Belgium art before 1830
536 books found
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Hendrik de Braekeleer in het Antwerpsch museum / de Braekeleer, Henri
Stadsbestuur,. Oorspronkelijk uitgevers omslag, oblong ill. ; 23x31 cm.
Booknumber: 60757 | Price: EUR 10.00
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The Century of the Flemish Primitives Late Medieval Art in the Royal Museum of Fine Arts in Antwerp
bai, 2016. Hardback, 220x230mm, 144p,
English edition . ISBN: 9789085867272 At 152 paintings, the collection of 'Flemish Primitives' held by the Royal Museum of Fine Arts Antwerp is the largest in Flanders. This publication gives an overview from 'pre-Eyckian' painting to some of the highpoints of late medieval art from beyond the Low Countries. Works discussed include altarpieces, secular art, pieces by women religious, Flemish artists elsewhere in Europe, as well as sculpture. Besides the religious views that framed thought, the art of painting is contextualized in a wider perspective on art itself Booknumber: 49551 | Price: EUR 25.00
English edition . ISBN: 9789085867272 At 152 paintings, the collection of 'Flemish Primitives' held by the Royal Museum of Fine Arts Antwerp is the largest in Flanders. This publication gives an overview from 'pre-Eyckian' painting to some of the highpoints of late medieval art from beyond the Low Countries. Works discussed include altarpieces, secular art, pieces by women religious, Flemish artists elsewhere in Europe, as well as sculpture. Besides the religious views that framed thought, the art of painting is contextualized in a wider perspective on art itself Booknumber: 49551 | Price: EUR 25.00
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THEODOOR ROMBOUTS Virtuose du caravagisme flamand.
snoeck, 2023. Hardcover+, 290 x 255 mm, 288 pages , 300 illustrations FR edition Texte en Francais. ISBN: 9789461618122
L'apogée de l'année de festivités du MSK sera incontestablement la première exposition monographique jamais consacrée au peintre baroque Theodoor Rombouts (1597-1637). Pour l'occasion, des tableaux du monde entier feront le voyage jusqu'à Gand, où les scènes joyeuses et les représentations monumentales du maître s'animeront dans un parcours qui ne manquera pas de créer la surprise. Le jeune Anversois émigre en Italie au début du xviie siècle. Il s'y laisse fasciner par l'artiste révolutionnaire qu'est Michelangelo Merisi da Caravaggio (1571-1610) et par son suiveur Bartolomeo Manfredi (1582-1622). De retour à Anvers, Rombouts développe une identité artistique bien à lui. Il arrive à créer une parfaite harmonie entre le Nord et le Sud et devient une valeur sûre dans le milieu artistique anversois. Les ouvres qui se détachent le plus parmi la diversité de sa production sont les tableaux de genre monumentaux, animés et parfois moralisateurs, peuplés de joyeuses et élégantes compagnies et de musiciens. Les scènes, construites de façon limpide, baignent dans un clair-obscur méridional qui se fond avec la palette caractéristique de Rombouts. Le raffinement extrême avec lequel il peint les objets et les tissus rend son ouvre encore davantage reconnaissable. L'exposition et le catalogue qui l'accompagne retracent la carrière florissante de Rombouts, dévoilant à quel point il fut l'un des principaux caravagistes flamands ainsi qu'une figure-clé de la peinture de genre.
Booknumber: 60816 | Price: EUR 50.00
A. DEVOS.
Jacques Francart, Premier livre d'Architecture (1617).
Brussel, Paleis der Academien, 1998. softcover, originele uitgeversomslag, 18x26cm, 221 p., 17 afb. ISBN: 9789065696809
Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Schone kunsten, n?° 65. Jacob Franquart was een Brabantse kunstenaar. Franquart genoot een korte opleiding van Peter Paul Rubens. Hij beoefende zowel de schilder-, teken-, dicht- als bouwkunst.
Booknumber: 10288 | Price: EUR 45.00
A. Dubois, R. Slachmuylders, G. Patigny, F. Peters.
The Flemish Primitives V. Anonymous Masters.
Turnhout, Brepols, 2009. Hardback, original editor's jacket, english, 302 pp., 210 b/w ill. + 160 colour ill., 210 x 297 mm. ISBN: 9782503530581
Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium (CENP 5). The fifth volume examines all the works painted by anonymous masters. Most works of the 15th and early 16th centuries are not signed. Several of these works have not proved possible to attribute to a known painter or to a master with a provisional name. These works, labelled as anonymous, have been little studied until now, because they are in general thought to be of lesser quality, and because researchers have prioritised the study of more important masters. It is, however, becoming increasingly apparent that these reflect the ongoing production of the time in the Southern Netherlands. Beside the fact that these paintings represent the themes that enjoyed a certain popularity at the time, their study opens perspectives onto the socio-economic context and workshop practice. These paintings could be destined for a broad market and betray different working methods allowing for swift execution in several copies. Furthermore, two of these anonymous works, dating from around 1400 or a little bit later, rank amongst the rare representatives of pictorial production in the Southern Netherlands prior to the technical innovations introduced by the Flemish Primitives. This production is by convention called ?pre-Eyckian painting?.
Booknumber: 25864 | Price: EUR 149.00
A. Newman, L. Nijkamp (eds.)
Undressing Rubens : Fashion and Painting in Seventeenth-Century Antwerp
Brepols - Harvey Miller 2019, 2019. Hardcover,232 pages ., 3 b/w ill. + 136 colour ill., 220 x 280 mm , English, , . ISBN: 9781912554225
The essays collected in this volume meet at a point of convergence between costume, art, and history, and focus on the seventeenth-century Southern Netherlands. Undressing Rubens looks at the significance of costume in life and art in the age of Rubens, confirming that, as is increasingly recognised by scholars of many aspects of early modern European culture, this is hardly an insular topic. Cloth and clothing in seventeenth-century Flemish paintings lead the contributing scholars north of the border to the United Provinces, south to courts in Florence, Mantua, Madrid and elsewhere, and east to Cologne and, ultimately, to Japan. Stretching back several centuries to provide critical context and points of origin for many seventeenth-century practices and ideas, the innovative research presented here also points forward in time, dealing with implications in later centuries but also, in many cases, engaging directly with questions of historiography still quite relevant today.
Booknumber: 57153 | Price: EUR 150.00
A.-M. Logan, K. Belkin
The Drawings of Peter Paul Rubens, A Critical Catalogue 1-4, - 4-volumes catalogue raisonné of all drawings.
Brepols - Harvey Miller, 2021-2023. 4 vols., 536 pages + 732 pages, 216 x 280 mm , 260 + 291 colour ill., English, Hardcovers, FINE ISBN: 9782503595702
This is the 4-volume catalogue raisonné of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621- 40. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. This is Volume II in the three-volume catalogue raisonné of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens?s early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens?s extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.
Booknumber: 61715 | Price: EUR 425.00
A.-M. Logan, K. Belkin
The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590-1608)
Brepols 2021, 2021. 2 vols., 536 pages ., 216 x 280 mm , 260 colour ill., English, Hardcover, . FINE ISBN: 9782503595702
This is Volume I of the three-volume catalogue raisonné of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609?20 and 1621?40. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens?s copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. Anne-Marie Logan is a specialist in Rubens?s drawings and in those of his Flemish contemporaries, especially Van Dyck?s. Kristin Lohse Belkin is a Rubens specialist who has carried out extensive research on the artist.
Booknumber: 57156 | Price: EUR 177.00
AINSWORTH, Maryan W. and MARTENS, Maximiliaan P.J.;
PETRUS CHRISTUS,
Gand/ New York, Ludion/ Metropolitan Museum of Art, 1995. Gebonden in linnen met stofomslag, 245 x 310mm., 232pp., illustr. ISBN: 9789055440542
Nederlandstalige catalogus Petrus Christus: Renaissance Master of Bruges, paru a l'occasion de l'exposition organisee au Metropolitan Museum of Art a New York ( 14 avril-31 juillet 1994 ). Etat excellent. prima staat ! Petrus Christus als een kunstenaar met heel eigen gevoeligheden. Anders dan Van Eyck, die in dienst van de Bourgondische hertogen werkte, vond Christus zijn clientèle onder de burgers en de rijke buitenlandse kooplieden die zich in Brugge hadden gevestigd. Om die reden weerspiegelt zijn werk in menig opzicht de artistieke normen van zijn tijd op een veelomvattender wijze dan de kunst van Van Eyck, en is de studie van zijn leven en werk van bijzonder belang voor een beter begrip van de vroege kunst in de Nederlanden.
Booknumber: 22805 | Price: EUR 60.00
AINSWORTH, Maryan W./ALSTEENS, Stijn & ORENSTEIN, Nadine M.
L'HOMME, LE MYTHE ET LA SENSUALITE. LA RENAISSANCE DE JAN GOSSART. L'OEUVRE COMPLET.
Bruxelles/New York, Fonds Mercator/The Metropolitan Museum of Art, 2010. Relie, hardcover, sous jacquette originale d'editeur, dans un etui illustre, 30.5x24.1 cm., 496 pp., 453 illustrations, dont 337 en couleur texte Francais/English. ISBN: 9789061539636
Le role central de Jan Gossart (ca. 1472-1532) dans la diffusion et l'adaptation de l'art de l'antiquite et du style de la Renaissance italienne dans le nord de l'Europe a longtemps ete mesestime. Il a fallu attendre ces dernieres decennies pour retablir le role crucial de celui-ci. Le present catalogue raisonne consacre a Jan Gossart, peintre, dessinateur et graveur flamand, est la premiere publication majeure dediee a cet artiste depuis plus de quarante ans et est le resultat d'etudes recentes et d'un nouvel examen technique de ses peintures. Pour la premiere fois, le lecteur aura une description compete de sa vie et de son oeuvre, revus a la lumiere de certains elements comme l'impact de son voyage a Rome
Booknumber: 26131 | Price: EUR 99.00
ALTENA, I.Q. VAN REGTEREN.
HET VROEGSTE WERK VAN RUBENS.
Brussel, Paleis der Academien, 1972. (db). Gebrocheerd, originele uitgeversomslag beduimeld, 18x26cm, 23pp + 35 platen z/w.
Medelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Schone Kunsten, jaargang XXXIV, n?°2.
Booknumber: 5793 | Price: EUR 10.00
An Van Camp
BRUEGEL TO RUBENS : GREAT FLEMISH DRAWINGS
Ashmolean Museum, Oxford, 2024. 1. Softcover, 244 pages, ENG. edition; 280 x 220 mm, NEW , 180 colored illustrations / 10 b/w. ISBN: 9781910807590
Many of the drawings coming from Antwerp are registered on the Flemish Government's Masterpieces List and will not be shown again for the next five to ten years to protect them from fading Highlights will include a sketchbook in which a young Rubens has copied Holbein's Dance of Death woodcuts, intricate pen and ink drawings by Pieter Bruegel, meticulously drawn miniatures by Joris Hoefnagel, portrait studies by Anthony van Dyck, and a rare survival of a friendship album containing numerous drawings and poems dedicated to its owner Two recently discovered drawings by Rubens will also be included, a design for a book-illustration on optics and an anatomical study of three legs. This catalogue will accompany the Bruegel to Rubens exhibition held at the Ashmolean Museum in Oxford between 22 March and 23 June 2024. Through a selection of over 100 world-class drawings created by Flemish artists in the sixteenth and seventeenth centuries, an insightful and comprehensive overview will be given into how these drawn sheets were used as part of artistic practice, within or beyond the artist's studio. By revealing the drawings' function, rather than on their attribution or iconography, these sheets will become more fully understood through the eyes of contemporary readers. Identifying how and why these sheets were created will render these artworks more accessible to a wider audience. The three main essays will each deal with one of the principal functions of drawings at the time: studies (copies and sketches), designs for other artworks (paintings, prints, tapestries, metalwork, stained glass, sculpture and architecture), and finally the independent drawings. Each essay will discuss the relevant works within their functional context and compared with other related objects. Introductory chapters will focus on what precisely can be considered a drawing, including its materials, media and techniques, in addition to an attempt to explain the notion of Flanders and Flemish art. Emphasis will be placed throughout the catalogue on how Flemish artists collaborated in creating the most astonishing artworks of their time, unveiling their networks and friendships, as well as their travels across Europe, revealing their international importance. The exhibition is a partnership with the Museum Plantin-Moretus in Antwerp and will bring together for the first time the most stunning drawings from both the Ashmolean and the Plantin-Moretus collections, in addition to further loans from renowned Antwerp and Oxford institutions like the Rubenshuis and Christ Church Picture Gallery. Many of the sheets coming from Antwerp are registered on the Flemish Government's Masterpieces List and will not be shown again for the next five to ten years to protect them from fading. Prominent artists featured in this catalogue include Pieter Bruegel the Elder, Peter Paul Rubens, Anthony van Dyck, and Jacques Jordaens, among many others.
Booknumber: 63253 | Price: EUR 32.50
Ann Sumner
Death, Passion, Politics : Van Dyck's Portraits of Venetia and George Digby
Dulwich Picture Gallery, 1995. 1. Softcover, 139 pages, ENG, 265 x 210 mm, in good condition, with illustrations in colour and b/w. ISBN: 9781898519072
Booknumber: 59723 | Price: EUR 20.00
Anna Koopstra
HANS MEMLING À BRUGES
Hannibal Books, 2024. HB, 292 x 245 mm, 208 pages, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte .FR edition neuf. ISBN: 9789464666908
Ouvre époustouflante de Hans Memling, le Primitif flamand à Bruges Hans Memling (vers 1435-1494), artiste clé parmi les Primitifs flamands, est inextricablement lié à la ville de Bruges. Le Retable des deux saints Jean et la Châsse de sainte Ursule, qu'il a réalisés pour l'hôpital Saint-Jean, figurent parmi ses oeuvres les plus impressionnantes. Sept autres chefs-d'oeuvre de ce maître du xve siècle sont encore exposés à Bruges, au Musée Hôpital Saint-Jean et au Musée Groeninge, où l'on peut toujours les admirer. Cet ouvrage présente les peintures époustouflantes de Memling et les décrit dans leurs moindres détails. Il offre une occasion unique de mieux connaître ou de redécouvrir l'ensemble de son oeuvre. Anna Koopstra, conservatrice de la peinture flamande ancienne à Musea Brugge, explique, dans des textes accessibles à tous, la puissance de l'imagination de Memling, sa maîtrise technique et le contexte culturel dans lequel le peintre a vécu et travaillé.
Booknumber: 62842 | Price: EUR 39.95
Anna Koopstra
HANS MEMLING IN BRUGES.
Hannibal Books, 2024. HB, 292 x 245 mm, 208 p, throughout color illustrations, ENG edition ISBN: 9789464666892
Breathtaking work by Hans Memling, the Flemish Primitive in Bruges The Flemish Primitive artist Hans Memling (c. 1435-1494), who played a crucial role in early Netherlandish painting, is inextricably associated with Bruges. Among his most impressive creations are the St John Altarpiece and the St Ursula Shrine, which he created for St John's Hospital in the city. Seven more of this fifteenth-century master's finest works can also be seen in Bruges, at what is now the St John's Hospital Museum and at the Groeninge Museum. This book describes Memling's breathtaking paintings in close detail, while offering readers the opportunity to (re)discover his oeuvre as a whole. In a series of accessible essays, Anna Koopstra, curator of early Netherlandish painting at Musea Brugge, explores Memling's imagination, his technical brilliance and the cultural context in which the artist lived and worked.
Booknumber: 62844 | Price: EUR 39.95
Anna Koopstra
HANS MEMLING IN BRUGGE
Hannibal Books, 2024. HB, 292 x 245 mm, 208 pages, met illustraties in kleur nieuw! NL tekst. ISBN: 9789464666885
Het adembenemende werk van Hans Memling, de Vlaamse primitief in Brugge De Vlaamse primitief Hans Memling (ca. 1435-1494), die een cruciale rol speelde in de vroege Nederlandse schilderkunst, is onlosmakelijk verbonden met Brugge. Tot zijn indrukwekkendste creaties behoren ongetwijfeld het Johannesaltaar en het Ursulaschrijn, die hij maakte in opdracht van het Sint-Janshospitaal. Daarnaast zijn nog zeven andere topwerken van de oude meester te bewonderen in het Brugse Museum Sint-Janshospitaal en het Groeningemuseum. Dit boek toont Memlings adembenemende kunstwerken tot in de kleinste details en biedt een unieke gelegenheid om zijn werk beter te leren kennen of te herontdekken. Anna Koopstra, conservator vroeg-Nederlandse schilderkunst van Musea Brugge, vertelt in toegankelijke essays over Memlings verbeeldingskracht, zijn technische meesterschap en de culturele context waarin de schilder leefde en werkte.
Booknumber: 62843 | Price: EUR 39.95
Anne van Oosterwijk & Till-Holger Borchert (red.)
Vergeten Meesters Pieter Pourbus en Brugge 1525 - 1625.
Brugge, SNOECK, 2017. Hardback, 280x230mm, 320p, 300 colour illustrations, Dutch (NL) edition . NIEUW. ISBN: 9789461614094
Onbekend maakt onbemind: dit geldt zeker voor de Brugse meesters uit de zestiende eeuw. Ambrosius Benson, Lancelot Blondeel, Pieter Pourbus en de familie Claeissens staan in de schaduw van hun voorgangers, de Vlaamse primitieven en hun tijdgenoten uit Antwerpen. De gouden eeuw van Brugge is voorbij en de afzetmarkt veranderd. Met het roemrijke artistieke verleden als inspiratiebron ontstaat er in Brugge een geheel eigen stijl. Hoog tijd voor een focus op deze vergeten meesters! In het Brugge van de vroege zestiende eeuw heerst een stabiel economisch klimaat dat niet te vergelijken is met de hoogtijdagen uit de vijftiende eeuw. Een kleine maar rijke elite blijft kunst bestellen, maar globaal gezien neemt de vraag af, alhoewel de kwaliteit hoog blijft. Omstreeks diezelfde tijd verzamelen zich een aantal belangrijke humanisten. Erasmus noemt Brugge het 'Athene van het Noorden'. De catalogus biedt een staalkaart van de Brugse artistieke productie van 1525 tot 1625 met werken van Ambrosius Benson, Adriaen Isenbrant, Marcus Gerards, Lancelot Blondeel, Pieter Pourbus, Pieter, Antoon en Gillis Claeissens en Frans Pourbus. Bovendien wordt gefocust op de marketingkeuzes en de zoektocht naar nieuwe doelgroepen door deze kunstenaars. Ongekende topstukken worden samengebracht en bieden een krachtig beeld van inventiviteit in tijden van schaarste.
Booknumber: 50760 | Price: EUR 24.99
Anne-Marie Logan, Kristin Lohse Belkin
The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620)
Part One: Text and Part Two: Images
Brepols - Harvey Miller, 2023. 2 vols; Part One: Text and Part Two: Images, 732 pages; Size:216 x 280 mm, Illustrations:291 col.
Language(s):English. ISBN: 9782503599533 This is Volume II in the three-volume catalogue raisonné of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens?s early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens?s extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color. Booknumber: 61714 | Price: EUR 250.00
Language(s):English. ISBN: 9782503599533 This is Volume II in the three-volume catalogue raisonné of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens?s early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens?s extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color. Booknumber: 61714 | Price: EUR 250.00
Annick Born & Maximiliaan P.J. Martens
Van Eyck in Detail / Van Eijck in detail
Ludion, 2022. 3 ed.. Hardcover, 255 pagina's, NL, 325 x 260 mm, Nieuwe editie, met zeer duidelijke grote illustraties in kleur ISBN: 9789461300577
Haarscherpe analyse van details uit Van Eycks oeuvre die met het blote oog vaak niet waar te nemen zijn. Elk detailbeeld is voorzien van toegankelijke commentaar. Met een biografie, een essay over de olieverftechniek en een catalogus van het oeuvre van Van Eyck. Tweede druk.
Booknumber: 59534 | Price: EUR 24.90
Annick Born / Maximiliaan P.J. Martens
Van Eyck in Detail / Van Eijck in detail
ludion, 2012. Gebonden, Hardcover met stofomslag compleet. 256 pagina's met veel afbeeldingen in kleur, nieuw exemplaar !. ISBN: 9789461300577
Zelden was een schilderkunst tegelijkertijd zo inventief, verfijnd en subliem Recensie(s) De Vlaamse kunstschilder Jan van Eyck (ca. 1390-1441) is een van de grootste schilders van de 15e eeuw en vooral beroemd om zijn zeer gedetailleerd uitgevoerde schilderijen. Zijn oeuvre wordt in deze publicatie letterlijk onder de loep genomen: aan de hand van vele voorbeelden worden haarscherpe details getoond en van commentaar voorzien. Een overzicht (met toelichtingen) van het gehele geschilderde oeuvre en een biografie gaan daaraan vooraf. De hoofdstukken met gedetailleerde afbeeldingen zijn gerangschikt in thema?s: het goddelijke, de mens, natuur, architectuur, het dagelijks leven en tactiliteit. De lezer krijgt aan de hand van deze details niet alleen een mooi overzicht van het werk van de schilder, maar ook van zijn fascinerende techniek. Met zeer veel schitterende afbeeldingen in kleur, een bibliografie en een voorwoord van kunstschilder Luc Tuymans. Een aanrader voor liefhebbers van vroege Vlaamse schilderkunst.
Booknumber: 53313 | Price: EUR 25.00
Annick Born / Maximiliaan P.J. Martens
VAN EYCK IN DETAIL -ENGLISH-
ludion, 2020. Hardcover, 320 x 250 mm, 256 pages, ENGLISH edition FINE!! isbn;9789461300591 (HB - E) ISBN: 9789461300591
Razor-sharp analysis of details from Van Eyck's work, which often cannot be observed with the naked eye. Each detail is accompanied by accessible commentary. With a biography, an essay on the oil painting technique and a catalogue of Van Eyck's oeuvre. Second edition.Zelden was een schilderkunst tegelijkertijd zo inventief, verfijnd en subliem Review(s) The Flemish painter Jan van Eyck (ca. 1390-1441) is one of the greatest painters of the 15th century and especially famous for his very detailed paintings. His oeuvre is literally scrutinized in this publication: razor-sharp details are shown and commented on on the basis of many examples. An overview (with explanations) of the entire painted oeuvre and a biography precede this. The chapters with detailed images are arranged in themes: the divine, man, nature, architecture, everyday life and tactility. On the basis of these details, the reader not only gets a nice overview of the painter's work, but also of his fascinating technique. With many beautiful color images, a bibliography and a foreword by the painter Luc Tuymans. Highly recommended for lovers of early Flemish painting.
Booknumber: 61570 | Price: EUR 25.00
Annick Born, Maximiliaan P.J. Martens
Van Eyck : par le détail
HAZAN, 2013. 1. Hardcover, 255 pages, Texte en Francais, 330 x 260 x 30 mm, jaquette illustreé, tres bon condition, illustrations en couleur pleine page. ISBN: 9782754107198
Fondateur de l'cole naturaliste du Nord, appele se dvelopper au XVme sicle comme une seconde Renaissance, cette fois septentrionale, le flamand Jan Van Eyck (1390-1440) est l'origine d'un nouvel art de peindre capable d'atteindre un rendu illusionniste ingal jusque l. L'ouvrage dbute par des donnes biographiques expliquant le contexte de la carrire de l'artiste de cour auprs de Jean le Bon, la tte d'un riche atelier et dominant la guilde des peintres de Tournai. Un deuxime chapitre est consacr la technique picturale de Van Eyck considr comme l'inventeur de la peinture l'huile ds le XVIme sicle et d'un style pictural dont l'influence fut considrable aussi bien dans le Nord que dans le Sud de l'Europe Son oeuvre ensuite, dans l'essentiel du corps de l'ouvrage, fait l'objet d'une approche thmatique, travers les domaines qui prouvent que les innovations de son art sont bases sur une observation prcise de la nature, dans son environnement, ses lments, et sa lumire comme dans les diffrents matriaux que l'homme a su crer pour meubler son quotidien. L'attention mticuleuse prte aux objets du quotidien va devenir une des caractristiques du style nordique, sous l'influence de Van Eyck. Outre donc le paysage et ses variations atmosphriques, l'univers de Van Eyck clbre toutes les atours du logis : l'architecture, le mobilier, les toffes, le verre, les bijoux, les miroirs, et enfin le portrait pour en saluer les propritaires commanditaires de ses tableaux, paralllement la restitution des scnes religieuses dan un cadre domestique peine plus luxueux que celui de ses contemporains Cette dcouverte de son art est organise au plus prs de sa technique picturale grce une campagne de prise de vue de dtails indits ce jour, dtails accompagns de commentaires pour aider la lecture des oeuvres.
Booknumber: 55478 | Price: EUR 30.00
Anzelewsky, Fedja - and others
Pieter Bruegel d.Ä. als Zeichner - Herkunft und Nachfolge
Berlin, GERB. Mann Verlag, 1975. Softcover,202 pages + a lot of b/w illustrations, 25.5 x 19 cm. ISBN: 9783786161950
Staatliche Museen Preußischer Kulturbesitz, erschienen zur Ausstellung des Kupferstichkabinetts Berlin.
Booknumber: 64523 | Price: EUR 10.00
Ariane van Suchtelen
ROELANT SAVERY'S WONDERLIJKE WERELD
Waanders Uitgevers, 2024. 1. PB, 144 pag. NL. editie, 260 x 210 mm, Nieuw, illustraties in kleur / z/w.*****Expo: 08/02/2024 - 20/05/2024, Mauritshuis, Den Haag. ISBN: 9789462625211
Roelant Savery (1578-1639) behoorde tot de grote groep Vlaamse kunstenaars die omstreeks 1600, tijdens de 80-jarige Oorlog, in de Noordelijke Nederlanden terecht zijn gekomen. Daar stonden zij aan de wieg van de grote bloei van de kunst in de zeventiende eeuw. Savery was een zeer veelzijdige tekenaar én schilder, gespecialiseerd in landschappen, dierstukken en bloemstillevens. Met encyclopedische precisie beeldde hij talloze verschillende soorten af: dieren, bloemen maar ook mensen uit diverse contreien, van Boheemse boeren tot joodse gelovigen in de synagoge. Savery werd dé schilder van de uitgestorven dodo uit Mauritius. Meer dan tien jaar werkte Savery in dienst van de Habsburgse keizer Rudolf II in Praag, die hem op pad stuurde om de landschappen en mensen van zijn rijk vast te leggen. Afkomstig uit de Lage Landen moeten de watervallen in de Alpen diepe indruk hebben gemaakt op de kunstenaar. Na terugkeer in Nederland vestigde Roelant Savery zich in Utrecht, waar hij achter zijn huis een tuin aanlegde met kostbare bloemen en planten. Zo hoefde hij niet van huis te gaan om inspiratie op te doen voor zijn bloemstillevens.
Booknumber: 63302 | Price: EUR 26.95
Ariane van Suchtelen ; Ben van Beneden
Kamers vol kunst in 17de-eeuws Antwerpen, De rijkdom van de Antwerpse verzamelcultuur
Nl, Waanders, 2009. 1. Gebonden,Kleurenfoto's: 80,Zwart-witfoto's: 20, Taal: Nederlands , 144 pag. ISBN: 9789040086397
In de vroege zeventiende eeuw ontstond in Antwerpen een uniek genre in de schilderkunst: de kunstkamervoorstelling. Dit zijn schilderijen met weergaven van denkbeeldige musea waarin schitterende collecties schilderijen, beelden en andere kunstvoorwerpen bijeen zijn gebracht. Kunstliefhebbers, kunstenaars en andere voorname personages converseren in deze imaginaire werelden met elkaar. De rijkdom van de Antwerpse verzamelcultuur van de zeventiende eeuw wordt in deze schilderijen in beeld gebracht. De rijk geillustreerde publicatie, die verschijnt bij de gelijknamige tentoonstelling in het Rubenshuis en het Mauritshuis, biedt een overzicht van het genre. Speciale aandacht wordt besteed aan Willem van Haecht, die als schilder-conservator in dienst was bij de Antwerpse verzamelaar en mecenas Cornelis van der Geest. Van Haecht ?catalogiseerde? Van der Geests verzameling in enkele schitterende kunstkamervoorstellingen.
Booknumber: 22627 | Price: EUR 23.00
Arnout Balis
De vlaamse schilderkunst in het prado
Mercatorfonds 1989, 1989. Hardcover, 318 pagina's, Nederlands, 310 x 260 mm, In Cassette !, In zeer goede staat, met vele afbeeldingen en illustraties van de Vlaamse meesters, . ISBN: 9789061531982
De grote rijkdom van de Vlaamse schilderijencollectie in het Prado is hoofdzakelijk te danken aan de grote belangstelling van de Spaans-Habsburgse vorsten voor de Vlaamse kunst. Karel V en zijn zoon Filips II waren verwoede verzamelaars van Vlaamse kunst; door Filips II bezit het Prado een aantal belangrijke werken van Hieronymus Bosch. De Vlaamse Primitieven zijn in het museum aanwezig met belangrijke werken van Van der Weyden, Bouts en Memling en uit de 16e eeuw bezit het museum schilderijen van o.a. Gossaert, Metsys, en Pieter Bruegel de Oude. De 17e eeuw wordt gedomineerd door Rubens. Het Prado bezit verder belangrijke werken van Van Dyck, Jordaens, Fyt, Seghers en anderen. Het boek bevat een catalogus van alle Vlaamse schilderijen. Met 500 illustraties, waarvan 100 in kleur.
Booknumber: 55954 | Price: EUR 35.00
Arnout Balis
Flämische Malerei im Kunsthistorischen Museum Wien
SVInternationaal/ Mercatorfonds 1989, 1989. 1. Paperback, 301 seiten, D, 300 x 250 mm, guter kondition, mit illustrationen in farbe und s/w. ISBN: 9783726365424
Flämische Kunst, Kunst des 15., 16. und frühen 17. Jahrhunderts in Flandern und den umliegenden Regionen, darunter Brabant, Hennegau, Picardie und Artois, bekannt für ihren lebendigen Materialismus und ihr unübertroffenes technisches Können.
Booknumber: 58416 | Price: EUR 20.00
Arnout Balis ; Frans Baudouin ; Nora De Poorter; e.a.
La Peinture Flamande : Au Kunsthistorisches Museum De Vienne
Fonds Mercator, 1987. Hardcover, 301 pages, Texte en Francais, 310 x 260 x 35 mm, jaquette illustreé, Comme Neuf !, illustrations en couleur / n/b ,dans un manteau solide !. ISBN: 9789061531845
La peinture flamande se développe du début du xve au xviie siècle. Les Flandres ont produit les principaux peintres de l'Europe du Nord et ont attiré de nombreux jeunes peintres prometteurs des pays voisins. Ces peintres flamands étaient invités à travailler dans les cours d'autres pays et ont eu une influence dans toute l'Europe. Depuis la fin de l'ère napoléonienne, les peintres flamands ont contribué à restaurer la bonne réputation acquise avec les Vieux Maîtres
Booknumber: 55485 | Price: EUR 38.00
Arnout Balis, Museo del Prado
La Peinture flamande au Prado : Flandria extra muros
Albin Michel, 1989, 1989. Hardcover, 318 pages, Texte en Francais, 310 x 260 mm, dans un manteau solide, Tres belle exemplaire. ISBN: 9782226037480
Booknumber: 55484 | Price: EUR 35.00
Auwera, Mulders, Dubois, Peters, Maganck, Schepers, etc.
Rubens, een genie aan het werk.
lannoo, 2007. Softcover,303pp Geillustreerd, in goede staat . ISBN: 9789020972382
Rondom Rubenswerken in het koninklijke musea
Booknumber: 36087 | Price: EUR 25.00
AVERMAETE, Roger;
RUBENS EN ZIJN TIJD,
Brussel, Arcade, 1977. Gebonden, linnen, vergulde titel op de rug, origineel geillustreerde omslagwikkel in kleur, 27x30cm, 439pp, uitvoerig geillustreerd in kleur en z/w
Hulde aan Rubens ter gelegenheid van de 400e verjaring van zijn geboorte. De auteur tracht het masker op te lichten dat Rubens heel zijn leven heeft gedragen. Focust zich op Rubens, de mens en de kunstenaar. Boek is in prima staat.
Booknumber: 12026 | Price: EUR 50.00
B. COPPEIN, F. STEVENS & L. WAELKENS
Modernisme, Tradition et Acculturation Juridique,
Brussel, KVAB Press, 2011. softcover, 348pp, ISBN: 9789065690821
Series: Iuris Scripta Historica 27 , actes des journees internationales de la societe d'histoire du Droit. juin 2008.
Booknumber: 41396 | Price: EUR 34.00
B. Lane
Hans Memling, Master Painter in Fifteenth-Century Bruges.
Turnhout, Brepols, 2009. Hardback, original editor's jacket, english, IV+386 pp., 302 b/w ill. + 32 colour ill., 220 x 280 mm. ISBN: 9781905375196
Studies in Medieval and Early Renaissance Art History (HMSAH 53. This book contributes to the ongoing reappraisal of Memling by addressing some of the tantalizing problems that remain unresolved despite much recent study of his work. Beginning with the question of his training, the text follows him on his Wanderjahre from his native Germany to Bruges, where he became a citizen in 1465. It then considers his activities as a master painter in Bruges, concentrating on the late fifteenth and early sixteenth centuries, including the work of such major artists as Leonardo da Vinci and Raphael.
Booknumber: 25870 | Price: EUR 138.00
Baadj, N.
Jan van Kessel I (1626-1679): Crafting a Natural History of Art in Early Modern Antwerp
Brepols - Harvey Miller, 2016. Hardcover with dusjacket, VI+208 pages., 50 b/w ill. + 52 colour ill., 220 x 280 mm, Languages: English, FINE! ISBN: 9781909400238
The curious art of Jan van Kessel provides an intriguing lens through which to explore the intersections between craft practices, collecting, and the pursuit of natural knowledge in early modern Antwerp. The Antwerp artist Jan van Kessel the Elder (1626-1679) was esteemed throughout Europe for producing finely-wrought, miniature paintings on copper that depict a wide range of flora and fauna, exotic landscapes, and objects of natural artistry (e.g. shells, coral, precious stones). The ?natural? world presented in Van Kessel?s art was not a transparent window onto nature, however, but instead was ambitiously crafted through the artist's reappropriation of Antwerp's artistic traditions, material culture, and artisanal knowledge practices. Through a combination of wit, technical virtuosity, self-referentiality, and allusions to local art-historical lineage, Van Kessel?s paintings encourage viewers to simultaneously think about art, in terms of collecting, connoisseurship, citation, and media, and think anew about nature. This study uses Van Kessel?s art as a distinctive lens through which to examine the relationship between craft, curiosity, and the pursuit of natural knowledge in the early modern period. Each chapter situates Van Kessel within a particular context where art and natural history intersected in late seventeenth-century Antwerp. Taken together, these investigations reveal how his production responded to a unique convergence of circumstances in that city which included the growth of a popular, commercial strand of natural history, a thriving culture of art collecting and connoisseurship focused on local artists, and a burgeoning luxury industry. Van Kessel?s material and conceptual interventions into the representation of nature, such as his innovative, painted ?cabinets without drawers? and witty signatures formed from insects and snakes, enabled him to redefine the scope of natural historical illustration and negotiate the value and status of the small-format cabinet picture. Nadia Baadj is a Post-Doctoral Researcher at the Institute for Art History at the Universitat Bern. Her research focuses on intersections between art and science as well as artists' materials and techniques in the early modern period, with a particular focus on Northern Europe. She has published in The Art Bulletin, Nederlands Kunsthistorisch Jaarboek, and the Boletin del Museo del Prado. She has also contributed to exhibitions of Dutch and Flemish art at the Rijksmuseum, Frans Hals Museum, Clark Art Institute, and Ringling Museum of Art.
Booknumber: 48705 | Price: EUR 140.00
Babina, Natalya / Beneden, Ben van / Gritsay, Natalya / Larionov, Alexey.
Rubens, Van Dyck en Jordaens. Vlaamse schilders uit de Hermitage.
Amsterdam, Mercatorfonds, 2011. Paperback met flappen, 256pp., 24x28cm., talrijke ills. in kleur, nieuw. ISBN: 9789061533597
Met zijn 75 schilderijen en 40 tekeningen, waaronder talrijke meesterwerken uit de Antwerpse school, biedt dit boek een prachtig overzicht van de collectie Vlaamse kunst in de Hermitage. Het leeuwendeel daarvan heeft het museum van Sint-Petersburg te danken aan het aankoopbeleid van Catharina de Grote, die niet aarzelde om gerenommeerde verzamelingen als die van Crozat en Bruhl in hun geheel op te kopen. Veel van deze werken hingen oorspronkelijk in kerken en kloosters in Antwerpen en andere Europese steden. De meeste aandacht gaat naar de grote drie: Peter Paul Rubens, Anthonie van Dyck en Jacob Jordaens. Rubens was de belangrijkste, begaafdste en invloedrijkste schilder van zijn tijd, een echte homo universalis. Van Dyck is vertegenwoordigd met een aantal portretten voor het Engelse hof, Jordaens met imposante historiestukken in de levenslustige sfeer waarin hij uitblonk. Ook Frans Snyders en David Teniers II komen ruim aan bod, de eerste met verrassend dynamische stillevens, de tweede met delicate genrestukken. Door te focussen op de geschiedenis van de collectie Vlaamse kunst in de Hermitage brengt het boek ook Antwerpen als kunststad in beeld
Booknumber: 31072 | Price: EUR 20.00
Babina, Natalya / Beneden, Ben van / Gritsay, Natalya / Larionov, Alexey.
Rubens, Van Dyck and Jordaens. Flemish painters from the Hermitage.
Amsterdam, Hermitage Amsterdam, 2011. Paperback with flaps, 256pp., 24x28cm., num. col. ills., new. ISBN: 9789078653271
Catalogue for the exhibition Rubens, Van Dyck and Jordaens. Flemish painters from the Hermitage from 17 september 2011 to 16 march 2012. Description of 115 exposed objects.
Booknumber: 30569 | Price: EUR 45.00
Babina, Natalya / Beneden, Ben van / Gritsay, Natalya / Larionov, Alexey.
Rubens, Van Dyck et Jordaens. Les peintres flamands de L'Ermitage.
Amsterdam, Hermitage Amsterdam, 2011. Paperback with flaps, 256pp., 24x28cm., num. col. ills., new. French text! ISBN: 9789061533542
Catalogue for the exhibition Rubens, Van Dyck and Jordaens. Flemish painters from the Hermitage from 17 september 2011 to 16 march 2012. Description of 115 exposed objects.
Booknumber: 33179 | Price: EUR 39.00
Backer-Van Ocken, R. De (voorwoord) / Detiège, Leona (inleiding) /+ Gepts, Dr. G. / D'Hulst, Prof.Dr.Ir. R.-A. / Baudouin (F.)
P.P. Rubens. Gemalde.Ölskizzen.Zeichnungen
Antwerpen, Koninklijk Museum voor Schone Kunsten, 1977. softcover , 24 x 16cm., 388pp., illustratie in z/w en kleur. text in DEUTSCH
Tentoonstelling 29 juni - 30 september 1977.
Booknumber: 56832 | Price: EUR 11.00
BAUDOUIN, F.
RUBENS EN ZIJN EEUW.
Antwerpen, Mercatorfonds, 1972.**. Gebonden,met foudraal, vergulde titel op de voorplaat, rug versierd met vergulde titel, originele geillustreerde omslagwikkel in kleur, 26x34cm, 289pp, geillustreerd z/w en in kleur.
Rubens en zijn Sociaal en Cultureel Milieu. De Portretten van rubens' Grootouders. Een jeugdwerk van Rubens, 'Adam en Eva' en de relatie Van Veen-Rubens. Altaarstukken uit de periode 1609 - 1620. 'De Geseling van Christus' in de Sint-Pauluskerk te Antwerpen. ' De Aanbidding der Herders', een schets van Rubens. Rubens en de Antwerpse Jezuietenkerk,...
Booknumber: 12041 | Price: EUR 20.00
BAUDOUIN, F.
RUBENS ET SON SIECLE.
Anvers, Fonds Mercator, 1972. Relie, avec foudrale, etoile noire titre dore, dos titre dore, sous jacquette d'editeur en couleurs, 26x34 cm., ug versierd met vergulde titel, originele geillustreerde omslagwikkel in kleur, 26x34cm, 287 pp., illustrations en n/b et en couleurs.
RRubens et son Milieur Social et Culturel. Les Portraits des Grands-Parents de Rubens. Une oeuvre de jeunesse "Adam et Eve" et les Relations entre Van Veen et Rubens. Tableaux d'autel de la periode 1609-1620. "La Flagellation du Christ" a l'Eglise Saint-Paul a Anvers, ...
Booknumber: 24497 | Price: EUR 37.00