Vinck and English master potter Bernard Leach, he worked to build a bridge between British, Japanese and French traditions. He passionately expressed his resolution to be in the world, to be on Earth and in nature, which he understood as the sole generator of life and beauty. Throughout his life he remained faithful to his earliest experiences as a potter, evolving his ceramic works from basic forms (bowls, plates, jugs) to more daring shapes (cruciform vases, gourds, compound pots, inkwells). Shifting his imagination beyond functionality, he created sculptures and by composing outdoor sculpture-walls moved into the landscape.
Référence: 61783 | Prix: EUR 65.00
Anne Bony, Matthew Tyas, Karl Fournier, Emmanuelle Duguet
PIERRE CULOT : 1938 - 2011 céramiste/sculpteur Belge.
Mercatorfonds, 2023. 1. HB, 335 x 250 x 30 mm, 296 pages, 75 illustrations, FR edition, ISBN: 9789462303409
Pierre Culot (1938-2011) était un céramiste/sculpteur Belge. Pierre Culot a été formé par Antoine de Vinck et le maître potier anglais Bernard Leach. Il appartient à la génération des céramistes des années 1950 qui ont fait de leur métier une forme d'art. L'argile qu'il a tournée, façonnée en plaques, grattée et vernie est devenue un ustensile quotidien d'une présence majestueuse. Tout au long de sa vie, il est resté fidèle à son expérience initiale de la poterie et a laissé son travail évoluer de la céramique aux formes basiques (bols, assiettes, carafes) à d'autres ?uvres plus audacieuses (vases cruciformes, calebasses, pots composites, encriers). Attaché à la beauté du geste, qu'il maîtrise à la perfection, il fait évoluer ses pièces, les faisant évoluer dans la taille et l'effet de surface, mêlant dans chacune terre crue et glaçure exubérante dans des variations uniques. Son énergie vitale irrésistible s'est nourrie au contact de la nature. Son imagination a transcendé la fonctionnalité et il s'est fondu dans le paysage avec des murs sculptés. A partir de 1967, il collecte des blocs de pierre pour créer des cicatrices minérales dans les jardins. Le rythme, la solidité et le poids de ces murs de pierre et de béton surprennent tant par leur audace que par leur humilité. Pierre Culot a laissé à la nature le soin d'achever l'?uvre. Il a conçu une douzaine de ces murs. Il a conservé cette échelle monumentale pour créer, parallèlement aux murs, de grandes sculptures de pierre, ou un mélange de brique et de granit, de brique et de brique, ou de brique et de grès. Ils sont installés dans la verdure et invitent le spectateur à pénétrer dans cet entre-deux, le vide, pour une expérience exceptionnelle. Les ?uvres de Pierre Culot expriment la dualité, le passage, la complémentarité des forces, dans un langage architectural librement interprété d'arcs, de portails et de contreforts. Ses sculptures ont également été réalisées pour des galeries et des musées (Bruxelles, Londres, Paris, Amsterdam, Luxembourg). Les tuiles de grès qu'il réunit dans de petites architectures animées sont baptisées chapiteaux, rangée de stèles, sculptures-tours, ouverture de la terre ou homme debout. Dans son ?uvre, Pierre Culot exprime avec passion son désir d'être au monde, d'être sur terre, dans la nature, seule génératrice de vie et de beauté. De nombreuses photographies en couleurs et en noir et blanc témoignent du travail de cet artiste-artisan au parcours unique et aux multiples facettes.
Référence: 61780 | Prix: EUR 65.00
Antoinette Huysmans, Jan van Damme, Carl van de Velde, Christine van Mulders
CORNELIS FLORIS 1514 - 1575. Beeldhouwer, architect, ontwerper.
Brussel, Gemeentekrediet, 1996. Gebonden, linnen, originele stofomslag , 25x30,5cm, 271pp, geillustreerd z/w. (als nieuw) ISBN: 9050661766
Beeldhouwer, architect, ontwerper.degelijke monografie !!! met 296 afbeeldingen ,standaardwerk .
Référence: 6676 | Prix: EUR 29.99
ANTONIS, Eric & RUYTERS, Marc.
PETER ROGIERS. expo MIDDELHEIMMUSEUM 14 MEI - 23 JULI 2000.
Antwerpen, Stad Antwerpen/Openluchtmuseum voor beeldhouwkunst Middelheim, 2000. softcover originele uitgeversomslag in kleur, 23.5x20 cm., 96 pp., tweetalige editie Nederlands/English, geillustreerd in kleur. ISBN: 9789076222066
Référence: 34179 | Prix: EUR 10.00
ARS BELGICA
Les Eglises de Gand ; Saint-Nicolas and Cathedral ; Saint-Jacques, Saint-Martin, Sainte-Elisabeth, Saint-Michel, 2 vol. ars belgica
Bruxelles,, Nouvelle Societe d"Editions, 1937-1938. broche, 2 vols in-4?°, 33 x 26 cm, 37 pp 72 photo plates h.t., ; 38-66 pp 72 plates.
Ars Belgica, VII VIII, Architectural monograph printed in 550 copies,
Référence: 21695 | Prix: EUR 50.00
Astrid von Asten, Raphaël Bouvier, Catherine Chevillot, Lilien Feledy, Tessa Paneth-Pollak, Jana Teuscher
Rodin / Arp : Exhibition Catalogue
Fondation Beyeler / Hatje Cantz Verlag 2002, 2021. 1. Hardcover ,200 pages, ENG, 315 x 280 x 20 mm, NEW, over 120 illustrations in colour / b/w. ISBN: 9783775748759
For the first time in a museum exhibition?and hence, in this catalogue?the groundbreaking work of a great innovator of late-nineteenth-century sculpture encounters the influential work from a protagonist of twentieth-century abstract sculpture: Auguste Rodin meets Hans (Jean) Arp. Both artists are characterized by their unique artistic innovations and the joy of experimentation; both strongly influenced their eras and have lost nothing of their topicality to this day. As sculptural milestones, the creations of Rodin and Arp illustrate in a vivid and exemplary way fundamental aspects in the development of modern sculpture. Rodin?s pioneering ideas and new artistic horizons for sculpture were taken up by Arp and fascinatingly developed, reinterpreted, or contrasted. Indeed, both oeuvres exhibit numerous artistic affinities and points of reference, which become a particularly revealing visual experience in this clever juxtaposition. AUGUSTE RODIN (1840?1917) led sculpture to new forms of expression, ultimately approaching Impressionism stylistically with his dynamic surface, while also under the influence of Symbolism, in terms of content. Sculptures such as The Thinker, The Kiss or The Burghers of Calais are among the icons of modernism. HANS (JEAN) ARP (1886?1966), founder of the Dada movement in Zurich, is known for his biomorphic sculptures in plaster, stone, and bronze. He sought the expression of ?organic abstraction.? His oeuvre also includes paintings, drawings, and poems.
Référence: 62385 | Prix: EUR 28.00
AUBERT, MARCEL/ GOUBET, SIMONE (coop.).
CATHEDRALES ET TRESORS GOTHIQUES DE FRANCE.
Paris, Arthaud, 1971.**. Relie, toile blanc, sous jacquette d' editeur illustre en couleur, 19x25cm, 479pp, illustre n/b.
Cet ouvrage est le plus complet sur les cathedrales gothiques francaises et leurs tresors.
Référence: 8804 | Prix: EUR 18.00
AVERMAETE, ROGER.
WILLY KREITZ.
Bruxelles, Fonds Mercator/ Serie Arcade, 1978.**. Relie, toile, titre dore sur le plat, dos orne de titre dore, sous jacquette d' editeur illustre (photo) en couleur, 27,5x30cm, 88pp, illustre en couleur et n/b.
I. Le sens de l' art. II. Pourquoi devient-on sculpteur? III. Apprendre et enseigner. IV. L' homme et son decor. V. Un choix delibere. VI. De la figure. VII. Techniques. VIII. Du portrait. IX. L' art animalier. X. Du monumental. XI. Du dessins. XII. Le sens de la sculpture. XIV. De la Beaute.
Référence: 11366 | Prix: EUR 60.00
AVERMAETE, Roger;
IANCHELEVICI,
Bruxelles, Arcade, 1976. Relie, toile noire au imprint dore sur dos, jacquette illustree, cassette carton noir, plattes interieures illustrees, frontispice en couleur, 260 x 305mm., 123pp., illustartion abondante en b/n. ISBN: 2800501073
L' aube d'une carriere. Les debuts bruxellois. Le dessin. Le portrait. Encore le dessin. Choisir. La grandeur. Ombres et lumieres. Quelques geants. Tailles directes. Du style. Le portrait sculpte. Les surfaces sculptees. Pour conclure. Profession de foi. Avec catalogue des oeuvres. Bon etat.
Référence: 12044 | Prix: EUR 35.00
AVERMAETE, Roger;
WILLY KREITZ,
Brussel, Mercatorfonds, 1979. Gebonden in donkerbruin linnen met goudopdruk op front en rug, kartonfoedraal, uitgeversomslag, foto - frontispice, 270 x 300mm., 91pp, foto's van werken in kleur en z/w.
Reeks Arcade. Met lijst der afbeeldingen. Goede staat.
Référence: 14813 | Prix: EUR 50.00
BAEYENS, BAVO.
FERDINAND VANDERPLANCKE. (gesigneerd).
Tielt, Uitgeverij Lannoo, 1996. Bound, bleu cloth, originale dust - wrappers illustrated (photo) in color, 23,5x27,5cm, 127pp, illustrated in color and b/w. ISBN: 9789020930061
1 exemplaar met korte opdracht en gesigneerd door de kunstenaar.
Référence: 13124 | Prix: EUR 30.00
BAEYENS, BAVO.
FERNAND VANDERPLANCKE.
Tielt, Uitgeverij Lannoo, 1999. Bound, bleu cloth, originale dust - wrappers illustrated (photo) in color, 23,5x27,5cm, 127pp, illustrated in color and b/w. Text in English.
Référence: 7154 | Prix: EUR 25.00
Barbara Baert, Harald Szeemann
Berlinde De Bruyckere : One (2002-2004)
Gli Ori, De Pont, Tilburg - La Maison Rouge, Paris, 2005. Hardback, 136 pages, ENG. edition 310 x 230 x 20 mm,
. ISBN: 9788873361435 Expo: Tilburg: 22/01/2005 - 29/05/2005, Paris :23.06.2005 - 09.10.2005 Since the early nineties, Berlinde De Bruyckere has been working with blankets-woolen blankets that cover and protect-as the material for her sculptures and installations. For De Bruyckere they symbolize not only warmth and shelter, but also vulnerability and fear. Fear that makes people crawl under blankets and vulnerability in situations related to cold, illness, disaster and war. They are the images-from Somalia, Ruanda or Kosovo-which the media show us every day: images from hotbeds of violence which cause the population to flee, to hide or to shiver from cold. Victims are wrapped in blankets. The suffering is covered. In De Bruyckere's studio, such newspaper photographs are present as quiet moments among the day-to-day memoranda. They are often images in which sadness and beauty seem to compete for attention Référence: 25180 | Prix: EUR 95.00
. ISBN: 9788873361435 Expo: Tilburg: 22/01/2005 - 29/05/2005, Paris :23.06.2005 - 09.10.2005 Since the early nineties, Berlinde De Bruyckere has been working with blankets-woolen blankets that cover and protect-as the material for her sculptures and installations. For De Bruyckere they symbolize not only warmth and shelter, but also vulnerability and fear. Fear that makes people crawl under blankets and vulnerability in situations related to cold, illness, disaster and war. They are the images-from Somalia, Ruanda or Kosovo-which the media show us every day: images from hotbeds of violence which cause the population to flee, to hide or to shiver from cold. Victims are wrapped in blankets. The suffering is covered. In De Bruyckere's studio, such newspaper photographs are present as quiet moments among the day-to-day memoranda. They are often images in which sadness and beauty seem to compete for attention Référence: 25180 | Prix: EUR 95.00
Barbara Baert, Harald Szeemann
Berlinde De Bruyckere Een (2002-2004)
Gli Ori, De Pont, Tilburg - La Maison Rouge, Paris, 2005. Hardback, stofomslag, 300x227mm, 144p, Dutch edition . ISBN: 887336143913978
Expo: Tilburg: 22/01/2005 - 29/05/2005, Paris :23.06.2005 - 09.10.2005 Vanaf het begin van de jaren negentig werkt Berlinde De Bruyckere met dekens als materiaal voor haar beelden en installaties. Wollen dekens die bedekken en beschermen. Maar voor De Bruyckere symboliseren ze niet alleen warmte en beschutting, maar ook kwetsbaarheid en angst. Angst die mensen onder de dekens doet wegkruipen en kwetsbaarheid in situaties van kou, ziekte, rampen en oorlog. Het zijn de beelden die de media ons dagelijks voorschotelen
Référence: 25179 | Prix: EUR 54.00
Barbara Rommé, Sebastian Giesen
Gegen den Strom: Meisterwerke niederrheinischer Skulptur in Zeiten der Reformation, 1500-1550
Suermondt-Ludwig-Museum, 1997. 1. Paperback, 387 seiten, Deutsch, 300 x 230 mm, Neu, mit illustrationen in farbe / s/w. ISBN: 9783496011644
Ausstellung zu den Meisterwerken der "Niederreinischen" Bildhauerei zur Zeit der Reformation 100-1550. Diese Ausstellung war im Suermondt-Ludwig-Museum in Aachen.
Référence: 60047 | Prix: EUR 35.00
Barbier, Jean Paul.
Botschaft der Steine. Indonesische Skulpturen aus der Sammlung Barbier-Mueller, Genf.
Skira, 1998. Hardcover with dustjacket, 211pp., 30.5x23.5cm., ills. in b/w., new. German text. ISBN: 9783775707763
Référence: 42367 | Prix: EUR 15.00