Erik Tonen Books - Antwerpen

-- Corpus de la peinture des anciens Pays-Bas méridionaux et de la principauté de Liège au quinzième siècle | nr. 19. Musée du Louvre, Paris 3e tome. Illustrations Bruxelles, centre international de l'étude de la peinture médiévale des bassins de l'escaut et da la Meuse, 2002. Couverture reliee sous jaquette, 224 illustrations, 30 x 23 cm. *comme neuf. ISBN: 9782711843206 Le Corpus de la peinture des anciens Pays-Bas méridionaux et de la Principauté de Liège au quinzième siècle est une collection destinée à recenser les ?uvres des «Primitifs flamands» conservées à travers le monde. Chaque volume met à la disposition des spécialistes et des amateurs une analyse historique et une documentation photographique aussi complète que possible. Le présent ouvrage est le troisième et dernier tome de la série débutée en 1962. Il comporte deux volumes (textes et illustrations) consacrés à l'étude des tableaux de Rogier van der Weyden parmi lesquels le Triptyque de la famille Braque, Michel Sittow et les maîtres à noms conventionnels comme le Maître au Feuillage en broderie, le Maître de Francfort, le Maître de la Légende de sainte Marie-Madeleine, le Maître à la Vue de Sainte-Gudule et le Maître de 1499. A ce catalogue a été ajoutée en complément l'étude de la Crucifixion du Parlement de Paris, ?uvre de tradition franco-flamande. Boeknummer: 67566 | Prijs: EUR 95.00 In winkelwagen

-- Hendrik de Braekeleer in het Antwerpsch museum / de Braekeleer, Henri Stadsbestuur,. Oorspronkelijk uitgevers omslag, oblong ill. ; 23x31 cm. Boeknummer: 60757 | Prijs: EUR 10.00 In winkelwagen

-- The Century of the Flemish Primitives Late Medieval Art in the Royal Museum of Fine Arts in Antwerp bai, 2016. Hardback, 220x230mm, 144p,
English edition . ISBN: 9789085867272 At 152 paintings, the collection of 'Flemish Primitives' held by the Royal Museum of Fine Arts Antwerp is the largest in Flanders. This publication gives an overview from 'pre-Eyckian' painting to some of the highpoints of late medieval art from beyond the Low Countries. Works discussed include altarpieces, secular art, pieces by women religious, Flemish artists elsewhere in Europe, as well as sculpture. Besides the religious views that framed thought, the art of painting is contextualized in a wider perspective on art itself Boeknummer: 49551 | Prijs: EUR 25.00 In winkelwagen

-- THEODOOR ROMBOUTS Virtuose du caravagisme flamand. snoeck, 2023. Hardcover+, 290 x 255 mm, 288 pages , 300 illustrations FR edition Texte en Francais. ISBN: 9789461618122 L'apogée de l'année de festivités du MSK sera incontestablement la première exposition monographique jamais consacrée au peintre baroque Theodoor Rombouts (1597-1637). Pour l'occasion, des tableaux du monde entier feront le voyage jusqu'à Gand, où les scènes joyeuses et les représentations monumentales du maître s'animeront dans un parcours qui ne manquera pas de créer la surprise. Le jeune Anversois émigre en Italie au début du xviie siècle. Il s'y laisse fasciner par l'artiste révolutionnaire qu'est Michelangelo Merisi da Caravaggio (1571-1610) et par son suiveur Bartolomeo Manfredi (1582-1622). De retour à Anvers, Rombouts développe une identité artistique bien à lui. Il arrive à créer une parfaite harmonie entre le Nord et le Sud et devient une valeur sûre dans le milieu artistique anversois. Les ouvres qui se détachent le plus parmi la diversité de sa production sont les tableaux de genre monumentaux, animés et parfois moralisateurs, peuplés de joyeuses et élégantes compagnies et de musiciens. Les scènes, construites de façon limpide, baignent dans un clair-obscur méridional qui se fond avec la palette caractéristique de Rombouts. Le raffinement extrême avec lequel il peint les objets et les tissus rend son ouvre encore davantage reconnaissable. L'exposition et le catalogue qui l'accompagne retracent la carrière florissante de Rombouts, dévoilant à quel point il fut l'un des principaux caravagistes flamands ainsi qu'une figure-clé de la peinture de genre. Boeknummer: 60816 | Prijs: EUR 50.00 In winkelwagen

A. DEVOS. Jacques Francart, Premier livre d'Architecture (1617). studie van een zuid nederlands modelboek met poortgebouwen Brussel, Paleis der Academien, 1998. softcover, originele uitgeversomslag, 18x26cm, 221 p., 17 afb. nederlands / ISBN: 9789065696809 Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Schone kunsten, n?° 65. Jacob Franquart was een Brabantse kunstenaar. Franquart genoot een korte opleiding van Peter Paul Rubens. Hij beoefende zowel de schilder-, teken-, dicht- als bouwkunst. Boeknummer: 10288 | Prijs: EUR 49.00 In winkelwagen

A. Dubois, R. Slachmuylders, G. Patigny, F. Peters. The Flemish Primitives V. Anonymous Masters. Turnhout, Brepols, 2009. Hardback, original editor's jacket, english, 302 pp., 210 b/w ill. + 160 colour ill., 210 x 297 mm. ISBN: 9782503530581 Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium (CENP 5). The fifth volume examines all the works painted by anonymous masters. Most works of the 15th and early 16th centuries are not signed. Several of these works have not proved possible to attribute to a known painter or to a master with a provisional name. These works, labelled as anonymous, have been little studied until now, because they are in general thought to be of lesser quality, and because researchers have prioritised the study of more important masters. It is, however, becoming increasingly apparent that these reflect the ongoing production of the time in the Southern Netherlands. Beside the fact that these paintings represent the themes that enjoyed a certain popularity at the time, their study opens perspectives onto the socio-economic context and workshop practice. These paintings could be destined for a broad market and betray different working methods allowing for swift execution in several copies. Furthermore, two of these anonymous works, dating from around 1400 or a little bit later, rank amongst the rare representatives of pictorial production in the Southern Netherlands prior to the technical innovations introduced by the Flemish Primitives. This production is by convention called ?pre-Eyckian painting?. Boeknummer: 25864 | Prijs: EUR 149.00 In winkelwagen

A. Newman, L. Nijkamp (eds.) Undressing Rubens : Fashion and Painting in Seventeenth-Century Antwerp Brepols - Harvey Miller 2019, 2019. Hardcover,232 pages ., 3 b/w ill. + 136 colour ill., 220 x 280 mm , English, , . ISBN: 9781912554225 The essays collected in this volume meet at a point of convergence between costume, art, and history, and focus on the seventeenth-century Southern Netherlands. Undressing Rubens looks at the significance of costume in life and art in the age of Rubens, confirming that, as is increasingly recognised by scholars of many aspects of early modern European culture, this is hardly an insular topic. Cloth and clothing in seventeenth-century Flemish paintings lead the contributing scholars north of the border to the United Provinces, south to courts in Florence, Mantua, Madrid and elsewhere, and east to Cologne and, ultimately, to Japan. Stretching back several centuries to provide critical context and points of origin for many seventeenth-century practices and ideas, the innovative research presented here also points forward in time, dealing with implications in later centuries but also, in many cases, engaging directly with questions of historiography still quite relevant today. Boeknummer: 57153 | Prijs: EUR 150.00 In winkelwagen

A.-M. Logan, K. Belkin The Drawings of Peter Paul Rubens, A Critical Catalogue vols; 1-6, - 6 VOLUMES SET catalogue raisonné of all drawings. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640) 2 vols Part One: Text and Part Two: Plates Brepols - Harvey Miller, 2021-2023-2025. 6 vols., 536 pages + 732 + 555 pages, 216 x 280 mm , 260 + 291 colour ill., English, Hardcovers, **NEW. ISBN: 9782503595702 This is the 6 -volume catalogue raisonné of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621- 40 and * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640 It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. This is Volume II in the three-volume catalogue raisonné of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens's early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens's extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color. Boeknummer: 61715 | Prijs: EUR 675.00 In winkelwagen

A.-M. Logan, K. Belkin The Drawings of Peter Paul Rubens, A Critical Catalogue, VOLUME ONE (1590-1608) 2 VOLS. Brepols 2021, 2021. 2 vols., 536 pages ., 216 x 280 mm , 260 colour ill., English, Hardcover, . FINE ISBN: 9782503595702 This is Volume I of the three-volume catalogue raisonné of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609?20 and 1621?40. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens?s copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. Anne-Marie Logan is a specialist in Rubens?s drawings and in those of his Flemish contemporaries, especially Van Dyck's. Kristin Lohse Belkin is a Rubens specialist who has carried out extensive research on the artist. Boeknummer: 57156 | Prijs: EUR 177.00 In winkelwagen

Aikema, Bernard e.a. Meesters op papier, Nederlandse tekeningen uit een particuliere collectie (17e-19e eeuw) Zwolle, Waanders, 2002. Softcover, 199 pagina's, 28 x 23 cm, Nederlandstalig. *prima staat. ISBN: 9040087075 Meesters op papier, Nederlandse tekeningen uit een particuliere collectie (17e-19e eeuw) Boeknummer: 67665 | Prijs: EUR 12.00 In winkelwagen

AINSWORTH, Maryan W. and MARTENS, Maximiliaan P.J.; PETRUS CHRISTUS, Gand/ New York, Ludion/ Metropolitan Museum of Art, 1995. Gebonden in linnen met stofomslag, 245 x 310mm., 232pp., illustr. *Nederlandse tekst ISBN: 9789055440542 Nederlandstalige catalogus Petrus Christus: Renaissance Master of Bruges, paru a l'occasion de l'exposition organisee au Metropolitan Museum of Art a New York ( 14 avril-31 juillet 1994 ). Etat excellent. prima staat ! Petrus Christus als een kunstenaar met heel eigen gevoeligheden. Anders dan Van Eyck, die in dienst van de Bourgondische hertogen werkte, vond Christus zijn clientèle onder de burgers en de rijke buitenlandse kooplieden die zich in Brugge hadden gevestigd. Om die reden weerspiegelt zijn werk in menig opzicht de artistieke normen van zijn tijd op een veelomvattender wijze dan de kunst van Van Eyck, en is de studie van zijn leven en werk van bijzonder belang voor een beter begrip van de vroege kunst in de Nederlanden. Boeknummer: 22805 | Prijs: EUR 35.00 In winkelwagen

AINSWORTH, Maryan W./ALSTEENS, Stijn & ORENSTEIN, Nadine M. L'HOMME, LE MYTHE ET LA SENSUALITE. LA RENAISSANCE DE JAN GOSSART. L'OEUVRE COMPLET. Bruxelles/New York, Fonds Mercator/The Metropolitan Museum of Art, 2010. Relie, hardcover, sous jacquette originale d'editeur, dans un etui illustre, 30.5x24.1 cm., 496 pp., 453 illustrations, dont 337 en couleur texte Francais/English. ISBN: 9789061539636 Le role central de Jan Gossart (ca. 1472-1532) dans la diffusion et l'adaptation de l'art de l'antiquite et du style de la Renaissance italienne dans le nord de l'Europe a longtemps ete mesestime. Il a fallu attendre ces dernieres decennies pour retablir le role crucial de celui-ci. Le present catalogue raisonne consacre a Jan Gossart, peintre, dessinateur et graveur flamand, est la premiere publication majeure dediee a cet artiste depuis plus de quarante ans et est le resultat d'etudes recentes et d'un nouvel examen technique de ses peintures. Pour la premiere fois, le lecteur aura une description compete de sa vie et de son oeuvre, revus a la lumiere de certains elements comme l'impact de son voyage a Rome Boeknummer: 26131 | Prijs: EUR 99.00 In winkelwagen

Alejandro Vergara-sharp Illuminating Women Artists- Clara Peeters Lund Humphries Publishers Ltd, 2025. Hardcover, 128 pages, Illustrated. Text English, 25x20cm *New. ISBN: 9781848225718 Clara Peeters was one of the most talented and creative among the early practitioners of still-life painting in Europe. This timely book sheds light on the limitations she encountered because of her gender and how she responded to them in her art, while also assessing her importance as a painter. This book serves to establish Clara Peeters, one of the most talented and creative among the early practitioners of still-life painting in Europe in the early 17th century, as a leader in her field. The book not only discusses the artist?s biography but also examines the historical and cultural context of Peeters? art, her artistry and the material culture reflected in her paintings. Part of the first generation of European artists to specialise in still-life painting, Peeters was in fact the only Flemish woman known to have focussed on this genre of painting in the early 17th century. She was also one of the few women to dedicate her professional life to painting in early modern Europe. This timely book sheds light on the limitations that Clara Peeters encountered because of her gender and how she responded to them in her art, while also assessing her importance as a painter of still-life. Boeknummer: 66797 | Prijs: EUR 49.99 In winkelwagen

ALTENA, I.Q. VAN REGTEREN. HET VROEGSTE WERK VAN RUBENS. Brussel, Paleis der Academien, 1972. (db). Gebrocheerd, originele uitgeversomslag beduimeld, 18x26cm, 23pp + 35 platen z/w. Medelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Schone Kunsten, jaargang XXXIV, n?°2. Boeknummer: 5793 | Prijs: EUR 10.00 In winkelwagen

An Van Camp BRUEGEL TO RUBENS : GREAT FLEMISH DRAWINGS Ashmolean Museum, Oxford, 2024. 1. Softcover, 244 pages, ENG. edition; 280 x 220 mm, NEW , 180 colored illustrations / 10 b/w. ISBN: 9781910807590 Many of the drawings coming from Antwerp are registered on the Flemish Government's Masterpieces List and will not be shown again for the next five to ten years to protect them from fading Highlights will include a sketchbook in which a young Rubens has copied Holbein's Dance of Death woodcuts, intricate pen and ink drawings by Pieter Bruegel, meticulously drawn miniatures by Joris Hoefnagel, portrait studies by Anthony van Dyck, and a rare survival of a friendship album containing numerous drawings and poems dedicated to its owner Two recently discovered drawings by Rubens will also be included, a design for a book-illustration on optics and an anatomical study of three legs. This catalogue will accompany the Bruegel to Rubens exhibition held at the Ashmolean Museum in Oxford between 22 March and 23 June 2024. Through a selection of over 100 world-class drawings created by Flemish artists in the sixteenth and seventeenth centuries, an insightful and comprehensive overview will be given into how these drawn sheets were used as part of artistic practice, within or beyond the artist's studio. By revealing the drawings' function, rather than on their attribution or iconography, these sheets will become more fully understood through the eyes of contemporary readers. Identifying how and why these sheets were created will render these artworks more accessible to a wider audience. The three main essays will each deal with one of the principal functions of drawings at the time: studies (copies and sketches), designs for other artworks (paintings, prints, tapestries, metalwork, stained glass, sculpture and architecture), and finally the independent drawings. Each essay will discuss the relevant works within their functional context and compared with other related objects. Introductory chapters will focus on what precisely can be considered a drawing, including its materials, media and techniques, in addition to an attempt to explain the notion of Flanders and Flemish art. Emphasis will be placed throughout the catalogue on how Flemish artists collaborated in creating the most astonishing artworks of their time, unveiling their networks and friendships, as well as their travels across Europe, revealing their international importance. The exhibition is a partnership with the Museum Plantin-Moretus in Antwerp and will bring together for the first time the most stunning drawings from both the Ashmolean and the Plantin-Moretus collections, in addition to further loans from renowned Antwerp and Oxford institutions like the Rubenshuis and Christ Church Picture Gallery. Many of the sheets coming from Antwerp are registered on the Flemish Government's Masterpieces List and will not be shown again for the next five to ten years to protect them from fading. Prominent artists featured in this catalogue include Pieter Bruegel the Elder, Peter Paul Rubens, Anthony van Dyck, and Jacques Jordaens, among many others. Boeknummer: 63253 | Prijs: EUR 32.50 In winkelwagen

Ann Sumner Death, Passion, Politics : Van Dyck's Portraits of Venetia and George Digby Dulwich Picture Gallery, 1995. 1. Softcover, 139 pages, ENG, 265 x 210 mm, in good condition, with illustrations in colour and b/w. ISBN: 9781898519072 Boeknummer: 59723 | Prijs: EUR 20.00 In winkelwagen

Anna Koopstra HANS MEMLING À BRUGES Hannibal Books, 2024. HB, 292 x 245 mm, 208 pages, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte .FR edition neuf. ISBN: 9789464666908 Ouvre époustouflante de Hans Memling, le Primitif flamand à Bruges Hans Memling (vers 1435-1494), artiste clé parmi les Primitifs flamands, est inextricablement lié à la ville de Bruges. Le Retable des deux saints Jean et la Châsse de sainte Ursule, qu'il a réalisés pour l'hôpital Saint-Jean, figurent parmi ses oeuvres les plus impressionnantes. Sept autres chefs-d'oeuvre de ce maître du xve siècle sont encore exposés à Bruges, au Musée Hôpital Saint-Jean et au Musée Groeninge, où l'on peut toujours les admirer. Cet ouvrage présente les peintures époustouflantes de Memling et les décrit dans leurs moindres détails. Il offre une occasion unique de mieux connaître ou de redécouvrir l'ensemble de son oeuvre. Anna Koopstra, conservatrice de la peinture flamande ancienne à Musea Brugge, explique, dans des textes accessibles à tous, la puissance de l'imagination de Memling, sa maîtrise technique et le contexte culturel dans lequel le peintre a vécu et travaillé. Boeknummer: 62842 | Prijs: EUR 39.95 In winkelwagen

Anna Koopstra HANS MEMLING IN BRUGES. Hannibal Books, 2024. HB, 292 x 245 mm, 208 p, throughout color illustrations, ENG edition ISBN: 9789464666892 Breathtaking work by Hans Memling, the Flemish Primitive in Bruges The Flemish Primitive artist Hans Memling (c. 1435-1494), who played a crucial role in early Netherlandish painting, is inextricably associated with Bruges. Among his most impressive creations are the St John Altarpiece and the St Ursula Shrine, which he created for St John's Hospital in the city. Seven more of this fifteenth-century master's finest works can also be seen in Bruges, at what is now the St John's Hospital Museum and at the Groeninge Museum. This book describes Memling's breathtaking paintings in close detail, while offering readers the opportunity to (re)discover his oeuvre as a whole. In a series of accessible essays, Anna Koopstra, curator of early Netherlandish painting at Musea Brugge, explores Memling's imagination, his technical brilliance and the cultural context in which the artist lived and worked. Boeknummer: 62844 | Prijs: EUR 39.95 In winkelwagen

Anna Koopstra HANS MEMLING IN BRUGGE Hannibal Books, 2024. HB, 292 x 245 mm, 208 pages, met illustraties in kleur nieuw! NL tekst. ISBN: 9789464666885 Het adembenemende werk van Hans Memling, de Vlaamse primitief in Brugge De Vlaamse primitief Hans Memling (ca. 1435-1494), die een cruciale rol speelde in de vroege Nederlandse schilderkunst, is onlosmakelijk verbonden met Brugge. Tot zijn indrukwekkendste creaties behoren ongetwijfeld het Johannesaltaar en het Ursulaschrijn, die hij maakte in opdracht van het Sint-Janshospitaal. Daarnaast zijn nog zeven andere topwerken van de oude meester te bewonderen in het Brugse Museum Sint-Janshospitaal en het Groeningemuseum. Dit boek toont Memlings adembenemende kunstwerken tot in de kleinste details en biedt een unieke gelegenheid om zijn werk beter te leren kennen of te herontdekken. Anna Koopstra, conservator vroeg-Nederlandse schilderkunst van Musea Brugge, vertelt in toegankelijke essays over Memlings verbeeldingskracht, zijn technische meesterschap en de culturele context waarin de schilder leefde en werkte. Boeknummer: 62843 | Prijs: EUR 39.95 In winkelwagen

Anne T. Woollett, Nils Büttner, Elizabeth McGrath, Alexandra N. Bauer Works in Collaboration Frans Snijders and Other Masters. Corpus Rubenianum Ludwig Burchard, vol. 27.2 Brepols - Harvey Miller, 2025. hardcover, dusjacket, 290 pages, Size:175 x 260 mm, Illustrations:65 b/w, 42 col., Language(s):English. *New. ISBN: 9781915487582 Summary Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this period too he began to co-operate with other masters, such as Jan Brueghel the Elder; a separate volume, dedicated to that collaboration, was published in 2016 (Corpus Rubenianum Ludwig Burchard, XXVII (1): Jan Brueghel I & II). On his return from Italy in 1609, not only did Rubens?s studio assistants increase in number, so too did the co-operative projects that the artist undertook. Rubens continued to work with Jan Brueghel the Elder until 1621. When Brueghel died in 1625, his son Jan continued the partnership with Rubens until the latter?s death in 1640. Similarly productive was the collaboration between Rubens and the still life and animal painter Frans Snijders. It began shortly after Rubens's return to Antwerp and is reflected in various large-format works for the courts of Brussels and Madrid [?], but also in smaller ?cabinet? paintings, some of which were executed by members of the respective workshops of the two masters. The collaboration soon extended to the studio of the animal painter Paul de Vos, whose sister Margriete had married Snijders in 1611. One such joint painting was still in Rubens?s possession at the time of his death and was listed in the 1640 catalogue of the works for sale from the artist?s estate. This document also reveals that, among the paintings by other masters that he owned, Rubens possessed a surprisingly large quantity by the Dutch landscape and genre painter Cornelis Saftleven. Rubens had worked with Saftleven during his stay in Antwerp at the beginning of the 1630s, and evidently appreciated his talent, even if this collaboration can be represented only by a single painting. The present is devoted to Rubens?s fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. It thus contributes not only to the documentation of Rubens?s oeuvre, but also to the understanding of workshop practices and the lives and social networks of painters in the city of Antwerp. -- Catalogue Raisonné Rubens and Snijders: An Enduring Alliance Rubens and Paul de Vos Rubens and Cornelis Saftleven Boeknummer: 66626 | Prijs: EUR 165.00 In winkelwagen

Anne van Oosterwijk & Till-Holger Borchert (red.) Vergeten Meesters Pieter Pourbus en Brugge 1525 - 1625. Brugge, SNOECK, 2017. Hardback, 280x230mm, 320p, 300 colour illustrations, Dutch (NL) edition . NIEUW. ISBN: 9789461614094 Onbekend maakt onbemind: dit geldt zeker voor de Brugse meesters uit de zestiende eeuw. Ambrosius Benson, Lancelot Blondeel, Pieter Pourbus en de familie Claeissens staan in de schaduw van hun voorgangers, de Vlaamse primitieven en hun tijdgenoten uit Antwerpen. De gouden eeuw van Brugge is voorbij en de afzetmarkt veranderd. Met het roemrijke artistieke verleden als inspiratiebron ontstaat er in Brugge een geheel eigen stijl. Hoog tijd voor een focus op deze vergeten meesters! In het Brugge van de vroege zestiende eeuw heerst een stabiel economisch klimaat dat niet te vergelijken is met de hoogtijdagen uit de vijftiende eeuw. Een kleine maar rijke elite blijft kunst bestellen, maar globaal gezien neemt de vraag af, alhoewel de kwaliteit hoog blijft. Omstreeks diezelfde tijd verzamelen zich een aantal belangrijke humanisten. Erasmus noemt Brugge het 'Athene van het Noorden'. De catalogus biedt een staalkaart van de Brugse artistieke productie van 1525 tot 1625 met werken van Ambrosius Benson, Adriaen Isenbrant, Marcus Gerards, Lancelot Blondeel, Pieter Pourbus, Pieter, Antoon en Gillis Claeissens en Frans Pourbus. Bovendien wordt gefocust op de marketingkeuzes en de zoektocht naar nieuwe doelgroepen door deze kunstenaars. Ongekende topstukken worden samengebracht en bieden een krachtig beeld van inventiviteit in tijden van schaarste. Boeknummer: 50760 | Prijs: EUR 39.00 In winkelwagen

Anne-Marie Logan, Kristin Lohse Belkin The Drawings of Peter Paul Rubens, A Critical Catalogue, VOLUME THREE 1621-1640 Part One: Text and Part Two: Plates, 2 vols. Brepols - Harvey Miller, 2025. Hardback, 2 vols. 555 Pages: 2 vols, Size:216 x 280 mm, Illustrations:172 b/w, 342 col., Language: English. *new. ISBN: 9782503599564 This is the final volume of the catalogue raisonné of the drawings by Peter Paul Rubens, covering the years 1621-1640. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. Accordingly, Volume III consists of the drawings from 1621 to the artist?s death in 1640. The first decade is characterized by Rubens?s first foreign commission, the paintings for the Luxembourg Palace, Marie de? Medici, the Queen Mother?s new residence in Paris, and by the demands of the artist?s diplomatic missions to the courts of Madrid and London. In contrast to the works requested by Rubens?s official duties, especially portraiture, a subject not of primary interest to the artist before, are the paintings and drawings of the second decade, predominantly inspired by the elderly painter?s marriage to the young Helena Fourment and the love and deep affection for his wife and her children. Court portraits are replaced by images of his family à trois crayons, Rubens preferred medium in these years. Helena in disguise appears in the artist?s religious, mythological and genre paintings, most gloriously in the series of drawings for The Garden of Love. Commissions for altarpieces continue but unlike the black chalk anatomical studies of the 1610s, preparatory drawings now consist of head studies in black and red chalk, the latter used for the capture and color of skin. At the same time, images of domestic bliss are accompanied by drawings of the Flemish countryside, especially after Rubens?s purchase of the seignorial estate ?Het Steen? in 1635. In addition, Rubens continues to design title-pages and even to make copies after older works of art that constitute such a large part of his earliest output. But the activity of copying the works of his predecessors for the purpose of artistic instruction now has turned into the antiquarian?s pursuit of knowledge and the collector?s desire and delight, as Rubens records ancient gems and cameos in a series of drawings with the aim of a scholarly publication that, however, never materialized. As in previous volumes, each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color as far as possible. TABLE OF CONTENTS Part One: Text Introduction to the Catalogue Acknowledgments Peter Paul Rubens (1557?1640): Timeline 1621?1640 Catalogue Entries Appendices I Addenda II Corrigenda III Rejected Attributions Part Two: Plates Catalogue Illustrations Appendices I Addenda II Corrigenda Bibliography Exhibitions List of Illustrations Index to Volumes I-III Photographic Credits Boeknummer: 67556 | Prijs: EUR 259.00 In winkelwagen

Anne-Marie Logan, Kristin Lohse Belkin The Drawings of Peter Paul Rubens, A Critical Catalogue, VOLUME TWO (1609-1620) Part One: Text and Part Two: Images Brepols - Harvey Miller, 2023. 2 vols; Part One: Text and Part Two: Images, 732 pages; Size:216 x 280 mm, Illustrations:291 col.
Language(s):English. ISBN: 9782503599533 This is Volume II in the three-volume catalogue raisonné of the drawings by Rubens covering the years 1609-20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens?s early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens?s extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color. Boeknummer: 61714 | Prijs: EUR 250.00 In winkelwagen

Annick Born & Maximiliaan P.J. Martens Van Eyck in Detail / Van Eijck in detail. Ludion, 2022. 3 ed.. Hardcover, 255 pagina's, NL, 325 x 260 mm, Nieuwe editie, met zeer duidelijke grote illustraties in kleur. *nieuw. ISBN: 9789461300577 Haarscherpe analyse van details uit Van Eycks oeuvre die met het blote oog vaak niet waar te nemen zijn. Elk detailbeeld is voorzien van toegankelijke commentaar. Met een biografie, een essay over de olieverftechniek en een catalogus van het oeuvre van Van Eyck. Tweede druk. Boeknummer: 59534 | Prijs: EUR 24.99 In winkelwagen

Belgische kunst voor 1830