Erik Tonen Books - Antwerpen

, Jane Martineau, Suzanne Boorsch, Andrea Mantegna. Royal Academy Of Arts (Great Britain), Metropolitan Museum Of Art (New York, N.Y.), 1992. 1. Paperback, 499 pages, ENG, 295 x 250 x 37 mm, in good condition, with dozens of illustrations in colour and b/w. ISBN: 9780900946400 Andrea Mantegna (Piazzola sul Brenta (Province of Padua), circa 1431 - Mantua, September 13, 1506) was an Italian painter. Boeknummer: 58354 | Prijs: EUR 29.95 In winkelwagen

-- Artemisia Scripta Maneant, 2025. Hardback, Dimensions folio, 370 x 260 mm, 300 Illustrations col.ill. 320 pages, Language(s) Eng./ It. ed. ISBN: 9791280717450 Artemisia Gentileschi has been the subject of much attention in recent decades. Research dedicated to her has, however, often returned a stereotyped and reductive image of the artistic universe and personality of the painter. The innovative charge of language and the exceptional nature of Artemisia's iconographic choices reveal the documented interests and literary, scientific and musical frequentations that the painter skilfully cultivated in every city that recorded her passage. Boeknummer: 67725 | Prijs: EUR 82.95 In winkelwagen

A. Darr; Italian Sculpture in the Detroit Institute of Arts, Turnhout, Brepols, 2003. Hardback, two-volume catalogue, 564 p., 390 b/w ill. 43 colour ill., 210 x 280 mm. ISBN: 9781872501383 This two-volume catalogue covers the entire collection of post-antique Italian sculpture in the Detroit Institute of Arts, ranging from early medieval to the early twentieth century. The collection of post-antique Italian sculpture in the Detroit Institute of Arts is considered among the three finest and most comprehensive outside Europe; however, this large and distinguished collection, whose formation began a century ago, has never been published in its entirety as a museum catalogue. Ranging from early medieval, pre-Romanesque stone carvings of the eighth and ninth centuries to works created more than a millennium later, the collection numbers over 350 pieces of Italian sculpture in wood, stone, terracotta, stucco, porcelain and bronze. More than half of the collection consists of sculpture from the fifteenth and sixteenth centuries (or the Early, High and Late Italian Renaissance), and approximately one-fifth dates from the thirteenth and fourteenth centuries (roughly, Italian Gothic sculpture). Although the remainder is more or less equally balanced in number between the eighth to the twelfth centuries, and those pieces from the seventeenth to the early twentieth centuries, the latter group of Italian baroque to nineteenth-century sculpture contains some of the most important and most recently acquired Italian works of art in the collection. New book. Boeknummer: 32440 | Prijs: EUR 128.00 In winkelwagen

Alberto Giacometti, Marie-Pierre Devroedt Alberto Giacometti Domaine du Château de Seneffe, 2000. 1. Paperback, 89 pag., NL, 300 x 210 x 10 mm, in prima conditie, illustraties in kleur / z/w. ISBN: 9782804604578 Overzicht van het werk van de Italiaanse beeldend kunstenaar (1901-1966). Boeknummer: 60677 | Prijs: EUR 25.00 In winkelwagen

Alessandro Cecchi ; Guido Cornini ; Ana Debenedetti ; : translation : Marie-Francoise Dispa BOTTICELLI : Artiste & Designer Mercatorfonds, 2021. 1. HARDCOVER- RELIE, 285 x 245 x 25 mm, FR edition . , 238 pages, 120 illustraties, * Nouveau,; . ISBN: 9789462302815 Botticelli (1445 - 1510) est sans doute l'un des peintres les plus connus de la Renaissance italienne malgré la part de mystère qui entoure sa vie et l'activité de son atelier. Élève prodige de Fra Filippo Lippi (1406-1469), le dernier grand représentant de la peinture du premier Quattrocento, Botticelli développe rapidement une manière qui lui est toute personnelle, une véritable « marque de fabrique » qui lui permet de dominer pour une grande partie de sa carrière le jeu des commandes et de devenir le peintre des madones que la critique a d'abord retenu avant de redécouvrir ses grandes scènes mythologiques et sa folle entreprise que représentent les 92 dessins illustrant la Divine Comédie de Dante. Peintre sophistiqué, écrit Giorgio Vasari, mais également entrepreneur averti, Botticelli passera donc sans relâche de la création géniale, unique, à la production en série où copies et répliques s'alternent et où sa main s'efface pour ne plus apparaître que dans l'idée originale, le design, laissant le soin d'achever l'ouvrage à ses nombreux assistants.Le catalogue d'exposition mettra à l'honneur cette pratique d'atelier, laboratoire foisonnant d'idées et de formation, typique de la Renaissance italienne. Il s'agira de redécouvrir Botticelli dans son rôle de créateur, mais également d'entrepreneur et de formateur. En suivant un ordre chronologique et thématique, ce livre illustrera le développement stylistique personnel de Botticelli, les liens entre son oeuvre et la culture de son temps, ainsi que l'influence qu'il a lui-même exercée sur ses contemporains. Boeknummer: 60890 | Prijs: EUR 18.00 In winkelwagen

ALEXANDER, FRANCES. AMEDEO MODIGLIANI. New York, Parkstone Aurora, 2000. Relie, cartonnage d' editeur illustree en couleur, sous jacquette d' editeur illustre en couleur, 13x22cm, 117pp, illustre avec 58 planches hors-texte en couleur et n/b, bibliographie. ISBN: 1859957072 Boeknummer: 11961 | Prijs: EUR 10.00 In winkelwagen

Alexander, J.J.G. Italiaanse miniaturen uit de renaissance. Het Spectrum 1978, 1978. Hardcover, 120 pagina's, Nederlands, 285 x 210 mm, omslag heeft een betere tijd gehad, boek zelf is in prima staat, met illustraties in kleur, . ISBN: 9789027473035 Boeknummer: 57327 | Prijs: EUR 10.00 In winkelwagen

ALEXANDRE, Paul. MODIGLIANI testimontanze, documenti e disegni inediti provenienti dalla collezione del dottor Paul Alexandre. Riuniti presentati da Noel Alexandre. Umberto Allemandi & co / fonds mercator.1993. paperback, 464pp.24x32cm. illustrated. ISBN: 9788842204633 book of drawings. Boeknummer: 16503 | Prijs: EUR 30.00 In winkelwagen

André Chastel ; Andre Malraux ; Georges Salles Renaissance méridionale, Italie, 1460-1500 Gallimard, 1965. 1. Hardcover, 391 pages, Texte en Francais, 280 x 230 mm, jacquette, tres bon etat, illustrations en couleur / n/b. Volume 2 van L'univers des formes..La renaissance italienne Volume 7 van Univers des formes, ISSN 0566-1064 Volume 2 van [La Renaissance italienne Boeknummer: 60607 | Prijs: EUR 35.00 In winkelwagen

Anna Coliva, Arabella Cifani, Franco Monetti, Marina Minozzi La collezione d'arte del Sanpaolo ITA Silvana ( original : University of Virginia USA), 2003. 1. Hardcover, 319 pages, ITA , 310 X 250 mm, in very good condition !, dustjacket, carbon jacket, illustrations in fine colours, . ISBN: 9788882156701 This volume is dedicated to the artistic heritage of the Sanpaolo IMI Group, which includes various realities located throughout the national territory. The collections, which include both Italian and foreign artists, are the result of different but continuous and sometimes centuries-old paths, which have seen the various banking institutions manifest not only a collecting attitude, but, often, a precise patronage of cultural promotion. This volume traces a span of time spanning five centuries, which overlaps with the history of Sanpaolo: from the birth, in 1563, of the Confraternity Compagnia di San Paolo, to all the subsequent phases of the evolution of the banking institution. Boeknummer: 59727 | Prijs: EUR 37.50 In winkelwagen

Anna Maria Maetzke PIERO DELLA FRANCESCA : Les oeuvres Silvana Editoriale, 2013. 1. Hardcover dusjacket, 240 pages, Texte en Francais, 290 x 240 mm, neuf!, 150 illustrations en couleur. ISBN: 9788836624645 Cette monographie est dédiée à un des plus grands artistes de la Renaissance italienne, Piero della Francesca (Borgo Sansepolcro, aux alentours 1416/1417-1492). Chaque oeuvre du maître, du Baptême du Christ à la Nativité conservées à la National Gallery, est présentée avec une image en pleine page et attentivement étudiée, tant du point de vue historique qu'esthétique, sans négliger les fortunes critiques au cours des siècles. Un intérêt particulier est réservé à la splendide série de fresques, avec La légende de la Vraie Croix dans la basilique de San Francesco d'Arezzo, considérée comme son chef d'oeuvre. L'auteur, à qui nous devons les restaurations de la Chapelle, propose dans cette étude les résultats des interventions sur la moitié des surfaces peintes, accompagnés d'images des fresques après restauration. Le volume représente un instrument complet et maniable pour tous ceux qui veulent se rapprocher de l'oeuvre de Piero della Francesca. Boeknummer: 59412 | Prijs: EUR 29.00 In winkelwagen

Anna Maria Maetzke ; Claude Sophie Mazéas , Jérôme Nicolas Piero Della Francesca - Les oeuvres IT, Silvana, 2012. 1. Hardcover, 240 pages, Text en Francais, 290 x 240 x 28 mm, Tres bon condition, jaquette illustreé, illustrations / images en couleur / n/b, ISBN: 9788836624645 Cette monographie est dediee a un des plus grands artistes de la Renaissance italienne, Piero della Francesca (Borgo Sansepolcro, aux alentours 1416/1417-1492). Chaque oeuvre du maitre, du Bapteme du Christ a la Nativite conservees a la National Gallery, est presentee avec une image en pleine page et attentivement etudiee, tant du point de vue historique qu'esthetique, sans negliger les fortunes critiques au cours des siecles. Un interet particulier est reserve a la splendide serie de fresques, avec La legende de la Vraie Croix dans la basilique de San Francesco d'Arezzo, consideree comme son chef d'oeuvre. L'auteur, a qui nous devons les restaurations de la Chapelle, propose dans cette etude les resultats des interventions sur la moitie des surfaces peintes, accompagnes d'images des fresques apres restauration. Le volume represente un instrument complet et maniable pour tous ceux qui veulent se rapprocher de l'oeuvre de Piero della Francesca. Boeknummer: 38680 | Prijs: EUR 29.00 In winkelwagen

Archives Secretes Vaticanes Les Les archives secretes du Vatican VdH Books, 2009. Hardback, dusjacket in fine condition 297x297mm, 240p, FRENCH (FR) edition . ISBN: 9789088810091 Les archives secretes du Vatican ont depuis toujours frappe l'imagination. Pour la premiere fois, un editeur a ete autorise a se promener librement parmi les tresors abrites et a prendre des photos de cet endroit charge de mysteres. Cette publication vous propose un survol inoubliable des endroits et documents les plus exceptionnels des archives secretes vaticanes. Boeknummer: 22416 | Prijs: EUR 24.50 In winkelwagen

Arturo Galansino, Simone Facchinetti In the Age of Giorgione Royal Academy, 2016. Hardback with dust jacket, 270x240mm, 176p, 80 colour illustrations,
English edition . ISBN: 9781910350263 Venice at the start of the sixteenth century was Europe?s undisputed capital of culture: home to some of the finest artists of the Italian Renaissance, whose importance stretched far beyond the region. The first great painter to emerge was also the most mysterious: little is known about Giorgio Barbarelli da Castelfranco, known as Giorgione (1478?1510), and few works have been attributed to him with any certainty, yet he painted what is considered to be the first landscape in Western art history, and his influence was profoundly felt by contemporaries including Lorenzo Lotto and Titian. This sumptuous volume brings together many of the works attributed to Giorgione, along with other masterpieces of the Venetian School, demonstrating the extraordinary richness of colour and mood for which these artists were famed. This book brings to life an extraordinary moment in the history of European art. Expo : 12/3/2016 - 5/6/2016, Royal Academy of Art, London Boeknummer: 48459 | Prijs: EUR 43.95 In winkelwagen

Asia Graziano, Sheila Barker, Gregory Buchakjan, Claudio Strinati Artemisia Gentileschi Musée Jacquemart-André,/ Scripta Maneant, 2025. Hardback, Dimensions 370 x 260 mm folio, 300 Illustrations col.ill., 320 Pages,Language(s) Eng./ It. ed. *new. ISBN: 9791280717450 Artemisia Gentileschi has been the subject of much attention in recent decades. Research dedicated to her has, however, often returned a stereotyped and reductive image of the artistic universe and personality of the painter. The innovative charge of language and the exceptional nature of Artemisia's iconographic choices reveal the documented interests and literary, scientific and musical frequentations that the painter skilfully cultivated in every city that recorded her passage. Boeknummer: 67622 | Prijs: EUR 79.99 In winkelwagen

AURIGEMMA, Salvatore & GUYON, Oliver (trad.). Les Thermes de Diocletien et Le Musee National Romain. (Troisieme edition Italienne). Roma, Istituto Poligrafico Dello Stato, 1955. Broche, sous jaquette originale d'editeur, 18.5x12.5 cm., 188 pp. + 4, 148 illustrations/planches en n/b. Itineraires des Musees et Monuments d'Italie n?° 78. Boeknummer: 41189 | Prijs: EUR 5.00 In winkelwagen

B. Dunbar, R. Munman, E. Olszewski; Sixteenth-Century Northern European Drawings, Turnhout, Brepols, 2012. Hardback, approx. 280 p., 150 b/w ill. + 16 colour ill., 220 x 280 mm. ISBN: 9781905375110 This volume catalogues 137 drawings by nearly one hundred artists active in the Netherlands, Germany, France, Switzerland, and Spain from the very end of the fifteenth century through 1600. Compiled by a team of twenty-two scholars, the book fully documents each of the drawings from twenty-four museums, outside of Chicago, with detailed scholarly entries and photographs of every work. Taken as a group, the drawings in this book present some of the most able draughtsmen of the period active north of the Alps. A sampling of the artists include Albrecht Durer and his contemporaries in Germany, Albrecht Altdorfer, Hans Beham, and Georg Pencz; in the Lowlands, Jan Wellens de Cock, Maerten van Heemskerck, Hendrick Goltzius, and Maerten de Vos; and from other countries, members of the Dumonstier family in France and the Swiss artists Tobias Stimmer and David Lindtmayer. The volume also presents over forty drawings which are published here for the first time with attributions to such artists as Christopher Amberger, Wouter Pietersz. Crabeth, Virgil Solis, and Otto van Veen, among others. In sum, the compilation of 73 Netherlandish drawings, 42 German works, and 22 sheets from other countries presents an important cross-section of the brilliant evolution of the drawing medium during the century. It is during this period that drawings become truly of age, for both artists who view their creations as works in themselves (as well as models for paintings and prints) and now their public, who become fascinated with the collecting of drawings as glimpses into the most personal and immediate artistic thoughts of the skillful artists who made them. Languages : English. Boeknummer: 37223 | Prijs: EUR 121.00 In winkelwagen

BABELON, Jean; PISANELLO, Paris, Les Editions G. Cres, 1931. Broche, couverture carton illustree n/b, 140 x 195mm., 30pp., 64 planches n/b. Dos est abimee. Boeknummer: 29005 | Prijs: EUR 10.00 In winkelwagen

Babette Bohn; Ludovico Carracci and the Art of Drawing, Turnhout, Brepols, 2005. Hardback, 642 p., 609 b/w ill. + + ills., 210 x 280 mm. ISBN: 9781872501185 The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology, style, and connoisseurship, this book utilizes up-to-date art historical methods, including considerations of the historical context of Bologna, its impact on Ludovico's art, and a new portrayal of the role of women and women artists in the city. "Bologna is perhaps the last great artistic capital in Europe that...still offers the specialist the possibility for ground breaking studies." This quotation from a recent exhibition at the Metropolitan Museum testifies to the rich possibilities for research in this field. In 1983, Sydney Freedberg wrote a book on the three pivotal innovators in Italian painting at the turn of the seventeenth century: Caravaggio, Annibale Carracci, and the latter's cousin Ludovico Carracci (1555-1619). The dramatic intensity of Ludovico's paintings exerted a seminal influence on the direction of Italian Baroque painting. His highly individual renditions of his subjects make him one of the great interpreters of Italian art. Working in Bologna, the second city of the papal states, during the period of the Counter Reformation, Ludovico was well positioned to reshape religious painting during a period that demanded change. Ludovico was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality, because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period, Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought, how his ideas changed, and which features of a composition were most important or challenging to his creative imagination. Such drawings as these have tremendous appeal to modern audiences, who are attracted by the excitement of watching the creative process in progress, rather than seeing only the painting that represents the end of that process. The Carracci have always been considered some of the most important draftsmen in Italian art, for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right, made for sale to a new audience of private collectors in Bologna. This book will be indispensable for university libraries, museum libraries, and the private libraries of all scholars, dealers, and collectors with a serious interest in Italian art. As a study of a major artist that breaks new methodological ground, the book will bring together fresh insights on the artist and his culture with a useful compendium of illustrations and will provide a model for future studies of draftsmen from the early modern period. Languages: English. Boeknummer: 33808 | Prijs: EUR 215.00 In winkelwagen

BALDERI, IGINIO. Iginio Balderi. Musée d'Ixelles / Museum van Elsene. Brussel - Brussels, Elsene, Museum Elsene/, 1974. Original publishers paper-covered boards, 26 pages, illustr b/w. 19x21cm Italian + NL text. Exhibition catalog Musée d'Ixelles / Museum van Elsene. 1974 Boeknummer: 63963 | Prijs: EUR 15.00 In winkelwagen

BARTOLINI, ELIO. BALDAN. Galleria Falaschi Editrice, 1983. Broche, couverture d' editeur, 16,5x21,5cm, 63pp, illustre en couleur et n/b. Texte italienne. Boeknummer: 9714 | Prijs: EUR 10.00 In winkelwagen

BELLONI, Emanuela (red.). INSIDE OUT. Milano/ Firenze, Charta, 1993. Copertina in cartone illustrato, 200x280mm., 128pp., ricca illustrazione a colori. ISBN: 9788886158220 Museo - Citta - Eventi. Italian edition. Una mosta senza centro - Oltre il confine - Il pronome in anticamera - Blu elettrico : da etno a World Music - Ragioni Passioni. In good condition. Boeknummer: 24414 | Prijs: EUR 20.00 In winkelwagen

BORSI, Franco und Stefano. PAOLO UCCELLO. FLORENZ ZWISCHEN GOTIK UND RENAISSANCE. Stuttgart/ Zurich, Belser Verlag, 1993. Gebunden, Leinen mit Schutzumschlag, Frontispiz, 245 x 325mm., 375S., illustriert. ISBN: 9783763023004 Monographie zum Gesamtwerk. Mit einem Werkkatalog der gesicherten und der Paolo Uccello (1397 - 1475) zugeschriebenen Werke. Gutes Exemplar. Boeknummer: 16900 | Prijs: EUR 54.00 In winkelwagen

Bruce Cole. Titian and Venetian painting 1450-1590. Boulder, Westview Press, 1999. Softcover, 264pp., 16.5x23.5cm., 119 b/w and 8 col. ills., good condition. ISBN: 9780813390437 Boeknummer: 33853 | Prijs: EUR 20.00 In winkelwagen

CAMMERER - GEORGE, MONIKA. DIE RAHMUNG DER TOSKANISCHEN ALTARBILDER IM TRECENTO. Strasbourg, P.H. Heitz, 1966. Gebunden, Original - Leinen, Original - Schutzumschlag, 28,5x19,5cm, 288pp + 37pp tafeln z/w. Zur Kunstgeschichte des Auslands, n?° 139. Boeknummer: 1784 | Prijs: EUR 23.00 In winkelwagen

CARAMEL, LUCIANO. LINO SALTINI. Milano, Edizioni P. Petrus, 1976. Broche, couverture d' editeur, 21,5x21,5cm, s.p., illustre en couleur et n/b. Collana d' oro maestri del mediterraneo. Boeknummer: 7964 | Prijs: EUR 20.00 In winkelwagen

Carli Enzo La pittura senese del Trecento. [Edizione italiana, inglese, francese e tedesca] Toscana, ERI - Edizioni RAI Radiotelevisione Italiana / ELECTA, 1981. 2 ed.. Roma, 1981; ril. in tela in cofanetto, pp. 301, 294 ill. b/n e col. num. n.t., 294 tavv. b/n e col. num. n.t., cm 25,5x28,5. In Very Good Condition ! con sovraccoperta ! ISBN: X Periodo: 1000-1400 (XII-XIV) Medioevo Boeknummer: 61576 | Prijs: EUR 60.00 In winkelwagen

Carlo Cesare Malvasia, Elizabeth Cropper (ed), Lorenzo Pericolo (ed) Felsina pittrice: The Lives of Francesco Francia and Lorenzo Costa Brepols - Harvey Miller, 2022. Hardback, xxxiv + 410 pages, Size:220 x 280 mm, Illustrations:14 b/w, 163 col., Language(s):English, Italian. ISBN: 9781912554799 Summary In Bologna, Giorgio Vasari's maniera moderna is inaugurated through the art of the goldsmith-painter Francesco Francia (c.1447-1517). Malvasia assimilates the beginning of this new era with the end of night and the crack of dawn, when never before seen colors are revealed to the eyes with extraordinary intensity. In his life of Francia, Vasari had acknowledged the role of precursor played by this Bolognese master in the history of Italian painting. By the same token, he had tarnished Francia's reputation by alleging that he had died soon after unpacking Raphael's Ecstasy of Saint Cecilia upon its arrival in Bologna. His death, Vasari insisted, was a moment of reckoning: it was then that Francia recognized his artistic inferiority and damnation with regard not only to Raphael, but also to the highest achievements of the maniera moderna. Aware of the historical validity of Vasari's account, Malvasia ?lifted? it wholesale into his Felsina pittrice, but not without bringing its author to trial by examining his biased testimony in light of the rich documentary evidence he had gathered against his narrative. Equipped with the most refined tools of forensic eloquence, seething with outrage, Malvasia is at his best in challenging Vasari's historical distortions and prejudices not only in connection with Francia, but also his disciples, Timoteo Viti (1469-1523), Lorenzo Costa (1460-1535), and Giovanni Maria Chiodarolo (1480-1530). Denouncing Vasari's silence about the works and importance of Francia's progeny--in particular Giacomo (1484-1557) and Giovan Battista Francia--Malvasia explains how the activity of these masters promoted the education and social status of painters in Bologna before the foundation of the Carracci Academy in 1582. Illustrated with numerous color images (many of them taken expressly for this publication), this volume provides a critical edition and annotated translation of Malvasia's lives of Francia and his disciples, among them prominently Costa. The integral transcription (for the first time) in this volume of Malvasia's preparatory notes (Scritti originali) to the lives of Francia, Costa, and Chiodarolo presents important material that could foster the study of Bolognese painting in the age of humanism under the rulership of the Bentivoglio. Boeknummer: 64933 | Prijs: EUR 200.00 In winkelwagen

Italiaanse kunst