Erik Tonen Books - Antwerpen

Alexander Thijs Nicolaes Gillis: Antwerpen 1593 - Haarlem 1630 / Pionier van het Haarlemse voedsel- en bloemstilleven Primavera Pers, 2024. Hardback, 304 pages, Illustrated. 29.5 (hoogte) x 25.3cm, Tekst; Nederlands, Catalogue raisonne. *Nieuw. ISBN: 9789059974159 NICOLAES GILLIS (Antwerpen 1593 - Haarlem 1630) behoort tot de eerste beoefenaars van het zelfstandige stilleven. Over zijn leven was tot nog toe niet veel bekend, behalve dat hij uit Antwerpen kwam en in Haarlem werkzaam was. Nieuw onderzoek wijst op een gedegen leertijd in Antwerpen, waarna Gillis furore maakte als pionier van het Haarlemse voedsel- en bloemstilleven. In Antwerpen heeft Gillis veel geleerd van Osias Beert; in Haarlem was de kruisbestuiving met Floris van Dijck van belang. De gezamenlijke invloed van Gillis en Van Dijck zou zich uitstrekken naar volgende generaties stillevenschilders. Het oeuvre dat Nicolaes Gillis heeft nagelaten is niet erg groot. Dit boek laat echter zien dat het veelzijdiger en invloedrijker is geweest dan voorheen werd aangenomen. Gillis was niet alleen een schakel tussen Antwerpen en Haarlem, maar ook een echte vernieuwer. Deze eerste monografie met catalogue raisonné is het resultaat van uitgebreid kunsthistorisch onderzoek en speurwerk in archieven. Behalve een overvloedige bron van informatie, vormt het boek een terecht eerbetoon aan Nicolaes Gillis. Drs. Alexander Thijs (1980) heeft na een carrière als tandarts zijn liefde voor Oude Meesters verder ontwikkeld met oog voor historische context, herkomstonderzoek, symboliek en schildertechnieken. Als zelfstandig onderzoeker bestudeerde hij voor de tentoonstelling Ode aan Antwerpen (Utrecht, Museum Catharijneconvent, 2023) een schilderij van Erasmus II Quellinus, Rubens? laatste grote leerling en medewerker. Dit leidde tot een bijdrage aan de tentoonstellingscatalogus Van Antwerpen naar Amsterdam. Boeknummer: 66757 | Prijs: EUR 49.90 In winkelwagen

Ani Boyajian, Mark Rutkoski Stuart Davis A Catalogue Raisonné. 3vols. Yale University Press, 2007. Hardcover in decorative slipcase with dust jacket, 1574 pages, throughout colour illustrations, Language English, FINE, 3 vols set. ISBN: 9780300109818 The highly anticipated, definitive reference on Stuart Davis?s paintings, watercolors, drawings, and published illustrations Stuart Davis (1892?1964) made a mark on the art world early in his career, first with his Ashcan works and then with his highly personal version of Cubism, which firmly established American modernism as a force that could rival its European counterpart. Over the course of six decades, Davis produced artworks that drew inspiration from the European modernists but were deeply rooted in the popular culture of the United States. Jazz music and hipster talk, vaudeville stages, city streetscapes, New England fishing villages, gasoline stations, store fronts, and commercial packaging and advertising images were among the sources that infused his art with energy, bringing crisp edges, radiant color, and syncopated rhythms to a vast body of paintings, watercolors, and drawings. Documenting the life?s work of this prolific and highly influential artist?who affected almost every development in American art from second-generation Ashcan realism around 1912 to color field and geometric painting in the 1960s?is a monumental achievement. In these three volumes, the editors have catalogued 1,749 artworks by the artist?including more than 600 works never previously illustrated?providing extensive documentation and information about each one. A detailed chronology of Davis?s life, as well as an enlightening discussion of the compositional relationship between certain works spanning his oeuvre, rounds out this study. Exquisitely designed and produced, Stuart Davis: A Catalogue Raisonné will be the definitive reference on the artist?s work for many years to come Boeknummer: 61531 | Prijs: EUR 120.00 In winkelwagen

Bischofberger, Christiane Jean Tinguely. Catalogue Raisonne Sculptures And Reliefs/ Werkkatalog Skulpturen Und Rliefs 1954 - 1968/ 1969 - 1985. 2 Volumes. Galerie Bruno Bischofberger, 1982. Hardcover with dusjackets, 2 volumes; Clothbound with dustjacket. 324 and 272 pages throughout with factory illustrations. in b/w. Text in English + German. FINE. Jean Tinguely. Catalogue Raisonne Sculptures And Reliefs/ Werkkatalog Skulpturen Und Rliefs 1954 - 1968/ 1969 - 1985. 2 Volumes Boeknummer: 61557 | Prijs: EUR 700.00 In winkelwagen

Bruno Perrier Haute epoque, provenant notamment des collections Lucien et Helene Mellerio et de divers amateurs : vente a Paris, Espace Tajan, 30 mai 2001 : organisee par Maitres Jacques et Francois Tajan : Etude Tajan 2001, 2001. Hardcover, 183 photo's de catalogue a 30 Mai 2001, bon etat, . Boeknummer: 55693 | Prijs: EUR 26.00 In winkelwagen

Coll. Georges Rouault - Oeuvre gravé - Graphic Work - Graphisches Werk - Volume 1, Éditions André Sauret,, 1978. Couverture reliee sous jaquette, 32,5 x 245 cm, 340 pages with . 240 illustrations. bon etat ! Texte en Francais / German / English. Georges Rouault - Oeuvre gravé - Graphic Work - Graphisches Werk volume 1 Boeknummer: 53034 | Prijs: EUR 35.00 In winkelwagen

Comite Frans Mortelmans/ Norbert Hostyn, Ivo Schiltz, Dirk Schiltz Frans Mortelmans, 1865-1936, oeuvrecataloog, Catalogue Raisonne. Stichting Mortelmans, 2022. Hardcover, dusjacket, 405 pages, Text in NL/FR/ENG. with 900 illustrations in color. Fine! ISBN: 9789464070088 Dit nieuwe en lijvige kunstboek is opgemaakt in vierkleurendruk en telt meer dan 400 bladzijden. Hij is drietalig opgemaakt 'Nederlands-Frans-Engels', en bevat een volledig aangepaste en herziene ?uvrecataloog, en voorzien van ongeveer 800 herziene en kwalitatief verbeterde foto's. ----- This new and bulky art book is drawn up in four-colour printing and has more than 400 pages. It is in trilingual format 'Dutch-French-English', and contains a fully adapted and revised oeuvre catalog, and provided with approximately 800 revised and qualitatively improved photographs. ------ Ce livre d'art nouveau et volumineux est rédigé en quadrichromie et compte plus de 400 pages. Il est au format trilingue 'néerlandais-français-anglais', et contient un catalogue d'oeuvres entièrement adapté et révisé, et fourni avec environ 800 photographies révisées et qualitativement améliorées. Catalogue Raisonne. Boeknummer: 59352 | Prijs: EUR 69.99 In winkelwagen

Cy Twombly Cy Twombly: Vol 4: Unpublished Photographs, 1951-2011 Munchen, Schirmer/Mosel Verlag, 2013. Hardcover with dustjacket, 180 pages, 33 x 25 cm, fully illustrated. GER/ENG/FR. *fine condition. ISBN: 9783829605892 As his final creative surprise, Cy Twombly, one of the greatest 20th-century artists, has given to the world a huge body of photographic works emphasizing his unique artistic vision. Contrary to his sharp and teeming drawings his photographs are not sharp at all. They are colorful, soft, and warm and generate a painterly impression. Their coloring is as unique as their fine sense of composition. The photographs reveal the artist's vision embedded both in the world of objects and the nature that surrounds him. His own artistic creations and collection of art objects in his various homes are a favorite subject of his photographic studies. Twombly's photographic work offers a new dimension for understanding the artist's patintings, drawings, and sculptures. The new book features some 120 photographic prints from the Cy Twombly Estate in Gaeta, most of them previously unpublished. Boeknummer: 68286 | Prijs: EUR 75.00 In winkelwagen

Cy Twombly, Edited by Nicola Del Roscio. Text by Arthur Danto Cy Twombly: Catalogue Raisonné of Sculpture, Vol. I+II (complete set) Munich, Schirmer / Mosel, 2019. Two volumes, each in their own slipcase, linen binding and dustjacket, 349 + 352 pages, 35 x 26 cm, fully illustrated. English edition. ISBN: 3888148758 Cy Twombly Catalogue Raisonné of Sculpture Volume I, 1946?1997 Cy Twombly Catalogue Raisonné of Sculpture Vol. I encompasses the period from Twombly?s earliest sculptures to 1997, the date of publication. The introductory text by Arthur Danto, ?Monuments and Metamorphoses: The Sculptures of Cy Twombly,? centers on the transformations and metamorphoses Twombly enacted in producing his sculptures, offering a sustained consideration of the relationship between materiality and content. Danto characterizes Twombly as engaging in ?transformative play? (16), allowing the sculptures to be simultaneously abstract and representational. He also considers Twombly?s use of found objects and refuse, the Platonic and Homeric references in the sculptures, and the relationships between Twombly?s much better-known paintings and the then-rarely exhibited sculptures. Danto argues that the sculptures assume a uniquely significatory role in Twombly?s practice, existing in more legible relationships to Twombly?s beloved myths and historical references than his work in other media through the transformations of readymade materials. This essay is likely to be of particular interest to scholars researching Cycnus (1978), which Danto considers throughout. The entries in this volume of the catalogue raisonné will be of special interest to scholars and students researching Twombly?s recurring sculptural motifs, including panpipes, palm leaves, columns, and carts or chariots. The volume also highlights the many direct connections to his painting practice throughout the same time period, with the same subjects explored in multiple media: e.g., Orpheus serves as a subject of a 1979 sculpture as well as multiple paintings produced in the 1970s, and Twombly?s interest in boats surfaces in sculptures such as Winter?s Passage: Luxor (1985) synchronously with its sustained emergence in his paintings. Though his use of white to ?unify? his sculptures?as Danto and others term it?is prevalent throughout, this volume also meticulously catalogues Twombly?s use of polychromy. This ranges from small traces on otherwise-white sculptures to other relatively unknown but exceptionally vibrant works. His engagements with both Greco-Roman antiquity?especially Homer?and Egyptian mythology are prevalent throughout. Eight entries of sculptures completed before 1950 also offer a rare glimpse into Twombly?s early practice. The catalogue raisonné is an indispensable specialist resource for students and scholars researching any of these core features of Twombly?s practice. This volume is also particularly useful to those focusing on the artist?s time in Rome, Bassano in Teverina, Gaeta, and Jupiter Island, Florida; those focused on the artist?s time in Lexington, VA should primarily reference vol. II. For further reading, Kate Nesin?s Cy Twombly?s Things (2014) provides a foundational account of the sculptures and their materiality; the catalogues raisonnés and Nesin?s text together provide a vital orientation for scholars researching any component of Twombly?s sculptural practice. Achim Hochdörfer?s Cy Twombly: Das Skulpturale Werk (2001) also offers a detailed and productive account of the sculptures. Cy Twombly Catalogue Raisonné of Sculpture Volume II, 1998?2011 Cy Twombly Catalogue Raisonné of Sculpture Vol. II includes sculptures produced from 1998 until the artist?s passing in 2011. The introductory text by Nicola Del Roscio offers a vital account of the sculptures ?based, not just on curatorial or statistical facts, but on what Cy said about his works and circumstances, memories and experiences that infused their meaning? (7). Del Roscio also explores the connections between Twombly?s sculptures and his works in other media (e.g., photography) and references embedded in the sculptures (e.g., the Gaeta skyline) that might otherwise be opaque to those without similar firsthand knowledge of Twombly?s practice. The connections Twombly drew between his sculptures and nature, as well as his working practices in producing them (?practical, immediate, and of a pitiful brutality? [13]) are addressed throughout. This later set of sculptures includes rare instances of fully polychromatic sculptures without any white paint (e.g., Turkish Delight, 2000), many of which reflect a major thematic concern with Middle Eastern references present throughout the later sculptures. These are contextualized alongside the more austere white sculptures for which Twombly is best known. Though primarily of interest to researchers interested in the sculptures themselves, this volume also provides many vital connections to other aspects of Twombly?s practice. See e.g., the entry for Untitled (2001, cat. no. 43), which notes that ?the colored paper tissues [used in the sculpture] are leftovers the artist used to dry the paint during the production of his series Lepanto? (100). Despite consistent returns to funerary themes, many of the sculptures are lighthearted and witty, embodying what Danto calls ?a pervasive spirit of play? (15) in his introduction to Vol. I. The catalogue includes exceptional sections of particular interest, including a selection of tombstones the artist designed for close friends?echoing the funerary themes present throughout many of the sculptures?and a selection of rejected and unfinished sculptures, both of which will be of interest to researchers focusing on the artist?s process. This catalogue will also be helpful for scholars researching Twombly?s time in Lexington, Virginia and Pfaffikon, Switzerland, where many of these sculptures were produced. Many sculptures in both Vols. I and II were produced in Twombly?s residences in Italy as well (note, however, that most in Vol. II were produced in Gaeta rather than Rome or Bassano in Teverina). Vol. II also includes biographical notes, lists of one person exhibitions, one person exhibition catalogues, group exhibitions, group exhibition catalogues, monographs, and general literature (until 2019). As with volume I, this is an indispensable reference for students and scholars working on the sculptures or on any of their thematic and material connections to the rest of Twombly?s practice. For further reading, see Kate Nesin?s Cy Twombly?s Things (2014), a foundational account of the sculptures and their materiality. The catalogues raisonnés and Nesin?s text together provide a vital orientation for scholars researching any component of Twombly?s sculptural practice. Achim Hochdörfer?s Cy Twombly: Das Skulpturale Werk (2001) also offers a detailed and productive account of the sculptures. Boeknummer: 68284 | Prijs: EUR 325.00 In winkelwagen

Cy Twombly, Hubertus von Amelunxen Cy Twombly: Photographs III 1951?2010 Munich, Schirmer/Mosel, 2011. Hardcover with dustjacket, 180 pages, 107 colour plates. English/French/German edition. *Fine condition. ISBN: 9783829605373 This volume includes Hubertus V. Amelunxen?s ?Schenkst der Rose Scweigen Ein,? published in German as well as English and French (?Do Not Interrupt This Rose,? ?Cette Rose Ne l?Interromps??), color plates, and a list of works exhibited. In his essay, Amelunxen asserts that the photographs are ?grounded in the art of light? With photography, Cy Twombly is seeing in another time. Seeing and Not-Seeing search for each other in the photographs in a manner distinct from his paintings and drawings? (170). Drawing on Roland Barthes, he considers the extent to which the composition of the photographs is deliberately mediated and manipulated by the artist. Amelunxen discusses a 1944 photograph of Twombly in Ogunquit, Maine at length. Returning to photographs taken by Twombly, he argues that ?[n]othing could be more anaethema to Cy Twombly than using an image to illustrate, to refer to other things; (almost) none of the references are in the paintings or drawing that deviated from the picture of his own signs or what was written? (171). He extends this reading to the photographs, finding them essentially immediate transmissions. Addressing Twombly?s earliest photographs in the 1950s, Amelunxen draws connections to the ?intellectual climate? (172) produced by figures such as Charles Olson and D.T. Suzuki. Traversing the breadth of Twombly?s photographic practice, Amelunxen maintains that ?[c]onsistently, the relation between visibility and invisibility manifests itself, approaching, in dialogue with Merleau-Ponty, the Not-Visible within the Visible? (173). He concludes with a repeated assertion of the photographs as conveying ?immediacy [and] vulnerability? (175). For more on Twombly?s photographs, see also From State of Mind to the Tangible: The Photographic Cosmos of Cy Twombly by Carlos Peris (2022); Cy Twombly: Photographs, Volume II, published by Gagosian (2015); Cy Twombly: Photographs 1951?2007, ed. Laszlo Glozer (2008); Twombly: Photographs, published by Brazos Projects (2000); Cy Twombly Photographs: Lyrical Variations, published by the Kawamura Memorial DIC Museum of Art (2016); Cy Twombly: Photographs, published by Matthew Marks Gallery (1993); Cy Twombly: A Survey of Photographs 1954?2011, published by Gagosian Gallery (2012); and Cy Twombly: Photographs, 1951?1999, ed. Nicola Del Roscio (2002). (Publication description by Jamie Danis) Boeknummer: 68287 | Prijs: EUR 50.00 In winkelwagen

Cy Twombly, Nicola Del Roscio (ed.) Cy Twombly: Catalogue Raisonné of Drawings, Vol. 1 - 8 (complete set) Munchen, Schirmer/Mosel, 2011. 1st. 8 Volumes in slipcase, each in linen binding and illustrated dustjacket, 25.5 x 35 cm, Fully illustrated. English edition. *Fine condition. Cy Twombly Catalogue Raisonné of Drawings Vol. 1, 1951?1955 Cy Twombly Catalogue Raisonné of Drawings Volume 2, 1956 - 1960 Cy Twombly Catalogue Raisonné of Drawings Volume 3, 1961?1963 Cy Twombly Catalogue Raisonné of Drawings Volume 4, 1964?1969 Cy Twombly Catalogue Raisonné of Drawings Volume 5, 1970?1971 Cy Twombly Catalogue Raisonné of Drawings Volume 6, 1972?1979 Cy Twombly Catalogue Raisonné of Drawings Volume 7, 1980?1989 Cy Twombly Catalogue Raisonné of Drawings Volume 8, 1990?2011. Cy Twombly Catalogue Raisonné of Drawings Vol. 1 includes works on paper produced between 1951 and 1955. It includes several works on paper that the artist produced in Lexington, VA between 1951 and 1952 which will be of particular interest to scholars focused on his early practice. It also catalogues entries from early sketchbooks as well as his famed North African Sketchbooks (1953). It is an indispensable resource for scholars writing about either the sketchbooks themselves or their substantive connections to subsequent paintings, as the sketchbooks are reproduced here in their entirety. The volume also includes Study for Tiznit (1953), a preliminary for one of Twombly?s more frequently exhibited early paintings, and sketches completed in Augusta, Georgia while Twombly was stationed there during his brief military service. The latter will be of particular interest to those writing about Twombly?s line and his idiosyncratic hand, as this was the method through which he later reported developing his signature childlike (but never childish) scrawl. The volume also includes a large set of drawings the artist reportedly intended to publish as an album, though this project never came to fruition. It will be of interest to scholars researching Twombly?s printmaking practice as well, as there are numerous formal resemblances to his later prints throughout; see Cy Twombly Catalogue Raisonné of Printed Graphic Work 1953?2002, ed. Heiner Bastian. Those researching the North African Sketchbooks might also consult Anne-Grit Becker?s ?Marks and Material in Cy Twombly's North African Sketchbooks? (2017) and Cycles and Seasons, ed. Nicholas Serota (2008). The relationship between early paintings and drawings is discussed in Carol A. Nigro?s ?Cy Twombly?s Humanist Upbringing? (2008). For more on early works, including those produced at Black Mountain College, primary sources are gathered and reproduced in Writings on Cy Twombly, ed. Nicola del Roscio (2002). Those interested in Twombly?s line and the ?unlearning? of his hand, as well as later iterations like the ?blackboard? paintings, should consult Roland Barthes?s classic text ?The Wisdom of Art? (1979) as well as the catalogue in which it originally appeared, Cy Twombly: Paintings and Drawings 1954?1977. The Gagosian Gallery catalogue In Beauty it is finished: Drawings 1951?2008 (2018) also includes relevant material, as does Cy Twombly at the Hermitage: Fifty Years of Works on Paper, ed. Julie Sylvester (2008). There are also many connections to the sculptures, especially via the North African Sketchbooks, on which see Kate Nesin, Cy Twombly?s Things (2014). (Publication description by Jamie Danis) Boeknummer: 68283 | Prijs: EUR 2900.00 In winkelwagen

Daniel Wildenstein (ed.) Auguste Rodin ? Catalogue Raisonne 1840-1886 , Vie et ?uvre - Tome 1. Wildenstein Institute 1989. cartonnage illustre de l'editeur, 204 pages, 320 ill. 29 x 28.8 cm. 2,6 kg. ISBN: 9782908063042 The first volume of the catalogue raisonne of the work of Auguste Rodin (1840-1917) covers the period 1840-1886, treating his apprenticeship at the Ecole imperiale speciale de dessin et de mathematiques, his collaboration with the sculptor Carrier-Belleuse, his first trip to Italy, the difficulties of his early career, and his first successes. The volume closes with an evocation of his meeting with Camille Claudel and the elaboration of his Portes de l'Enfer, both events announcing the decisive turn that Rodin's life, art and thinking were about to take. Boeknummer: 52150 | Prijs: EUR 75.00 In winkelwagen

Dietmar Elger, graphic design by Gabriele Sabolewski, ed. Dietmar Elger Gerhard Richter Catalogue Raisonné Vol. 1 - 6 Hatje Cantz, 2011-2017. Hardcovers; clothbound with dustjacket, 26.70 x 30.20 cm. 6 volumes; 1/ 2011. 512 pages., 539 ills. - 2/ 2017. 656 pages, 715 ills - 3/ 2013. 640 pages, 702 ills. - 4/ 2015. 600 pages, 645 ills. 5/ 2020. 600 pages, 700 ills. 6/ 2022. 528 pages, 700 ills - Text in German, English. **** VERY FINE CONDITION!!!! ISBN: 9783775719780 Gerhard Richter Catalogue Raisonné. Volume 1 - Nos. 1-198 1962-1968 / Volume 2 - Nos. 199-3881968-1976 / Gerhard Richter Catalogue Raisonné. Volume 3 - Nos. 389-651-21976-1987 / Gerhard Richter Catalogue Raisonné. Volume 4 - Nos. 652-1-805-61988-1994 // Gerhard Richter Catalogue Raisonné. Volume 5 Nos.806-899-8 1994-2006-/ Gerhard Richter Catalogue Raisonné: Volume 6 Nos. 900-957 2007-2019. Complete set. Boeknummer: 61603 | Prijs: EUR 1150.00 In winkelwagen

Dirk Snauwaert , Charlotte Frilling Jef Geys. Catalogue Raisonable Borgerhoff & Lamberigts /MER, 2025. SOFTCOVER 416 pages 29.8x 21.2cm, Color illustrations text English *new ISBN: 9789493429390 catalogue raisonne Jef Geys volledig overzicht van zijn werken. Kunstcritici beschrijven het werk van de Belgische kunstenaar Jef Geys (1934-2018) gewoonlijk als weerbarstig en onmogelijk in te delen in conventionele kunsthistorische categorieën. Ondanks Geys subversieve en kritische houding ten opzichte van de kunstwereld, laat deze ambitieuze publicatie zien dat zijn werk niet alleen diep geëngageerd en maatschappijkritisch is, maar ook grappig en zintuiglijk. Sinds het begin van de jaren 1960 had Geys een archief samengesteld van alles wat hij tot zijn artistieke praktijk rekende in de vorm van zijn Lijst van Werken die als index van zijn oeuvre diende. Met een totaal van 844 items is Catalogue Raisonnable het eerste totale overzicht van het werk van Jef Geys. / catalogue raisonne Jef Geys Art critics commonly describe the work of Belgian artist Jef Geys (1934-2018) as unruly, and impossible to categorize in conventional art-historical categories. Despite Geys subversive and critical attitude towards the art world, this ambitious publication shows that his work is not only deeply engaged and socially critical but also funny and sensory. Since the early 1960s Geys had compiled an archive of everything he considered part of his artistic practice in to form of his List of Works? serving as his oeuvre's index. With a total of 844 entries, Catalogue Raisonnable, is the first total survey of Jef Geys? work. Through access to the artist's archive, close collaboration with Geys next of kin, and thorough art-historical research, this publication offers a rare opportunity for understanding and appreciating the fascinating practice of one of Belgium's greatest artistic figures. Boeknummer: 67107 | Prijs: EUR 59.00 In winkelwagen

Dirk Snauwaert , Charlotte Frilling Jef Geys. Catalogue Raisonable ENGLISH Jef Geys. Catalogue Raisonnable Borgerhoff & Lamberigts /MER, 2025. HARDCOVER, 416 pages 29.8x 21.2cm, Color illustrations *text in English *New. ISBN: 9789464946703 catalogue raisonne Jef Geys Art critics commonly describe the work of Belgian artist Jef Geys (1934-2018) as unruly, and impossible to categorize in conventional art-historical categories. Despite Geys subversive and critical attitude towards the art world, this ambitious publication shows that his work is not only deeply engaged and socially critical but also funny and sensory. Since the early 1960s Geys had compiled an archive of everything he considered part of his artistic practice in to form of his List of Works? serving as his oeuvre's index. With a total of 844 entries, Catalogue Raisonnable, is the first total survey of Jef Geys? work. Through access to the artist's archive, close collaboration with Geys next of kin, and thorough art-historical research, this publication offers a rare opportunity for understanding and appreciating the fascinating practice of one of Belgium's greatest artistic figures. Boeknummer: 67108 | Prijs: EUR 77.00 In winkelwagen

Durand-Ruel, Denyse; Jean-Pierre Raynaud Jean Pierre Raynaud: Catalogue Raisonne 1962 - 1973, Volume 1 / Editions du Regard, 1998. Hardcover with dusjacket. 250 pages, Volume 1. Text in French and English. . ISBN: 9782841050055 Tome 1 [Catalog Raisonné, Complete Works, Life And Work, La Vie Et L'?uvre, Oeuvre, Raisonnee] Boeknummer: 56215 | Prijs: EUR 95.00 In winkelwagen

Efrem Tavoni GIORGIO MORANDI - Morandi. Disegni. Catalogo generale, Electa - Mondadori, 1994. hardcover with slipcase, cart. edit. ill. con cofanetto - 302 pages, 25x28cm. 770 ill. b/n n.t. - 770 b/w ills . TEXT italiano - Italian . ISBN: 8843543431 Recognition of the authenticity of the works of Efrem Tavoni and Maria Teresa Morandi. Finding and archiving by Efrem Tavoni and Iliana Guidi. Scientific cataloguing by Marilena Pasquali and Lorenza Selleri. This volume devoted to Giorgio Morandi's graphic works completes the systematic cataloging of the Bolognese artist's oeuvre. For the drawings, a census of all the works was carried out in agreement with Maria Teresa Morandi, entrusting their cataloguing to a scientific committee. All works are reproduced and analyzed in chronological order, indicating title, date of creation, technique and dimensions, signature and autograph inscriptions on the back or frame, location, provenance, auctions, exhibitions, critical commentary and bibliography. Biography, general bibliography and list of exhibitions complete the volume. (T-CA) Boeknummer: 66416 | Prijs: EUR 490.00 In winkelwagen

Fred G. Meijer JAN DAVIDSZ. DE HEEM, The complete catalogue of de Heem's oeuvre / catalogue raisonne. Waanders Uitgevers, 2024. Hardcovers, 2 VOLUMES BOXED, 290 x 240 mm, 760 pages, throughout colour illustrations, ENG. edition, FINE!. ISBN: 9789462625563 Jan Davidsz. de Heem (1606-1684) was one of the best still-life painters of the seventeenth century. His work, which is enchanting to the eye, has always enjoyed international fame. Throughout his painting career of nearly sixty-years, de Heem continued to search for new and better ways to depict his subjects. He trained several pupils and had countless followers and imitators, in the Netherlands as well as abroad, and throughout the centuries. The fact that he was active in both the Northern and Southern Netherlands enhanced his success and fame. He worked successively in Leiden, (presumably) in Amsterdam, in Antwerp, in Utrecht and again in Antwerp. De Heem is perhaps best known for his exuberant floral still lifes, which, however, were mainly created after 1660. By then, already for decades, he had painted still lifes of many themes and motifs, and in a variety of sizes, modest as well as luxurious. In Antwerp he had developed the large, rich still lifes which earned him part of his renown. This comprehensive monograph written by Fred G. Meijer, contains the complete catalogue of de Heem's oeuvre. Volume 1 includes an introduction, a biography and description of the development of his work. Volume 2 contains the catalogue raisonné of all paintings now known by de Heem, as well as several appendices. Fred G. Meijer (1955) graduated from the Reinwardt Academie in 1980 and shortly after started at the RKD, Netherlands Institute for Art History, in The Hague, where he worked until mid-2017, lastly as Senior Curator in the department of Old Netherlandish Painting. Subsequently, he founded Fred G. Meijer Art History providing art-historical advice and texts. His main field of interest is still-life painting from the 17th and 18th centuries, but his specialist knowledge concerns many areas of painting and drawing from c.1600-1850, and related subjects. He published numerous articles, (contributions to) catalogues of exhibitions and collections, and wrote the catalogues of still-life collections in Rotterdam (1989) and Oxford (2003) and published A Dictionary of Dutch and Flemish Still-life Painters [.] with A. van der Willigen (2003). In 2016 he was awarded the degree of doctor for his research concerning Jan Davidsz. de Heem on which this book is based Boeknummer: 63613 | Prijs: EUR 149.99 In winkelwagen

Gail Levin Edward Hopper. Catalogue Raisonne. 4 volumes in slip case. CD-Rom. Volume I. Edward Hopper: Perspective on His Life and Work. Volume II: Watercolors. Volume III: Oils. Volume IV: CD-Rom. New York /London, Whitney Museum of American Art; and W. Norton & Company,, 2006. 4 volumes. Large 4to. *Very Fine, cloth bound in cloth slip case, with 1,500 illustrations, 600 in colour. *very fine condition. ISBN: 9780393037869 Edward Hopper. A Catalogue Raisonne. 4 volumes in slip case. CD-Rom. Volume I. Edward Hopper: Perspective on His Life and Work. Volume II: Watercolors. Volume III: Oils. Volume IV: CD-Rom. The definitive complete Edward Hopper. This long-awaited catalogue of Edward Hopper's oils, watercolors, and illustrations will be published in a unique format: a magnificent three-volume boxed set of the text and works and a Windows-only CD-ROM which includes all scholarly information? provenance, bibliographies, exhibition histories, etc.?cross-referenced and coded to allow many methods of access and updating. Volume One contains an essay on Hopper and his place in American art, plus all illustration work done in the beginning of his career. Volume Two presents over 350 watercolor paintings and related texts. Volume Three presents over 360 oil paintings and their texts. This extraordinary work, representing years of scholarship, sets new standards for the catalogue raisonne, as well as offering collectors and museum-goers alike an extraordinary display of the works of one of the most important American artists. 1500 illustrations and paintings, 600 in full color Boeknummer: 67104 | Prijs: EUR 850.00 In winkelwagen

Gerard Berreby et Danielle Orhan. Guy Debord Maurice Wyckaert, L'oeuvre peint (1947-1996 ) catalogue raisonne. FR., Alia edite, 2013. softcover, format : 210 x 240 mm, 576 pages, catalogue raisonne. fine condition !!. ISBN: 9782844855978 L'Oeuvre de Maurice Wyckaert montre avec virtuosite que le signe abstrait ne saurait s'opposer au motif figuratif. La filiation picturale de Wyckaert se situerait de la Renaissance a Cobra, en passant par Fernand Leger, Karl Schmidt-Rottluff et les expressionnistes flamands, Constant Permeke surtout. Grand coloriste, brillant dessinateur, Wyckaert peint ce qu'il voit, ce dont il se souvient. Il a radicalise la lecon de Kandinsky : couleur et forme operent une refonte du motif jusque a le rendre meconnaissable et reveler la puissance de la peinture elle-meme. D'ailleurs, il choisit generalement de peindre ce qu?il y a de plus evanescent, de plus changeant : un nuage, la composition atmospherique, le feuillage d?un arbre. On le qualifie souvent de paysagiste. Mais c'est oublier la presence humaine, celle du marcheur, voire du psychogeographe, et la figure en negatif qui habite malgre tout les toiles au format "portrait" L'ouvrage propose une traversee dans cet empire de la couleur, energique et structurante, quand d?autres toiles sont empreintes d'une profonde melancolie. Dans la guerre froide la revolte et son double La nouvelle revolte des artistes : autour de l'Internationale situationniste Boeknummer: 39505 | Prijs: EUR 65.00 In winkelwagen

Germain Bazin Theodore Gericault. Etude critique, Documents et Catalogue raisonne - 7 volumes - 1987/1997 Wildenstein Institute / Bibliotheque des Arts, 1987-1997. Catalogue raisonne in seven volumes in paperback, *new, in original shrink-wrap. Catalogue raisonne in seven volumes, including a volume dedicated to the raft of the Medusa and the monomaniacs. These works, along with a booklet of annexes, resulted to identify, analyse and comment on the complete works of Theodore GERICAULT (1791-1824), precursor of romanticism because of his interest in the drama and his personal distance for academic art. Volume I : L'Homme. Biographie, temoignages et documents, 1987. 231 p., 186 fig. black and white, 8 pl. colour Volume II : L'oeuvre : periode de formation, 1987. 525 p., 585 fig. black and white, 11 pl. colour Volume III: La Gloire de l'Empire et la premiere Restauration, 1989. 265 p., 439 fig. black and white, 13 pl. colour Volume IV Le Voyage en Italie, 1990. 242 p., 401 fig. black and white, 15 pl. colour Volume V: Le Retour a Paris : syntheses d'experiences plastiques, 1992. 332 p., 497 fig. black and white, 17 pl. colour Volume VI : Genie et folie. Le Radeau de la Meduse et les monomanes, 1994. 196 p., 198 fig. black and white, 24 pl. colour Volume VII : Regard social et politique : le sejour anglais et les heures de souffrance. Accompanied by a booklet: Annexes to the seven volumes of the catalogue, 1997. 301 p., 658 fig. black and white, 17 pl. colour The books are paperback, new, in original shrink-wrap Catalogue Raissonne, vol.1 L'Homme. German Bazin (ed.). Wildenstein Institute 1987. French. 234 pages, mit zahlr. Abb. 26,9 x 32,6 cm. 2310 g. Cloth with dust jacket. 9782850470165. Ce premier volume, consacre a l'artiste lui-meme, est plus qu'une biographie. Dans la partie documents et temoignages, l'auteur rassemble 463 pieces (actes authentiques, correspondances, extraits de presse...); mais Germain Bazin ne se borne pas a cette enumeration de faits, il essaie de cerner la personnalite du peintre et etudie les influences de son milieu social et familial. Catalogue Raissonne, vol.2 L'?uvre: Periode De Formation. German Bazin (ed.). Wildenstein Institute 1987. French. 530 pages, mit zahlr. Abb. 26,9 x 32,6 cm. 2775 g. Cloth with dust jacket. 9782850470189. Ce second volume debute par la publication d'un carnet inedit de dessins que Gericault a realises dans sa prime jeunesse et se poursuit par l'etude de son oeuvre. Catalogue Raissonne, vol.3 La Gloire de l'Empire et la Premiere Restauration. German Bazin (ed.). Wildenstein Institute 1989. French. 271 pages, mit zahlr. Abb. 26,9 x 32,6 cm. 2655 g. Cloth with dust jacket. 9782850470332. Apres avoir decrit Gericault en tant qu'homme et artiste dans son premier volume, apres avoir consacre son deuxieme volume a ses debuts alors que celui-ci etait encore sous l'influence des maitres, Germain Bazin etudie dans ce troisieme volume du Catalogue raisonne de l'oeuvre de Gericault une periode allant d'environ 1810 a 1814 au cours de laquelle le peintre trouve deja son identite artistique. Catalogue Raisonne, vol. 4 Le Voyage en Italie. German Bazin (ed.). Wildenstein Institute 1990. French. 242 pages, mit zahlr. Abb. 26,9 x 32,6 cm. 2500 g. Cloth with dust jacket. 9782850471537. Avec ce quatrieme volume, Germain Bazin aborde la periode italienne de Gericault. Catalogue Raisonne, vol. 5 Le Retour a Paris: Synthese D'Experiences Plastiques. German Bazin (ed.). Bibliotheque des Arts 1992. French. 334 pages, mit zahlr. Abb. 26,9 x 32,6 cm. 3100 g. Cloth with dust jacket. 9782850471674. 1818. Gericault est de retour a Paris, apres un sejour en Italie qui lui a apporte la maturite artistique. L'entourage immediat de la rue des Martyrs lui inspire des portraits de ses amis, le monde du travail, mais aussi le contexte politique car il se sert de la lithographie pour exprimer les douleurs des soldats des armees de Napoleon, de grands paysages orientaux... Ce cinquieme tome analyse les oeuvres relatives a cette periode particulierement feconde par la variete des sujets et des styles et par l'exploration de nouvelles techniques: Lithographie et sculpture. Catalogue Raisonne, vol. 6 Le Radeau de la Meduse et les Monomanes. German Bazin (ed.). Bibliotheque des Arts 1994. French. 198 pages, mit zahlr. Abb. 26,9 x 32,6 cm. 2180 g. Cloth with dust jacket. 9782850472473. Le Tome 6 se rapporte a la periode de la plus accomplie et la plus connue de l'oeuvre de Gericault. Apres la naissance de son fils, qui fit decouvrir sa liaison amoureuse avec sa tante Alexandrine-Modeste Caruel, et la passion dechirante qui s'ensuivit, Gericault se jeta a corps perdu dans la realisation d'une oeuvre magistrale: Le Radeau de la Meduse. Germain Bazin avait redige l'integralite de l'etude critique de l'oeuvre de Gericault. La partie catalogue tient compte des derniers articles et ouvrages publies. Catalogue Raisonne, vol. 7 Regard Social et Politique: Le Sejour Anglais et les Heures de Souffrance. German Bazin (ed.). Wildenstein Institute 1997. French. 302 pages, mit zahlr. Abb. 26,9 x 32,6 cm. 3625 g. Cloth with dust jacket. 9782884530316. Voici le septieme et dernier tome du travail de Germain Bazin consacre a Theodore Gericault. Il est consacre au sejour en Angleterre et aux dernieres annees de la vie de Gericault. Boeknummer: 50883 | Prijs: EUR 450.00 In winkelwagen

Guillon-Laffaille, Fanny Raoul Dufy: Catalogue raisonne des aquarelles, gouaches et pastels. Volume 2 Paris: Louis Carre,, 1982. Hardcover with dusjacket, 437 pages with illustrations. col. & b/w pls. . Catalogue raisonne des aquarelles, gouaches et pastels. Volume 2 only Boeknummer: 50642 | Prijs: EUR 495.00 In winkelwagen

Herwig Todts / Bollen HENRI DE BRAEKELEER 1840-1888 catalogue raisonne NL /FR. Brussel, ludion / Ronny van de Velde, 2019. Hardcover, 325 x 245 mm, 440 pages; NL/ FR edition. ISBN: 9789493039261 Nieuwe kennismaking met een weerbarstig oeuvre In 1872 bezocht Vincent Van Gogh - toen nog een jonge medewerker van de kunsthandel Goupil & Cie - de grote driejaarlijkse zomertentoonstelling in Brussel. Hij werd er getroffen door drie "prachtige" schilderijen van de hand van Henri De Braekeleer. Van Gogh noemde zijn werk "curieus mooi", en de kunstenaar "een fameus kolorist" die "niet bang is voor een franke techniek" en die "rigoureus analyseert - Manet-achtig, althans even oorspronkelijk als Manet". Van Goghs grote belangstelling voor de kunstenaar is tekenend voor de houding van de avant-garde. Zij herkende in De Braekeleer een voorloper die zich van de klassieke artistieke conventies wist te bevrijden. Vandaag is er nood aan een hernieuwde kennismaking met De Braekeleer, die in het verleden vaak eenzijdig werd voorgesteld als een miskend genie. Het Musée Rops in Namen brengt deze herfst de eerste retrospectieve over De Braekeleer sinds 1988 en toont naast een reeks klassiekers ook onbekend werk uit het Koninklijk Museum voor Schone Kunsten in Antwerpen, de Koninklijke Musea voor Schone Kunsten van België in Brussel, het Musée des Beaux-Arts in Tournai en verschillende privéverzamelingen. Herwig Todts is kunsthistoricus en is verbonden aan het Koninklijk Museum voor Schone Kunsten in Antwerpen. Hij organiseert tentoonstellingen, zowel in het museum in Antwerpen als op andere locaties, en publiceert over negentiende- en twintigste-eeuwse kunst. Het oeuvre van James Ensor is zijn belangrijkste onderzoeksgebied. /// / //// / / / Nouvelle connaissance d'une ?uvre obstinée En 1872, Vincent Van Gogh - alors jeune employé de la concession d?art Goupil & Cie - visita la grande exposition estivale de trois ans à Bruxelles. Il a été frappé par trois "belles" peintures de Henri De Braekeleer. Van Gogh a qualifié son travail de "curieusement belle" et l'artiste "de coloriste célèbre" qui "n'a pas peur d'une technique franche" et qui "analyse de manière rigoureuse - à la Manet, au moins aussi originale que Manet". Le grand intérêt de Van Gogh pour l'artiste est caractéristique de l'attitude de l'avant-garde. Dans De Braekeleer, elle a reconnu un précurseur qui a réussi à se libérer des conventions artistiques classiques. Il faut aujourd'hui renouer connaissance avec De Braekeleer, qui, dans le passé, a souvent été présenté unilatéralement comme un génie incompris. Cet automne, le musée Rops de Namur présentera la première rétrospective de De Braekeleer depuis 1988 et présentera non seulement une série de classiques mais également des ?uvres inconnues du musée royal des beaux-arts d'Anvers, des musées royaux des beaux-arts de Belgique à Bruxelles, du musée des Beaux. -Arts à Tournai et diverses collections privées. Herwig Todts est un historien de l'art et est affilié au Musée royal des beaux-arts d'Anvers. Il organise des expositions, à la fois au musée d'Anvers et ailleurs, et publie sur l'art des XIXe et XXe siècles. L'?uvre de James Ensor est son domaine de recherche le plus important. Boeknummer: 52965 | Prijs: EUR 69.00 In winkelwagen

Iwona Blazwick, Simon Wilson Tate modern handbook Tate Publishing, 2001. 1. Paperback, 245 pages, ENG, 270 x 210 mm, in good condition, ill. in colour / b/w. ISBN: 9781854373120 catalogue Boeknummer: 61134 | Prijs: EUR 20.00 In winkelwagen