New arrivals
Van Miegroet, Hans J. /Gibson
GERARD DAVID. Monograph documente; FR
Antwerpen, Fonds Mercator, 1989.. grand In-4 relie pleine toile blanche pour le dos, marron pour les plats, etui, 372pp.bon etat !! Texte en Francais / .258 Photographies en noir et en couleurs + petites ill. en noir dans le catalogue en fin de volume.Sous etui cartonne
In his early work, David had followed Haarlem artists such as Dirk Bouts, Albert van Oudewater and Geertgen tot Sint Jans, though he had already given evidence of superior power as a colourist. To this early period belong the St John of the Kaufmann collection in Berlin and the Saltings St Jerome. In Bruges he studied and copied masterpieces by the Van Eycks, Rogier van der Weyden, and Hugo van der Goes. Here he came directly under the influence of Memling, the master whom he followed most closely. It was from him that David acquired a solemnity of treatment, greater realism in the rendering of human form, and an orderly arrangement of figures. Texte en Francais
EUR 58.00
GERARD DAVID. Monograph documente; FR
Antwerpen, Fonds Mercator, 1989.. grand In-4 relie pleine toile blanche pour le dos, marron pour les plats, etui, 372pp.bon etat !! Texte en Francais / .258 Photographies en noir et en couleurs + petites ill. en noir dans le catalogue en fin de volume.Sous etui cartonne
In his early work, David had followed Haarlem artists such as Dirk Bouts, Albert van Oudewater and Geertgen tot Sint Jans, though he had already given evidence of superior power as a colourist. To this early period belong the St John of the Kaufmann collection in Berlin and the Saltings St Jerome. In Bruges he studied and copied masterpieces by the Van Eycks, Rogier van der Weyden, and Hugo van der Goes. Here he came directly under the influence of Memling, the master whom he followed most closely. It was from him that David acquired a solemnity of treatment, greater realism in the rendering of human form, and an orderly arrangement of figures. Texte en Francais
EUR 58.00